Displaying items by tag: The Kurlan Naiskos: A Picard After Show

We start today with four more new disc reviews...

Stephen has taken a look at Calin Cazan, Dan Chisovski, and Mircea Toia’s animated The Son of the Stars (1985) on Blu-ray from Deaf Crocodile and Vinegar Syndrome.

Dennis has checked in with his thoughts on Darren Aronofsky’s The Whale (2022) on Blu-ray from Lionsgate, a film that just netted star Brendan Fraser the Academy Award for Best Actor.

And Stuart has taken a look at Vincente Minelli’s The Long, Long Trailer (1954) on Blu-ray from the Warner Archive Collection, along with Ulli Lommel’s The Devonsville Terror (1983) on Blu-ray from Vinegar Syndrome.

More reviews are forthcoming, so be sure to stay tuned for them.

Also today, we’ve posted our latest update of the Release Dates & Artwork section (see the Cover Art link at the top of the website), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, a portion of anything you order after clicking to Amazon from one of our links goes to help support our work here at The Bits and we really do appreciate it. [Read on here...]

We’re rounding out the week here at The Bits with a little bit more announcement news today, but first a couple more reviews...

Tim offered his thoughts on Travis Knight’s Kubo and the Two Strings in 4K Ultra HD from Laika via Shout! Factory—both the regular Amaray version as well as the Steelbook packaging.

Pressing on to this afternoon’s release news, Kino Lorber Studio Classics has just revealed that they’re bringing Charles Laughton’s classic noir thriller The Night of the Hunter (1955) to 4K Ultra HD on 5/30, complete with a new scan and Dolby Vision HDR grade.

Also newly revealed as coming to Blu-ray from KLSC are Dave Thomas’ The Experts (1989) on 5/9 and Robert Aldrich’s Hustle (1975) on 5/16.

In addition, they’re working on “coming soon” Blu-ray releases of René Clément’s The Day and the Hour (1963)—this one mastered from a new 4K restoration by Gaumont—as well as Stephen Norrington’s Death Machine (1994). [Read on here...]