Displaying items by tag: Clint Eastwood

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

All right, as mentioned earlier, we’ve got more release news to cover today here at The Bits. But first some new disc reviews...

Stephen has checked out Paul Verhoeven’s cult classic Showgirls (1995) on 4K Ultra HD from Vinegar Syndrome, which features the film in 4K UHD and Blu-ray, along with an additional Blu-ray full of special features. Stephen has also reviewed Peter Greenaway’s The Draughtsman’s Contract (1982) on Blu-ray from Zeitgeist Films and Kino Lorber.

Also today, Dennis has offered his thoughts on George Cukor’s Little Women (1955) and Abe Levitow’s animated Gay Purr-ee (1962), both new on Blu-ray from the Warner Archive Collection.

And Stuart has taken a look at the Norwegian legal drama Aber Bergen: Complete Series from MHz Networks and Kino Lorber, as well as Inés Toharia Terán’s Film: The Living Record of Our Memory (2021) documentary from Kino Lorber, both of them on DVD, along with the Warner Archive Collection’s Tintin and the Mystery of the Golden Fleece (1961) and Tintin and the Blue Oranges (1964) double feature Blu-ray.

Now then, speaking of Warner, Warner Bros. Discovery Home Entertainment and DC Studios have announced the Blu-ray, DVD, and 4K Ultra HD release of the Netflix original series The Sandman: The Complete First Season on 11/18, with a Digital release expected on 9/18. Note that a second season of the series is already on the way from Netflix. The set will include all 11 episodes, along with a pair of featurettes (The Sandman: Behind the Scenes Sneak Peek and The World of The Endless). You can see the cover artwork at left and also below. [Read on here...]

We’re back as promised this morning with another big announcement news round-up (and definitely be sure to check out our packed news update from yesterday evening as well, if you missed it)...

We’ll start with Barbie news (and there’s a phrase I officially never imagined I’d say): Warner Bros. Discovery Home Entertainment has just set Greta Gerwig’s pink-hued box office bonanza for “Premium Digital” release on 9/12 (SRP $29.99). Extras will include 6 behind-the-scenes featurettes (Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make Believe, All-Star Barbie Part, and It’s a Weird World). The physical media release on Blu-ray, DVD, and 4K Ultra HD will be announced at a later date (but our sources are still telling us to expect it on 10/3).

Also today, Kino Lorber Studio Classics has officially announced that Billy Wilder’s Stalag 17 (1953) is coming on Blu-ray and 4K Ultra HD on 11/21! Also coming that day on Blu-ray only is Clive Donner’s Babes in Toyland (1986), featuring both 1.33:1 and 1.78:1 aspect ratio versions. And coming on 11/14 on Blu-ray only will be Monte Markham’s Neon City (1991).

Stalag 17 will include a new 4K scan of the original camera negative with Dolby Vision HDR. The Blu-ray will also be mastered from the new 4K scan. Each disc will include new audio commentary with film historians Steve Mitchell and Steven Jay Rubin, as well as a second commentary with film historian Joseph McBride. You’ll also get the legacy commentary with Richard Erdman, Gil Stratton, and Donald Bevan, as well as 2 featurettes (Stalag 17: From Reality to the Screen and The Real Heroes of Stalag XVII B).

In terms of titles that are coming soon from KLSC, a 4K Ultra HD release of Clint Eastwood’s Play Misty for Me (1971) is in the offing. And the company has revealed that Kino Cult and Something Weird are working together on a Two Cult Classics by Betty Page Blu-ray double feature of Varietease (1954) and Teaserama (1955). Look for that to street sometime in 2024. [Read on here...]

As promised, we’re checking back in today with another trio of new disc reviews…

First, I’ve just posted my thoughts on Clint Eastwood’s rough yet riveting western High Plains Drifter (1973) in 4K Ultra HD from Kino Lorber Studio Classics.

Tim has taken a look at Ardman Animations’ A Shaun the Sheep Movie: Farmageddon (2019), new on Blu-ray from Shout! Factory.

And Dennis has delivered his take on George Marshall’s Fancy Pants (1950) on Blu-ray, also from Kino Lorber Studio Classics.

More reviews are on the way tomorrow, so be sure to watch for them. [Read on here...]

“If you are the rare person who has never seen a Clint Eastwood film and wonder what all the fuss is about, Dirty Harry would be a good place to start.” – Patrick McGilligan, author of Clint: The Life and Legend

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Dirty Harry, the popular action-thriller about San Francisco Police Department Inspector “Dirty” Harry Callahan and his quest to apprehend a psychopath. Starring Clint Eastwood (Unforgiven, The Good, the Bad and the Ugly) in the titular role, the film was inspired by the Zodiac Killer case and spawned a series of Dirty Harry films.

Directed by Don Siegel (Invasion of the Body Snatchers, Escape from Alcatraz), the film also starred Andy Robinson (Hellraiser, Star Trek: Deep Space Nine), Harry Guardino (Pork Chop Hill, Rollercoaster), Reni Santoni (Bad Boys, Cobra), and John Vernon (The Outlaw Josey Wales, Animal House). [Read on here...]

We’re starting off the week with a trio of new Blu-ray reviews...

Stephen has taken a look at Nadia Tass’ Malcolm (1986) on Blu-ray from Umbrella Entertainment, along with Ralph Thomas’ Percy (1971) on the format from Code Red via Kino Lorber Studio Classics.

And Dennis has given Jonathan Mostow’s Breakdown (1997) a thorough going-over on Blu-ray via the new Paramount Presents release. As most of you know, the film stars Kurt Russell, J. T. Walsh, and Kathleen Quinlan.

More reviews are on the way all this week, so be sure to check back for them.

Now then, in announcement news today, our friends at Kino Lorber Studio Classics have revealed that they’re prepping a new 4K Ultra HD release of the 1963 John Sturges classic The Great Escape for release sometime in January. [Read on here...]

All right, we’ve got some more announcement news for you today...

First up, our friends at Kino Lorber Studio Classics have revealed that they’re releasing Clint Eastwood’s High Plains Drifter (1973) on Blu-ray on 10/27. It’ll include a new audio commentary by filmmaker Alex Cox, new interviews with actors Marianna Hill and Mitchell Ryan, a vintage promo for the film restored in HD, Trailers from Hell segments with Josh Olson and Edgar Wright, a poster and image gallery, 2 theatrical trailers (in HD), a TV spot, a radio spot, and a limited edition slipcase.

But that’s not all: Also coming to Blu-ray that day is Don Seigel’s Two Mules for Sister Sara, starring Eastwood and Shirley Maclaine, featuring new 4K restorations of both the 112-minute International Cut and the 104-minute Domestic Cut. Extras will once again include a new audio commentary by filmmaker Alex Cox, At Home with Clint (a vintage candid interview with Clint Eastwood in HD), a poster and image gallery, the theatrical trailer (in HD), 2 TV spots, 4 radio spots, and a limited edition slipcase.

Also coming soon from KL Studio Classics is Oz Scott’s Bustin’ Loose (1981) starring Richard Pryor. And the company has just kicked off its “Lazy Hazy Crazy Summer” sale on over 500 in-stock titles. It runs until 8/3. [Read on here...]

So the big news this morning is that Shout! Factory has dropped an out-of-left-field 4K Ultra HD announcement: They’re gotten the US release rights to Michael Cimino’s 1978 Best Picture winner The Deer Hunter. As some of you will know, this was a Studio Canal release last year in the UK on 4K Ultra HD, but there was no U.S. distributor.

Shout! will be releasing it on 5/26 as a Shout Select 4K/Blu-ray Collector’s Edition. SRP is $34.93, but you can pre-order it direct from the Shout website for just $28.43 with an exclusive poster. There will apparently be some new extras, which will be announced at a later date. We have no details yet on HDR or audio specs, but the Studio Canal package included Dolby Vision and HDR10, with 2.0 and 5.1 DTS-HD Master Audio. [Read on here...]

“Paint Your Wagon is remembered as a standalone oddity in the careers of Lee Marvin and Clint Eastwood.” — Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Paint Your Wagon, the Oscar-nominated cinematic interpretation of the Lerner and Loewe stage musical which starred Lee Marvin (Cat Ballou, Point Blank), Clint Eastwood (Dirty Harry, Unforgiven) and Jean Seberg (Pendulum, Airport).

Paint Your Wagon — directed by Joshua Logan (South Pacific, Camelot) and which also featured Harve Presnell (The Unsinkable Molly Brown, Fargo) and Ray Walston (My Favorite Martian, Fast Times at Ridgemont High) — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Matthew Kennedy, who discusses the film’s virtues, shortcomings and legacy. [Read on here...]