Displaying items by tag: The Magnificent Seven 4K

Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

Today’s My Two Cents update begins as always with more new disc reviews...

Tim and I have taken a look at Kino Lorber Studio Classics’ new 4K Ultra HD upgrade of the classic Joseph Sargent heist thriller The Taking of Pelham One Two Three (1974), which stars Robert Shaw and Walter Matthau. Among other things, it’s a great New York City movie and if you’ve ever wondered where director Quentin Tarantino got the idea for his character names in Reservoir Dogs, look no further.

Also today, we’ve gone in-depth on Via Vision’s new Dirty Dancing: Limited Edition Steelbook 4K Ultra HD release, which takes Lionsgate’s already fine remastering work on the title and adds a few more extras via their own exclusive bonus Blu-ray Disc.

And Tim has also reviewed Bob Clark’s Children Shouldn’t Play with Dead Things: 50th Anniversary Edition in 4K Ultra HD from VCI Entertainment, which includes a new 4K scan and remaster but only Standard Dynamic Range, as well as Nico Mastorakis’s Nightmare at Noon (1988) on Blu-ray from our friends at Arrow Video.

More reviews are on the way tomorrow and beyond, so be sure to watch for them. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

Well, today is Cyber Monday, which means there are still a number of good deals to be had on things around the Internet. So rather than repeating my comments from last week about Black Friday, I’ll just remind you that if you go looking for deals on Amazon today, please be sure to use one of our affiliate links (if you’d care to support our work here at The Bits in the process).

Now then, our own holiday was lovely here in SoCal. My wife’s cousin joined us for Thanksgiving, which involved eating some great food (both the usual turkey and stuffing, as well as mighty fine barbecue the day after), watching a lot of football as well as some terrific movies (including revisiting David Mackenzie’s Hell or High Water and James Mangold’s Ford v Ferrari) and a few TV series too (the season finale of Andor is fantastic—I haven’t enjoyed Star Wars this much since 1983). I also did a little bit of actual shopping, which amounted to picking up a hooded vest to wear in the office when it gets chilly and upgrading my old Pixel 3a phone to a new 6a thanks to an offer from Google that was too good to refuse. Finally, we got our Christmas tree up and decorated. So all in all, it was an enjoyable long weekend. And I certainly hope you all had a good one as well!

We’re starting today with a pair of new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on the Terry Jones comedy Monty Python’s The Meaning of Life (1983) in 4K Ultra HD from Universal, as well as John Badham’s Saturday Night Fever (1977) in 4K Ultra HD from Paramount. Sadly, that latter is something of a disappointment. But I’ll let Tim explain that to you.

Again, watch for more new disc reviews all this week here on The Digital Bits. [Read on here...]

Afternoon, folks. Hope you all had a fine weekend. We’ve got a lot of ground to cover today, so let’s get right to it...

First up, we’ve just posted a trio of new Blu-ray Disc reviews, including my take on Peter Gabriel: Growing Up Live & Unwrapped + Still Growing Up Live, coming this week from Eagle Rock Entertainment, as well as Tim’s Pick-Ups column thoughts on Scream’s Raising Cain: Collector’s Edition, and Jim’s look back at Miss Sadie Thompson in 3-D from Twilight Time (on Blu-ray 3D format). All three titles are worth your time, so do give the reviews a read. [Read on here…]