Displaying items by tag: Quentin Tarantino

All right, today is Election Day here in the States, which means that partisans on both sides (and everyone in between) are feeling grumpy, nervous, or just over the whole damn thing. Some folks this evening or tomorrow—or at some point in the next two months—will be happy-ish. But while none of this feels normal, it may actually be the new normal, and that too is unsettling for lots of people.

Given all of that, I wanted to share a post today here at The Digital Bits that might actually serve as a balm or a ray of sunshine for movie and 4K fans—or at least a bit of welcome news—no matter what the outcome of today’s voting might be. So stay tuned for that in a moment.

First though, we’ve got a trio of new disc reviews to share with you here today, including...

Stephen’s take on Robert Rossen’s All the King’s Men (1949) in 4K Ultra HD from Sony Pictures Home Entertainment’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Dennis’ review of Robert Rossen’s Body and Soul (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on Alberto Cavalcanti’s Nicholas Nickleby (1947) on Blu-ray from Kino Classics.

More reviews are definitely on the way soon, including my own look at Arcane: League of Legends in 4K UHD from GKids and Shout! Studios. So be sure to watch for them. [Read on here...]

We have no less than six new disc reviews for you today, including...

Stephen’s look at Dario Argento’s Opera (1987) in limited edition 4K Ultra HD from Severin Films.

Stuart’s take on Jean Negulesco’s Jessica (1962) on region-free Blu-ray from Imprint and Via Vision, as well as Fernando Di Leo’s Madness (1980) on Blu-ray from Raro Video and Kino Lorber.

Dennis’ thoughts on Curtis Bernhardt’s Conflict (1945) and George Stevens’ I Remember Mama (1948) on Blu-ray from the Warner Archive Collection.

And Tim’s look at James Signorelli’s Elvira: Mistress of the Dark (1988) in 4K Ultra HD from Arrow Video.

Note that we have several more reviews coming tomorrow that are specifically Halloween-themed. And watch for more on Friday and over the weekend.

Now then, the big news today is that Sony Pictures Home Entertainment has just set Seinfeld: The Complete Series for release on 4K Ultra HD and Blu-ray on 12/17 in honor of the series’ 35th anniversary! And here’s the cool part: while the Blu-ray will feature the episodes reframed in 1.78:1, the limited edition 4K set will feature them in the original 1.33:1 broadcast ratio. [Read on here...]

We’ve got one more new disc review to close out the week...

Stuart has turned in his take on Michel Boisrond’s Naughty Girl (1956) on Blu-ray from Kino Classics. It’s a French comedy starring Brigitte Bardot.

And more reviews are forthcoming, including possibly starting this weekend. So be sure to keep your eyes peeled both here and on our various social media (including @billhuntbits and @thedigitalbits).

Now then, the big news today is that our friends at Arrow Video have just unveiled their January Blu-ray and 4K slate.

And as you might expect, it includes a couple of long-awaited gems, as well as a few titles other labels have released previously (but Arrow always makes their own versions special). [Read on here...]

We’ve got some MAJOR announcement news to share with you all today, we’re starting things off as always with four new disc reviews...

Tim has checked in with his thoughts on Arthur Rankin Jr. and Jules Bass’ animated The Last Unicorn (1982) in 4K Ultra HD and 4K Steelbook from Shout! Studios.

And Dennis has weighed in with this take on Norman Z. McLeod’s My Favorite Spy (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Serge Bourguignon’s Two Weeks in September (1967) on Blu-ray from Kino Classics.

Now then, our friends at Shout! Studios and the Warner Archive Collection have announce major slates of Blu-ray and 4K Ultra HD catalog titles for release in November and December!

The Warner Archive Collection has revealed 6 new classic Blu-ray titles for release on 11/26, including Jean Negulesco’s Humoresque (1946)—mastered from a 4K scan of original nitrate camera negative—Jack Haley Jr. That’s Entertainment! (1974)—re-constructed from original negatives and preservation elements—The Complete Thin Man Collection (1934-47)—a 6-disc set mastered from 4K scans of the best surviving elements, featuring WS Van Dyke’s pre-Code The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941), as well as Richard Thorpe’s Song of the Thin Man (1944), and Edward Buzzell’s The Thin Man Goes Home (1947)—Hanna-Barbera’s animated Wait Till Your Father Gets Home (1972-74) TV series—featuring 48 episodes on 6 discs—Gary David Goldberg’s Must Love Dogs (2005), and finally the Looney Tunes Collector’s Choice: Volume 4 (1937-64)—including 27 classic Looney Tunes fully restored and remastered shorts, including Friz Freleng’s Streamlined Greta Green (1937), Double Chaser (1942), Meatless Flyday (1944), Peck Up Your Troubles (1945), Along Came Daffy (1947), A Bone for a Bone (1951), Muzzle Tough (1954), Stork Naked (1955), Hyde and Go Tweet (1960), Lighter Than Hare (1960), D’ Fightin’ Ones (1961), Devil’s Feud Cake (1963), and Road to Andalay (1964), Tex Avery’s The Sneezing Weasel (1938) and Dangerous Dan McFoo (1939), Tex Avery and Bob Clampett’s The Cagey Canary (1941), Chuck Jones’ Fox Pop (1942), Mouse-Warming (1952), Double or Mutton (1955), and Hopalong Casualty (1960), Robert McKimson’s The Mouse-Merized Cat (1946), Henhouse Henery (1949), Leghorn Swoggled (1951), Muscle Tussle (1953), and Quack Shot (1954), Arthur Davis’ Holiday for Drumsticks (1949), and Norm McCabe’s The Impatient Patient (1942). Whew! [Read on here...]

Welcome to a new week, Bits-ers! Hope you all had a good one, including all those of you who attended WonderCon in Anaheim this weekend.

Today is obviously April Fool’s Day, but rest assured we aren’t going to waste time with such tomfoolery here at the site this afternoon because we’ve got more new disc reviews for you, as well as some really great actual news too.

Let’s get to those reviews first. Today we have...

Stephen’s review of Ted Kotcheff’s North Dallas Forty (1979) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his take on György Kovásznai’s Bubble Bath (1980) on Blu-ray from Vinegar Syndrome.

And Stuart’s look at William Grefé’s Impulse (1974) on Blu-ray from Grindhouse Releasing, as well as Emmanuel Carrère’s Between Two Worlds (2021) on Blu-ray from Cohen Media Group.

Late last week, we also posted Tim’s reviews of Sam Raimi’s Drag Me to Hell (2009) in both regular and limited edition Blu-ray, as well as his reviews of Quentin Tarantino (etc)’s Grindhouse (2007) in both regular and limited edition Blu-ray, all from Via Vision’s Imprint Films.

And not to be outdone, Dennis has also reviewed Peter Yates’ The Dresser (1983) on Blu-ray from Imprint as well. [Read on here...]

We’re starting today with a couple more new disc reviews including...

Stephen’s take on Disney’s new wide-release 4K Ultra HD version of their animated classic Cinderalla (1950), which looks fantastic and bodes well for future Disney 4K titles.

And Dennis’ review of Harry Beaumont’s The Broadway Melody (1929) on Blu-ray from the Warner Archive Collection.

Now then, the big announcement news today is that Sony Pictures Home Entertainment has finally (and officially) set Sydney Pollack’s The Way We Were (1973) for 4K Ultra HD release on 10/17 in a new 50th Anniversary Edition. [Read on here...]

We hope those of you here in the States are all enjoying the long Memorial Day weekend. As it is a work holiday here today, there’s not a lot of official news to report. But we do have some significant 4K news from retail and other sources.

And we have some new disc reviews for you today as well, including...

Stephen’s look at Robert Rossen’s WWII classic They Came to Cordura (1959) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s take on the first season of a French TV title called Paris Police 1900 (2021) on DVD from Kino Lorber.

And Dennis’ review of Alexander Hall’s Little Miss Marker (1934) on Blu-ray from Kino Lorber Studio Classics.

More reviews are forthcoming this all week, so be sure to stay tuned for them. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

We’ve got two new disc reviews for you on this lovely Tuesday afternoon, both of them by our own Stephen Bjork...

First up, he’s taken a look at Universal’s CG-animated prequel Minions: The Rise of Gru in 4K Ultra HD.

Stephen has also offered his thoughts on Fernando Di Leo’s The Violent Breed (1984) on Blu-ray from Code Red via Kino Lorber.

As mentioned yesterday, more new disc reviews are on the way including a few great new 4K catalog titles, among them The War of the Worlds from Paramount and The Lost Boys from Warner Bros. So watch for those and more in the coming days.

Now then, in announcement news, Sony Pictures Home Entertainment has officially set David Leitch’s Bullet Train (2022) for release on Blu-ray, DVD, and 4K Ultra HD on 10/18, with the Digital release expected on 9/27. [Read on here...]

We’re back as promised this evening with more upcoming catalog 4K Ultra HD news and rumors from our studio, industry, and retail sources. Keep in mind, some of these titles are not yet officially announced, so the dates and details are subject to change.

First of all, this is a title we’ve known is coming for a few months now and while it’s not yet been officially announced by the studio, we do have the final cover artwork from retailers: Universal Studios Home Entertainment is expected to release their Universal Classic Monsters: Icons of Horror Collection – Volume 2 box set in 4K Ultra HD on 10/11.

The set will include The Mummy (1932), The Bride of Frankenstein (1935), Phantom of the Opera (1943), and Creature from the Black Lagoon (1954). You can see the cover artwork at left and also below.

It’s also believed that the titles in the studio’s Volume 1 set—Dracula (1931), Frankenstein (1931), The Wolf Man (1941), and The Invisible Man (1932)—will finally be released as single-film SKUs, for sure in the UK and possibly in the US as well. We’ll post more as soon as the studio makes any of this official. [Read on here...]