Displaying items by tag: Miramax

All right, today is Election Day here in the States, which means that partisans on both sides (and everyone in between) are feeling grumpy, nervous, or just over the whole damn thing. Some folks this evening or tomorrow—or at some point in the next two months—will be happy-ish. But while none of this feels normal, it may actually be the new normal, and that too is unsettling for lots of people.

Given all of that, I wanted to share a post today here at The Digital Bits that might actually serve as a balm or a ray of sunshine for movie and 4K fans—or at least a bit of welcome news—no matter what the outcome of today’s voting might be. So stay tuned for that in a moment.

First though, we’ve got a trio of new disc reviews to share with you here today, including...

Stephen’s take on Robert Rossen’s All the King’s Men (1949) in 4K Ultra HD from Sony Pictures Home Entertainment’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Dennis’ review of Robert Rossen’s Body and Soul (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on Alberto Cavalcanti’s Nicholas Nickleby (1947) on Blu-ray from Kino Classics.

More reviews are definitely on the way soon, including my own look at Arcane: League of Legends in 4K UHD from GKids and Shout! Studios. So be sure to watch for them. [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

We’re starting today with a couple more new disc reviews including...

Stephen’s take on Disney’s new wide-release 4K Ultra HD version of their animated classic Cinderalla (1950), which looks fantastic and bodes well for future Disney 4K titles.

And Dennis’ review of Harry Beaumont’s The Broadway Melody (1929) on Blu-ray from the Warner Archive Collection.

Now then, the big announcement news today is that Sony Pictures Home Entertainment has finally (and officially) set Sydney Pollack’s The Way We Were (1973) for 4K Ultra HD release on 10/17 in a new 50th Anniversary Edition. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

We’re wrapping up the week here at The Digital Bits with a trio of additional disc reviews and a bit more release news too. First up, those reviews...

Tim kicks things off with a look at Jacques Tourneur’s 1964 horror-comedy classic The Comedy of Terrors, starring Vincent Price, Boris Karloff, and Peter Lorre. It’s coming to Blu-ray on 8/31 from Kino Lorber Studio Classics.

Also, Dennis has offered his thoughts on Frank Perry’s Mommie Dearest, recently released as a new Paramount Presents Blu-ray edition.

And Stephen rounds things out today with his take on Robert Aldrich’s The Choirboys (1977) on Blu-ray also from Kino Lorber Studio Classics.

Now then, in terms of release news, the British Film Institute has just surprised us all by announcing its very first 4K Ultra HD release and it’s a good one: Ingmar Bergman’s The Seventh Seal (1957). You can see the cover artwork at the left there. [Read on here...]

We’ve got more great new disc reviews for you to enjoy today, as well as more release news too...

First up, Tim has posted his thoughts on Richard Alan Greenberg’s Little Monsters (1989), coming on 9/15 to Blu-ray from Lionsgate via their Vestron Video Collector’s Series.

Tim has also given William Witney’s Master of the World (1961) a look on Blu-ray, a hybrid adaptation of a pair of classic Jules Vern novels (Robur the Conqueror and Master of the World). That arrives on Blu-ray on 8/31 from Kino Lorber Studio Classics.

And finally, Tim has taken Roger Corman’s The Raven (1963) out for a spin on Blu-ray, starring Vincent Price, Peter Lorre, and Boris Karloff. That’s also coming from Kino Lorber Studio Classics on 8/31.

In terms of announcement news today, the big one is that Sony Pictures Home Entertainment has officially revealed a title we’ve had on our 4K List here at The Bits for a while now: J. Lee Thompson’s The Guns of Navarone. Look for it to arrive on 4K Ultra HD on 10/12 in honor of the film’s 60th anniversary. [Read on here...]