Displaying items by tag: Shout! Studios

All right, we’ve got two new long-form disc reviews to share with you today...

The first is my look at Aaron Sorkin’s The West Wing: The Complete Series (1999-2006), which is finally available in a new 28-disc Blu-ray box set from Warner Bros. Discovery Home Entertainment. The package is far from perfect, but for fans it’s still mostly be worth a look.

Also today, Stephen is celebrating yesterday’s 70th anniversary of Ishirō Honda’s original Godzilla (1954) by reviewing the new 4K Ultra HD release from Toho Studios via the Criterion Collection here in the US, a title that officially streets tomorrow.

In announcement news today, Kino Lorber Studio Classics has just revealed that John Frankenheimer’s Reindeer Games (2000) is coming soon to 4K Ultra HD. In addition, Melville Shavelson’s Houseboat (1958) is coming soon to Blu-ray Disc. [Read on here...]

All right, our news update for this afternoon begins with a few more new disc reviews, including...

Dennis’ take on Steven Shainberg’s Secretary (2002) on Blu-ray from Via Vision’s Imprint Films, along with Richard Crine’s Synanon (1965) on Blu-ray also from Imprint Films.

And Stuart’s review of Roger Donaldson’s Marie: A True Story (1985) on Blu-ray from the Warner Archive Collection.

We’ve also posted our weekly update of the Release Dates and Artwork section here at The Bits (last night—thanks to our own Russell Hammond for his hard work on it), which features all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at The Bits and we really appreciate it!

In more announcement news today, Sony Pictures Home Entertainment has just revealed the Blu-ray and DVD release of Jim Henson’s Fraggle Rock: Back to the Rock – Season 1 on 11/19! This will include all 14 episodes with English Dolby Digital 5.1 audio, audio commentary on 3 episodes with puppeteers John Tartaglia and Karen Prell, a Blooper Reel, and 4 sing-a-longs. You can see the Blu-ray cover art at left. [Read on here...]

We have three new disc reviews for you this afternoon, including...

Sam’s take on Glenn Ficarra and John Requa’s Focus (2015) in 4K Ultra HD from Warner Bros.

Tim’s review of the new Scooby-Doo! and the Witch’s Ghost (1999) and Scooby-Doo and the Alien Invaders (2000) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Sidney Lanfield’s You’ll Never Get Rich (1941) on Region B only Blu-ray from Powerhouse Films’ Indicator label in the UK.

As for release news, there’s not a ton of it to report today, however we do have a couple of fun items for you...

First, Paramount has officially set the animated Transformers One for release on Blu-ray and 4K Ultra HD on 12/17, with the Digital release expected tomorrow on 10/22. Extras will include 5 behind-the-scenes featurettes (including In the Beginning, World Building on Cybertron, Together As One, The Iacon 5000, and The Battle for Cybertron). You can see the cover artwork below the break.

Speaking of Paramount, they along with CBS have set Blue Bloods: The Final Season and Blue Bloods: The Complete Series for DVD only release on 12/17 as well. Extras on the final season will include deleted scenes, 2 featurettes (The Story of the Reagans and May the Road Rise Up to Greet You), and a gag reel. [Read on here...]

We’ve got several more new disc reviews for you here at The Bits today, including...

Tim’s look at Bryan Bertino’s The Strangers (2008) in 4K Ultra HD and Kevin Tenney’s Night of the Demons (1998) in 4K Ultra HD, both from Shout! Studios and Scream Factory.

Stephen’s look at Peter Hyams’ Capricorn One (1978) on Blu-ray from Via Vision’s Imprint Films and also their new Two Films by Wayne Wang box set which includes Smoke (1995) and Blue in the Face (1995) on Blu-ray.

Dennis’ thoughts on Basil Dearden’s Woman of Straw (1964) on Blu-ray also from Imprint.

And finally Stuart’s review of Elijah Drenner’s That Guy Dick Miller (2014) on Blu-ray from Dekanalog and Vinegar Syndrome.

More reviews are on the way, so be sure keep your eyes peeled from them.

Also here at The Bits today, we’ve posted our weekly update of our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really appreciate it. [Read on here...]

We’ve got some MAJOR announcement news to share with you all today, we’re starting things off as always with four new disc reviews...

Tim has checked in with his thoughts on Arthur Rankin Jr. and Jules Bass’ animated The Last Unicorn (1982) in 4K Ultra HD and 4K Steelbook from Shout! Studios.

And Dennis has weighed in with this take on Norman Z. McLeod’s My Favorite Spy (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Serge Bourguignon’s Two Weeks in September (1967) on Blu-ray from Kino Classics.

Now then, our friends at Shout! Studios and the Warner Archive Collection have announce major slates of Blu-ray and 4K Ultra HD catalog titles for release in November and December!

The Warner Archive Collection has revealed 6 new classic Blu-ray titles for release on 11/26, including Jean Negulesco’s Humoresque (1946)—mastered from a 4K scan of original nitrate camera negative—Jack Haley Jr. That’s Entertainment! (1974)—re-constructed from original negatives and preservation elements—The Complete Thin Man Collection (1934-47)—a 6-disc set mastered from 4K scans of the best surviving elements, featuring WS Van Dyke’s pre-Code The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941), as well as Richard Thorpe’s Song of the Thin Man (1944), and Edward Buzzell’s The Thin Man Goes Home (1947)—Hanna-Barbera’s animated Wait Till Your Father Gets Home (1972-74) TV series—featuring 48 episodes on 6 discs—Gary David Goldberg’s Must Love Dogs (2005), and finally the Looney Tunes Collector’s Choice: Volume 4 (1937-64)—including 27 classic Looney Tunes fully restored and remastered shorts, including Friz Freleng’s Streamlined Greta Green (1937), Double Chaser (1942), Meatless Flyday (1944), Peck Up Your Troubles (1945), Along Came Daffy (1947), A Bone for a Bone (1951), Muzzle Tough (1954), Stork Naked (1955), Hyde and Go Tweet (1960), Lighter Than Hare (1960), D’ Fightin’ Ones (1961), Devil’s Feud Cake (1963), and Road to Andalay (1964), Tex Avery’s The Sneezing Weasel (1938) and Dangerous Dan McFoo (1939), Tex Avery and Bob Clampett’s The Cagey Canary (1941), Chuck Jones’ Fox Pop (1942), Mouse-Warming (1952), Double or Mutton (1955), and Hopalong Casualty (1960), Robert McKimson’s The Mouse-Merized Cat (1946), Henhouse Henery (1949), Leghorn Swoggled (1951), Muscle Tussle (1953), and Quack Shot (1954), Arthur Davis’ Holiday for Drumsticks (1949), and Norm McCabe’s The Impatient Patient (1942). Whew! [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

Boy, we’ve got a bunch of new catalog title announcements for you today, along with a TON of new Blu-ray and 4K cover artwork and Amazon.com pre-order links. But first, we have a few more new disc reviews...

Tim has taken a look at the new animated double-feature of Conrad Vernon and Greg Tiernan’s The Addams Family (2019) and The Addams Family 2 (2021) in 4K Ultra HD from Shout! Studios.

And Dennis has offered his thoughts on Frank Borzage’s The Shining Hour (1938) and King Vidor’s Northwest Passage (1940) both on Blu-ray from the Warner Archive Collection.

Now then, let’s dive right into those announcements...

Kino Lorber Studio Classics has just revealed that Sidney Hayers’ Circus of Horrors (1960) is coming to 4K Ultra HD on 10/29, but with an SDR only grade (probably due to limitations with the original camera negative).

Warner Bros. Discovery Home Entertainment and HBO have set Veep: The Complete Series for release on Blu-ray on 10/22, in a new 13-disc set. This follows closely in the wake of Warner’s newly-announced release of The West Wing: The Complete Series in a new 28-disc Blu-ray set on 10/1. Both are obviously timed to the upcoming Presidential Election here in the States. They’re now available on Amazon.com and you can see the cover artwork below the break (click on each to visit the pre-order pages). [Read on here...]

The big news today is that Warner Bros. Discovery Home Entertainment has just set M. Night Shayamalan’s Trap (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 11/5, with the Digital release expected on 8/30. Extras on the 4K will include 2 featurettes (Setting the Trap: A New M. Night Shayamalan Experience and Saleka as Lady Raven), as well as 3 deleted scenes, and an extended concert scene. The press release doesn’t indicate the A/V specs, but it’s reasonable to expect Dolby Atmos audio and HDR10 high dynamic range.

Here’s something pretty terrific: Severin Films has just a 13-disc All the Haunts Be Ours: A Compendium of Folk Horror – Volume Two box set for release on 11/12. The set includes 24 international folks horror classics, with 55+ hours of extras, and a 252-page hardcover of new folk horror fiction. [Read on here...]

All right, Bits readers, today is a tough one news-wise, and it has little to do with specific title release news or announcements.

We’ve learned from multiple sources now that the 15% US workforce cuts at Paramount Global—a restructuring that’s happening in advance of the company’s merger with Skydance Media to reduce annual costs by some $500 million—have landed very heavily on the Melrose lot. As reported widely last week, the layoffs amount to about 2,000 people, with most expected to be gone by the end of next month and the rest by year’s end.

Current co-CEOs George Cheeks, Brian Robbins, and Chris McCarthy have described the layoffs thusly in a memo to the workforce: “As we continue to advance our plan, we announced on our earnings call last week that we will be reducing our US-based workforce by approximately 15%, focusing on redundant functions and streamlining corporate teams.”

The expectation was that every division would be impacted. As reported last week, Paramount Television Studios has been shuttered completely. What’s not been reported widely yet is the impact on overall studio operations.

The Digital Bits sources indicate that nearly every department has been affected—in a few cases severely—from marketing, legal, and accounting, to production, post-production, finance, mastering, vault and library services, and unfortunately also Paramount Home Entertainment. The cuts are reportedly not so deep as to result in a complete loss of institutional knowledge, but they’re more than deep enough to result in major workflow disruptions. [Read on here...]