Displaying items by tag: Second Sight Films UK

We’ve got more new disc reviews for you today as well as more great title announcements, cover artwork, and pre-order links too...

Today’s reviews start with Tim’s take on Marquis de Sade’s Justine (1969) in 4K Ultra HD from director Jesús Franco and our friends at Blue Underground.

Also this evening, Stuart has offered his thoughts on François Truffaut’s Mississippi Mermaid (1969) on Blu-ray Disc from the Kino Lorber Studio Classics line, and also Mathieu Amalric’s Hold Me Tight (2021) on Blu-ray from Kino Lorber.

As always, watch for more new disc reviews all this week.

Now then, the big catalog news today is that Paramount has finally announced a title we first revealed here at The Bits back in December: Mimi Leder’s Deep Impact (1998) is officially set for release in 4K Ultra HD on 5/2. The title will include Dolby Vision HDR and will carry over all of the previous Blu-ray special features. You can see the cover artwork at left and also below. [Read on here...]

We’ve got several new disc reviews for you to kick things off this morning...

Tim has taken a look at Daniel Haller’s HP Lovecraft adaptation The Dunwich Horror (1970), which is new on Blu-ray from Arrow Video.

Stuart has checked out Hugo Fregonese and Piero Pierotti’s Marco Polo (1962) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Richard Wilson’s Raw Wind in Eden (1958) on Blu-ray, also from KLSC.

And Stephen has offered his thoughts on Martin McDonagh’s In Bruges (2008) on 4K Ultra HD from KLSC, as well as Robert Eggers’ The Northman (2022) in 4K UHD from Universal.

We’ve also got some great release news for you today, starting with this: The good folks at the Criterion Collection have just unveiled their May release slate, which is set to include upgrades of Wim Wenders’ Wings of Desire (Spine #490 – 4K UHD) on 5/2 and Seijun Suzuki’s Branded to Kill (Spine #39 – 4K UHD) on 5/9, Peter Bogdanovich’s Targets (Spine #1179 – Blu-ray and DVD) on 5/18, Céline Sciamma’s Petite maman (Spine #1181 – Blu-ray and DVD) on 5/23, and Ridley Scott’s Thelma & Louise (Spine #1180 – 4K UHD and Blu-ray) on 5/30.

You can read more about all these here, and you can see the cover art below. Our Criterion Spines Project pages here at The Bits have been updated accordingly. [Read on here...]

We’ve got two new disc reviews for you today, as well as more interesting 4K Ultra HD news and a few other things as well. First up, those reviews...

Tim has turned in his thoughts on Kenneth G. Crane’s Monster from Green Hell (1957) on Blu-ray from The Film Detective.

And Dennis has offered his take on Michael Curtiz’s The Scarlet Hour (1956) on region-free Blu-ray from Imprint Films in Australia.

More reviews are on the way all this week, so be sure to stay tuned for them.

The big 4K news today is that Paramount has officially set Walter Hill’s 48 Hrs. (1982) and Another 48 Hrs. (1990) for release on 4K Ultra HD on 12/6, just as we’ve been anticipating. [Read on here...]

The big piece of announcement news today is that Universal Studios Home Entertainment has set Paul Thomas Anderson’s excellent and Best Picture-nominated film Licorice Pizza for release on Blu-ray and DVD on 5/17. The Digital version is already available (including 4K), though there are no current plans for a physical 4K Ultra HD release. Extras on the Blu-ray will include camera tests, a deleted scene, a Fat Bernie’s Commercial, and a Behind-the-Scenes featurette. You can see the cover artwork at left and also below.

Also, Sony Pictures Home Entertainment has officially set The Boys: Seasons 1 & 2 Collection for release on Blu-ray and DVD on 5/17. Of course, the Amazon-exclusive series is already available for streaming on Amazon Prime. This release is no doubt timed to support the 6/3 debut of Season 3 on Prime. Extras on the discs will include deleted scenes and a blooper real for each season, plus Butcher: A Short Film. Again, you can see the cover artwork below.

One hopes that the this means Sony might consider releasing other series it produces for streamers on physical media eventually, including (hopefully) Apple TV’s outstanding For All Mankind (which I’d kill to own on physical 4K). [Read on here...]

All right, today’s news update is going to be a quick one. The reason is that I’m working to confirm a number of interesting rumors that I’ve heard in the last 24 hours, both on the interwebs and also from my own industry sources. I’m talking not one, but multiple interesting topics, including word of forthcoming releases and also more general stuff that’s going on in the home video industry right now. I’d actually hoped to be able to confirm one of them in time for this post, but I’m waiting on sources to get back to me. So I’ve decided to post a quick update now and come back with more as I hear it.

Before I continue with what news we have this afternoon, we do have a new disc review for you here at The Digital Bits today. Dennis has turned in his thoughts on Noel Black’s A Man, a Woman, and a Bank (1979) on Blu-ray from Kino Lorber Studio Classics. You can read that here.

Now then... Arrow Video has pushed back the street date for Pitch Black on 4K Ultra HD to 9/1 (from 8/18). Adjust your plans accordingly. [Read on here...]

All right, we’re here at The Bits today closing out what I must say is one of the more interesting weeks I’ve experienced in my 52 years on this planet.

But we’ve got a new review to keep you amused this afternoon: I’ve just turned in my thoughts on Sam Mendes’ Best Picture-nominated 1917 in 4K Ultra HD. It’s an impressive A/V experience with a native 4K digital intermediate, Dolby Vision, HDR10, and HDR10+ high dynamic range, a fine Dolby Atmos sound mix, and dazzling Oscar-winning cinematography by Roger Deakins. There are even a couple of fine audio commentaries on the disc too. Don’t miss it.

Also today, our friends at The Warner Archive Collection have just officially announced no less than SEVEN great new catalog Blu-ray titles that are coming in April. [Read on here...]