Displaying items by tag: Oliver Stone

Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]

We’ve got a couple quick updates for you over the long Labor Day weekend here at The Bits...

The big one is that Sony Pictures Home Entertainment has just set David Anspaugh’s Rudy (1993) for release on 4K Ultra HD on 11/11, complete with both the 114-minute Theatrical Cut and a new 127-minute Director’s Cut in 4K, with Dolby Vision HDR and Dolby Atmos audio. Both are fully restored from original camera negative and the process was approved by the director. The 4K disc also includes English 5.1 DTS-HD MA for both versions, plus 2.0 audio for the Theatrical Cut. You also get a new commentary with Anspaugh and screenwriter Angelo Pizzo on the Director’s Cut, 5 additional deleted scenes, and the film’s trailer.

The package will also include the previous Blu-ray that offers 5.1 audio and 3 legacy featurettes (Rudy: The Real Story, Production, and First Down with Sean Astin). It comes in Steelbook packaging. You can see the cover artwork at left and also below the break.

Also today, Mondo Macabro and CAV have set Stephen Sayadian’s Dr. Caligari (1989) for release on 4K Ultra HD on 11/14, featuring both full frame and 1.85 theatrical versions, an isolated music and effects track, audio commentary with the director, and several interview featurettes. Audio will be 2.0 DTS-HD MA. [Read on here...]

All right, we’ve got a bunch more great new 4K Ultra HD catalog news to report today, and more new disc reviews as well...

As expected, I posted my review of producer Glen A. Larson’s original Battlestar Galactica (1978) in 4K Ultra HD from Universal late last night, and it’s a pretty detailed look at the film and its history.

Also today, Tim has gone in-depth on Martin Scorsese’s Hugo (2011), which is now available in a terrific new 4K Ultra HD and Blu-ray 3D package from the good people of Arrow Video.

Dennis has checked in today as well with a look at Robert Wise’s Helen of Troy (1956) on Blu-ray from the always excellent Warner Archive Collection.

And Stuart rounds things out this afternoon with his thoughts on Marcel Ophul’s fascinating documentary on the Nazi occupation of France during World War II, The Sorrow and the Pity (1969) on Blu-ray from Kino Lorber.

Back to Arrow briefly: The company has just revealed on their social media feed that—in response to customer requests—they’re going to be including Michael Mann’s excellent Blackhat: Director’s Cut on Blu-ray in their forthcoming 4K UHD and Blu-ray packages! Thus the street date is going to be pushed back from 10/31 to 11/28. But the Director’s Cut—which has never been released on home video—is significantly different that the other two cuts of the film already being included on the release, so this is a terrific and welcome addition. Tip of the hat to Arrow for going the extra mile on this one. [Read on here...]

Greetings, Bits-ers! Sorry I missed posting my usual news column yesterday here at the site, but it turned out to be an incredibly busy day of working on reviews and communicating with our industry sources to chase down details and confirm some interesting forthcoming titles. As such, we’ve got a bit of ground to cover today and all of it should prove interesting. First though, let’s start with our latest new disc reviews, as always...

Longtime Bits contributor Adam Jahnke has returned for an in-depth review of Tim Burton’s The Nightmare Before Christmas (1993), new on 4K Ultra HD from Disney. The UHD image is spectacular, and we’ve confirmed that the studio went back to the original camera negative for a new 4K scan, remaster, and HDR grade, all of which were approved by director Henry Selick. Most but not all of the legacy special features carry over on the accompanying Blu-ray as well, which also offers better encoding and a higher data rate that the previous BD edition. This title seems to be one more sign that Disney is starting to turn things around with their physical media. So do give it a look.

Also today, Stephen has taken a good look at Wes Craven’s Swamp Thing (1982), which is new on 4K Ultra HD from our friends at the MVD Rewind Collection.

And Dennis has posted a review of Wesley Ruggles’ classic film epic Cimarron (1931) on Blu-ray from the good people at the Warner Archive Collection.

All of these are worth your time, and more new disc reviews are already in the works. In fact, I’m going to be posting my take on Universal’s new Battlestar Galactica (1978) 4K Ultra HD—which streets today—sometime later this evening or early tomorrow. So be sure to watch for that. [Read on here...]

We have two new disc reviews of you to enjoy today...

Stephen has taken a look at Dusty Nelson’s Effects (1979) in 4K Ultra HD, a film that originated from the minds of several Pittsburgh-area collaborators of George A. Romero. It’s now available from Image Works via the American Genre Film Archive and our friends at Vinegar Syndrome.

If you’re interested in this film, you might also enjoy reading a 2005 archived interview we did on the original Bits website about the project with our old friend John Harrison (Takes from the Darkside, Frank Herbert’s Dune). You’ll find that here (and pardon the messy HTML).

Also today, Dennis has taken a look at Cheryl Dunye’s The Watermelon Woman (1996) on Blu-ray from The Criterion Collection.

We don’t have a lot in the way of new announcement news today, but a number of long-awaited 4K Ultra HD catalog titles are finally available for pre-order on Amazon. [Read on here...]

Afternoon, Bits readers! We’re back after the long 4th of July holiday here in the States with more reviews and announcements. As always, we’ll start with reviews...

Stuart has reviewed a pair of new Blu-ray titles, including Gregory La Cava’s Lady in a Jam (1942) and also Mervyn LeRoy’s Moment to Moment (1966) from Kino Lorber Studio Classics.

Stephen has checked in with his take on William Cameron Menzies’ Invaders from Mars (1953) on 4K Ultra HD from Ignite Films.

And Dennis has offered his look at Vincente Minelli’s The Courtship of Eddie’s Father (1963) on Blu-ray from the Warner Archive Collection.

Now then, in announcement news today, the big news is that our friends at Shout! and Scream Factory have just unveiled their September Blu-ray, DVD, and 4K Ultra HD release slate, and—as always—there are some gems to report. [Read on here...]

All right, I trust you all saw our new History, Legacy, and Showmanship column from last night featuring Michael Coate’s retrospective on Star Wars: The Phantom Menace, which celebrated its 20th anniversary on Sunday. You’ll find that here and if you’re a Star Wars fan, I think it’s well worth your time.

Meanwhile, we have some major new Blu-ray and 4K announcements for you today, so read on...

First, 20th Century Fox Home Entertainment has just officially set Robert Rodriguez’s Alita: Battle Angel for release on Blu-ray, DVD, and 4K Ultra HD (with Blu-ray and Blu-ray 3D) on 7/23. The Digital version will be available on 7/9. The 4K will include not only Dolby Atmos audio, but HDR in Dolby Vision, HDR10, and HDR10+. Aspect ratio is 2.39:1, per the press release.

And there will be HOURS of special features, as follows... [Read on here...]

We’re going to have a new Michael Coate retrospective today in his History, Legacy & Showmanship column here at The Bits, looking back at Star Wars: The Phantom Menace in honor of yesterday’s 20th anniversary for the film. That will be up later this afternoon, so be sure to watch for it.

In the meantime, we have a bit of 4K and standard Blu-ray news to report...

First up, Sony Pictures Home Entertainment has set Rob Reiner’s Stand by Me for release on 4K Ultra HD on 8/27. Scanned from the original camera negative, the film will be presented with a new Dolby Atmos mix, along with the original theatrical mono audio and the previous 5.1 remix. Extras on the 4K disc will include never-before-seen deleted and alternate scenes. The package will also include the previous Blu-ray with picture-in-picture video commentary with Reiner and the cast, the Walking the Tracks: The Summer of Stand by Me documentary, and audio commentary with Reiner. You can see the cover artwork at left. [Read on here...]

Well… it goes without saying that there’s nothing we could reveal here today that would be nearly as exciting as yesterday’s announcement by Criterion that they’re delivering a whopping 25-film Zatoichi: The Blind Swordsman Blu-ray box set in November.  Our collective heads are still reeling from that awesome news here at The Bits today!

But we do have a couple release news odds and ends to report today… […]