Displaying items by tag: Scream Factory

We’re kicking things off this week with a pair of new disc reviews...

Tim has posted his thoughts on Neil Jordan’s The Company of Wolves (1984) in 4K Ultra HD from Scream Factory.

And Stephen has checked in with his take on Daniel Kwan and Daniel Scheinert’s Best Picture-winning Everything Everywhere All at Once (2022) in 4K Ultra HD from A24 via Lionsgate.

In announcement and release news today, we have several interesting items for you...

First, our friends at MVD Entertainment have revealed the first 4K title in their MVD Rewind Collection, and it’s none other than Wes Craven’s Swamp Thing (1982)! Look for it to arrive on 7/25, and it will include both the Unrated International Version as well as the US Theatrical Version (which is rated PG). The title is also coming to Blu-ray that same day. You can see the cover artwork above left and also below.

Both versions are restored from new 16-bit 4K scans of the original camera negative, presented in the correct 1.85 aspect ratio with Dolby Vision HDR and audio in English 2.0 mono in DTS-HD Master Audio format (as well as Spanish mono). [Read on here...]

All right, we’ve got a lot of ground to cover today. We have several new disc reviews—at least one from each member of the Bits review team—and plenty of announcement news for you as well. First, those reviews...

First, I’ve posted my review of John Huston’s first film, The Maltese Falcon (1941), in a beautiful new 4K Ultra HD restoration from Warner Bros.

Stephen has reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from Cauldon Films.

Dennis has turned in his thoughts on Jim McBride’s Breathless (1983) in Blu-ray from Fun City Editions via Vinegar Syndrome.

Stuart has offered his thoughts on Joseph McGrath’s The Bliss of Miss Blossom (1968) on Blu-ray from Kino Lorber Studio Classics, as well as Sam Woods’s Goodbye Mr. Chips (1939) on Blu-ray from the Warner Archive Collection.

And Tim rounds things out with his reviews of William Peter Blatty’s The Exorcist III (1990) in 4K Ultra HD from Scream Factory, as well as Tope Hoper’s The Texas Chain Saw Massacre (1974) in 4K Ultra HD from Turbine Medien in Germany.

More new reviews are on the way as well in the coming days, so be sure to keep checking back for them. [Read on here...]

Welcome to the first week of April, everyone!

As you might expect, over the weekend we’ve posted several more new disc reviews for you all to enjoy, including...

My reviews of Jonathan Frakes’ Star Trek: Insurrection (1998) and Stuart Baird’s Star Trek: Nemesis (2002) in 4K Ultra HD from Paramount. That completes my look at all four of the newly-remastered Star Trek: The Next Generation feature films in 4K.

Stuart’s thoughts on Clarence Brown’s Wife vs. Secretary (1936) on Blu-ray from the Warner Archive Collection and Milton Moses Ginsberg’s The Werewolf of Washington (1973) on Blu-ray from Kino Classics.

And last but certainly not least, Stephen’s in-depth review of Wilfred Jackson, Hamilton Luske, and Clyde Geronimi’s original classic animated Cinderella (1950) in 4K Ultra HD from Disney, currently available from the Disney Movie Club, but coming widely later this year.

Key note about Cinderella—it looks like Disney’s actually done this one right, with a stunning 4K remaster that respects the film’s original photochemical production by leaving its line-work, fine detail, and grain structure fully intact! This really bodes well for future 4K animated titles from the studio, and one certainly hopes that all of these original animated classics will be revisited on the format going forward. [Read on here...]

We begin as always today with several more new disc reviews for you to enjoy here at The Bits...

First of all, I’ve begun to review Paramount’s new Star Trek: The Next Generation feature films in 4K Ultra HD, and so far I’ve completed David Carson’s Star Trek: Generations (1994) and Jonathan Frakes’ Star Trek: First Contact (1996). I should also have Star Trek: Insurrection (1998) finished by the end of the day as well.

Meanwhile, Tim has posted his thoughts on the regular Amaray 4K and Steelbook 4K Ultra HD versions of Tobe Hooper’s The Texas Chain Saw Massacre (1974) from Dark Sky Films. He’s also shared his take on John D. Lamond’s Nightmares (1980) on Blu-ray from Vinegar Syndrome. And he’s just posted his look at Don Coscarelli’s Bubba Ho-Tep (2003) in 4K Ultra HD from Scream Factory.

Stuart has delivered a review of Jerry Hopper’s Secret of the Incas (1954) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his review of Nicolas Winding Refn’s Drive (2011) in 4K Ultra HD, a UK-import title from Second Sight.

More reviews are on the way, including the rest of the Star Trek: TNG films in 4K, as well as All Quiet on the Western Front, Disney’s new Cinderella (1950) 4K, and much more, so be sure to keep checking back. [Read on here...]

We’ve got more new disc reviews for you today as well as more great title announcements, cover artwork, and pre-order links too...

Today’s reviews start with Tim’s take on Marquis de Sade’s Justine (1969) in 4K Ultra HD from director Jesús Franco and our friends at Blue Underground.

Also this evening, Stuart has offered his thoughts on François Truffaut’s Mississippi Mermaid (1969) on Blu-ray Disc from the Kino Lorber Studio Classics line, and also Mathieu Amalric’s Hold Me Tight (2021) on Blu-ray from Kino Lorber.

As always, watch for more new disc reviews all this week.

Now then, the big catalog news today is that Paramount has finally announced a title we first revealed here at The Bits back in December: Mimi Leder’s Deep Impact (1998) is officially set for release in 4K Ultra HD on 5/2. The title will include Dolby Vision HDR and will carry over all of the previous Blu-ray special features. You can see the cover artwork at left and also below. [Read on here...]

We just have a couple reviews for you today, plus a few more pieces of release news to close out the week. And it’s starting to seem likely that next week could see a significant announcement or two. But we’ll get to that in a moment. First, those reviews...

Tim has posted two more new disc reviews of titles in Arrow’s great Shawscope: Volume One Blu-ray box set, including Chang Cheh’s Five Shaolin Masters (aka 5 Masters of Death, 1974) and Shaolin Temple (aka Death Chamber, 1976).

As always, we’ve got a lot more reviews on tap for next week, so be sure to check back for them.

Now then, the big announcement news today is that Universal Pictures Home Entertainment has officially set Gerald Johnstone’s M3GAN for release on Blu-ray and DVD on 3/21, with the Digital release expected on 2/24. Unfortunately, there will not be a physical 4K Ultra HD release, at least for now. [Read on here...]

We have a bunch of new title announcements to start the week off right today...

First up, Paramount has just officially set Damien Chazelle’s Babylon for release on Blu-ray, DVD, and 4K Ultra HD on 3/21, with the Digital release expected tomorrow on 1/31. The Blu-ray and 4K disc will include a trio of behind-the-scenes featurettes (A Panoramic Canvas Called Babylon, The Costumes of Babylon, and Scoring Babylon) along with deleted and extended scenes. Note that a Steelbook 4K SKU will also be widely available the same day. You can see the Amaray art at left and both versions below.

Paramount has now made Adrian Lyne’s Flashdance (1983) official for release in 4K Ultra HD on 4/11 as a new 40th Anniversary Edition. You can see that below as well.

They’ve also set Jon Chu’s G.I. Joe: Retaliation (2013) for 4K Ultra HD re-release as well as a 4K Steelbook 10th Anniversary Edition on 3/28 with Dolby Vision HDR.

And on the TV front, Paramount and Comedy Central have announced South Park: The Complete Twenty-Fifth Season for Blu-ray and DVD release on 4/4. [Read on here...]

All right, we have several more new disc reviews for you to close out the week today, and a bit more release news as well...

To start, Tim has turned in his thoughts on Paul Schrader’s Cat People (1982) in 4K Ultra HD from Scream Factory.

He’s also reviewed Sam Raimi’s Army of Darkness (1990) in 4K Ultra HD in both wide-release Amaray and Steelbook packaging, also from Scream Factory.

Stephen has taken a look at Yugo Sakamoto’s Baby Assassins (2021) on Blu-ray from Well Go USA Entertainment, as well as Jack Cardiff’s The Girl on a Motorcycle (1968) on Blu-ray from Kino Lorber Studio Classics, and also Sergio Bergonzelli’s Blood Delirium (1988) on Blu-ray from Vinegar Syndrome.

And Dennis has offered his thoughts on Rick Rosenthal’s Distant Thunder (1988) on Blu-ray from Paramount via Imprint Films.

All of these tiles are worth a look, and as always more reviews are forthcoming in the days ahead. [Read on here...]

We’re checking in today with a rare weekend My Two Cents update to bring you a little bit of new Blu-ray and 4K UHD release news that broke on Friday afternoon.

First though, a reminder... if you haven’t seen our New Year’s Eve post, I spent a little bit of time reflecting back on 25 Years of The Digital Bits, a landmark we officially crossed last month. So whether you’re a longtime reader who’s been with us from the start, or a newcomer to the site who’s curious about how we got started and where we came from, I think you’ll find it a quick and enjoyable read.

And once again, let me just say that I’m very glad to have all of you as readers of The Digital Bits. We appreciate all your support and thanks for sticking with us for two and a half decades now. Here’s to more great years ahead!

Now then, our friends at Shout! and Scream Factory have officially announced their March catalog release slate, and there are some gems in there for both Blu-ray and 4K Ultra HD fans alike. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]