Displaying items by tag: Tim Salmons

We’re kicking things off this week with a pair of new disc reviews...

Tim has posted his thoughts on Neil Jordan’s The Company of Wolves (1984) in 4K Ultra HD from Scream Factory.

And Stephen has checked in with his take on Daniel Kwan and Daniel Scheinert’s Best Picture-winning Everything Everywhere All at Once (2022) in 4K Ultra HD from A24 via Lionsgate.

In announcement and release news today, we have several interesting items for you...

First, our friends at MVD Entertainment have revealed the first 4K title in their MVD Rewind Collection, and it’s none other than Wes Craven’s Swamp Thing (1982)! Look for it to arrive on 7/25, and it will include both the Unrated International Version as well as the US Theatrical Version (which is rated PG). The title is also coming to Blu-ray that same day. You can see the cover artwork above left and also below.

Both versions are restored from new 16-bit 4K scans of the original camera negative, presented in the correct 1.85 aspect ratio with Dolby Vision HDR and audio in English 2.0 mono in DTS-HD Master Audio format (as well as Spanish mono). [Read on here...]

All right, we’ve got a lot of ground to cover today. We have several new disc reviews—at least one from each member of the Bits review team—and plenty of announcement news for you as well. First, those reviews...

First, I’ve posted my review of John Huston’s first film, The Maltese Falcon (1941), in a beautiful new 4K Ultra HD restoration from Warner Bros.

Stephen has reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from Cauldon Films.

Dennis has turned in his thoughts on Jim McBride’s Breathless (1983) in Blu-ray from Fun City Editions via Vinegar Syndrome.

Stuart has offered his thoughts on Joseph McGrath’s The Bliss of Miss Blossom (1968) on Blu-ray from Kino Lorber Studio Classics, as well as Sam Woods’s Goodbye Mr. Chips (1939) on Blu-ray from the Warner Archive Collection.

And Tim rounds things out with his reviews of William Peter Blatty’s The Exorcist III (1990) in 4K Ultra HD from Scream Factory, as well as Tope Hoper’s The Texas Chain Saw Massacre (1974) in 4K Ultra HD from Turbine Medien in Germany.

More new reviews are on the way as well in the coming days, so be sure to keep checking back for them. [Read on here...]

We begin as always today with several more new disc reviews for you to enjoy here at The Bits...

First of all, I’ve begun to review Paramount’s new Star Trek: The Next Generation feature films in 4K Ultra HD, and so far I’ve completed David Carson’s Star Trek: Generations (1994) and Jonathan Frakes’ Star Trek: First Contact (1996). I should also have Star Trek: Insurrection (1998) finished by the end of the day as well.

Meanwhile, Tim has posted his thoughts on the regular Amaray 4K and Steelbook 4K Ultra HD versions of Tobe Hooper’s The Texas Chain Saw Massacre (1974) from Dark Sky Films. He’s also shared his take on John D. Lamond’s Nightmares (1980) on Blu-ray from Vinegar Syndrome. And he’s just posted his look at Don Coscarelli’s Bubba Ho-Tep (2003) in 4K Ultra HD from Scream Factory.

Stuart has delivered a review of Jerry Hopper’s Secret of the Incas (1954) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his review of Nicolas Winding Refn’s Drive (2011) in 4K Ultra HD, a UK-import title from Second Sight.

More reviews are on the way, including the rest of the Star Trek: TNG films in 4K, as well as All Quiet on the Western Front, Disney’s new Cinderella (1950) 4K, and much more, so be sure to keep checking back. [Read on here...]

We’re rounding out the week here at The Bits with a little bit more announcement news today, but first a couple more reviews...

Tim offered his thoughts on Travis Knight’s Kubo and the Two Strings in 4K Ultra HD from Laika via Shout! Factory—both the regular Amaray version as well as the Steelbook packaging.

Pressing on to this afternoon’s release news, Kino Lorber Studio Classics has just revealed that they’re bringing Charles Laughton’s classic noir thriller The Night of the Hunter (1955) to 4K Ultra HD on 5/30, complete with a new scan and Dolby Vision HDR grade.

Also newly revealed as coming to Blu-ray from KLSC are Dave Thomas’ The Experts (1989) on 5/9 and Robert Aldrich’s Hustle (1975) on 5/16.

In addition, they’re working on “coming soon” Blu-ray releases of René Clément’s The Day and the Hour (1963)—this one mastered from a new 4K restoration by Gaumont—as well as Stephen Norrington’s Death Machine (1994). [Read on here...]

We’ve got another new disc review for you today, actually two of them in a way: Our own Tim Salmons has taken a look at Graham Annable and Anthony Stacchi’s The BoxTrolls in 4K Ultra HD from Laika via Shout! Factory—both the regular Amaray version as well as the Steelbook packaging.

In announcement news today, our friend George Feltenstein has just revealed (via Tim Millard’s excellent The Extras podcast) the Warner Archive Collection’s planned April slate of Blu-ray titles, which will officially include Safe in Hell (1931) mastered from a 4K scan and restoration of a rare and newly-discovered 35 mm print, along with One Way Passage (1932), The Strawberry Blonde (1941), and Storm Warning (1951) each mastered from new 4K scans of the original camera negatives, and A Lion in the Streets (1953) mastered from a new 4K restoration of the original three-strip Technicolor camera negatives. All of these titles are due to street toward the end of the month (dates TBA).

The Warner Archive has apparently been working with The Film Foundation on these titles. Also revealed to be coming at some point this year to Blu-ray is The Roaring Twenties (1939). Again, street date is TBA. [Read on here...]

We’ve got a bunch more great announcement news for you this afternoon, along with new disc reviews as always. So let’s start with the latter first...

Stuart has posted his take on Paolo Heusch and Brunello Rondi’s A Violent Life (1962) on Blu-ray from Raro Video.

Stephen has offered his thoughts on Stuart Gordon’s From Beyond (1986) in 4K Ultra HD from Vinegar Syndrome.

And Tim has gone way down the rabbit hole with Turbine Media’s fantastic new Knight Rider: The Complete Series – 40th Anniversary Edition Blu-ray box set, a whopping 23-disc release that includes all four seasons of the original Knight Rider with (for the first time ever on home video) all of the original music re-instated. You also get Knight Rider 2000, Knight Rider 2010, and Team Knight Rider: The Complete Series, as well as a bonus disc with legacy extras and new material. This is truly the ultimate collection for fans of the film, and the best part is that it’s an ALL-REGION release. But it’s only available directly from Turbine’s online shop, so act fast if you want it. And don’t miss Tim’s review!

Now then, the big announcement news today is something I’ve personally been lobbying the studio for behind the scenes for well over a decade. And I am absolutely thrilled to see that it’s finally happened: Warner Bros. Discovery Home Entertainment has officially set Max Fleischer’s Superman 1941-1943 for Blu-ray and Digital HD release on 5/16! [Read on here...]

We have some major release news to report today, but first we’ve got more new disc reviews...

Stephen has delivered his thoughts on Walter Hill’s Streets of Fire (1984) in 4K Ultra HD from Shout! Factory. As fans will no doubt already know, this one is a real cult cinema gem, and it sounds like the 4K release is pretty fantastic, including terrific video and audio quality, as well as a great new feature-length documentary on the making of the film by Daniel Griffith’s Ballyhoo Motion Pictures. Don’t miss it.

Also today, Tim has reviewed another film from Arrow’s Shawscope: Volume One Blu-ray boxed set, specifically Chang Cheh’s Shaolin Temple (1976) (aka Death Chamber).

Stuart has taken a look at Anthony Mann’s El Cid (1961) which is now available in a new Japanese-import Blu-ray release from Happinet.

And finally, Dennis has offered his take on Julien Duvivier’s Flesh and Fantasy (1943) on Blu-ray from Universal Pictures via Vinegar Syndrome.

As always, more reviews are forthcoming, so be sure to keep on the lookout for them.

Now then, the big release news today is big indeed: Disney and 20th Century Studios have just officially announced the 4K Digital release of James Cameron’s Avatar: The Way of Water on 3/28. This will include Dolby Atmos audio and over three hours worth of bonus features (more on that in a minute). Studio sources have also reached out to us to confirm that the physical Blu-ray and 4K Ultra HD release is forthcoming and will be announced at a later date. It simply appears that the studio intends to squeeze every possible dime out of this film at every level of distribution. [Read on here...]

Another day brings more new disc reviews, and more release and catalog announcement news as well. First, the reviews...

Tim has taken a look at Jesús Franco’s Marquis de Sade’s Philosophy in the Boudoir (1970) in 4K Ultra HD from our friends at Blue Underground.

Dennis has given Curt Siodmak’s Curucu, Beast of the Amazon (1956) a spin on Blu-ray from Vinegar Syndrome.

And Stephen has checked in with a review of both the regular 4K UHD and 4K Steelbook editions of Walter Hill’s The Driver (1978) from EMI and 20th Century Fox via StudioCanal in the UK.

Stay tuned for more new disc reviews all this week.

Now then, MPI Home Video has made their 4K Ultra HD + Blu-ray Mediabook edition of Edward Berger’s All Quiet on the Western Front (2022) official for release on 3/28. We mentioned the title yesterday of course, but now we know that the UHD disc will feature the film with Dolby Vision HDR and Dolby Atmos audio. We’re awaiting confirmation of any disc based extras, but we suspect that there are none, thus allowing the film the maximum possible data rates to ensure high A/V quality. [Read on here...]

We’ve got more new disc reviews for you today as well as more great title announcements, cover artwork, and pre-order links too...

Today’s reviews start with Tim’s take on Marquis de Sade’s Justine (1969) in 4K Ultra HD from director Jesús Franco and our friends at Blue Underground.

Also this evening, Stuart has offered his thoughts on François Truffaut’s Mississippi Mermaid (1969) on Blu-ray Disc from the Kino Lorber Studio Classics line, and also Mathieu Amalric’s Hold Me Tight (2021) on Blu-ray from Kino Lorber.

As always, watch for more new disc reviews all this week.

Now then, the big catalog news today is that Paramount has finally announced a title we first revealed here at The Bits back in December: Mimi Leder’s Deep Impact (1998) is officially set for release in 4K Ultra HD on 5/2. The title will include Dolby Vision HDR and will carry over all of the previous Blu-ray special features. You can see the cover artwork at left and also below. [Read on here...]

We’re rounding out the week here at The Bits with more new disc reviews, some new announcements, and a long-overdue column as well.

Starting with those reviews, Stephen and Tim have taken a look at Penelope Spheeris’ Wayne’s World: 30th Anniversary Edition that came out recently on 4K Ultra HD from Paramount Home Entertainment.

Stephen has also reviewed Dominick Barascia, Jr’s Evil Laugh (1986) on Blu-ray from Vinegar Syndrome.

And Dennis has turned in his thoughts on Steven Spielberg’s The Fabelmans (2022) on Blu-ray from Universal. A 4K UHD review of that title is forthcoming as well.

Also here at the site today, our old friend (and erstwhile Inglorious Trekspert) Mark A. Altman has checked in with a new MOD DEF column looking back at his personal picks for The Best Blu-ray and 4K Ultra HD Titles of 2022. I think you’ll find it a good read, so do give it a look. [Read on here...]