Displaying items by tag: The Holdovers 4K

We’ve got some MAJOR announcement news to share with you all today, we’re starting things off as always with four new disc reviews...

Tim has checked in with his thoughts on Arthur Rankin Jr. and Jules Bass’ animated The Last Unicorn (1982) in 4K Ultra HD and 4K Steelbook from Shout! Studios.

And Dennis has weighed in with this take on Norman Z. McLeod’s My Favorite Spy (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Serge Bourguignon’s Two Weeks in September (1967) on Blu-ray from Kino Classics.

Now then, our friends at Shout! Studios and the Warner Archive Collection have announce major slates of Blu-ray and 4K Ultra HD catalog titles for release in November and December!

The Warner Archive Collection has revealed 6 new classic Blu-ray titles for release on 11/26, including Jean Negulesco’s Humoresque (1946)—mastered from a 4K scan of original nitrate camera negative—Jack Haley Jr. That’s Entertainment! (1974)—re-constructed from original negatives and preservation elements—The Complete Thin Man Collection (1934-47)—a 6-disc set mastered from 4K scans of the best surviving elements, featuring WS Van Dyke’s pre-Code The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941), as well as Richard Thorpe’s Song of the Thin Man (1944), and Edward Buzzell’s The Thin Man Goes Home (1947)—Hanna-Barbera’s animated Wait Till Your Father Gets Home (1972-74) TV series—featuring 48 episodes on 6 discs—Gary David Goldberg’s Must Love Dogs (2005), and finally the Looney Tunes Collector’s Choice: Volume 4 (1937-64)—including 27 classic Looney Tunes fully restored and remastered shorts, including Friz Freleng’s Streamlined Greta Green (1937), Double Chaser (1942), Meatless Flyday (1944), Peck Up Your Troubles (1945), Along Came Daffy (1947), A Bone for a Bone (1951), Muzzle Tough (1954), Stork Naked (1955), Hyde and Go Tweet (1960), Lighter Than Hare (1960), D’ Fightin’ Ones (1961), Devil’s Feud Cake (1963), and Road to Andalay (1964), Tex Avery’s The Sneezing Weasel (1938) and Dangerous Dan McFoo (1939), Tex Avery and Bob Clampett’s The Cagey Canary (1941), Chuck Jones’ Fox Pop (1942), Mouse-Warming (1952), Double or Mutton (1955), and Hopalong Casualty (1960), Robert McKimson’s The Mouse-Merized Cat (1946), Henhouse Henery (1949), Leghorn Swoggled (1951), Muscle Tussle (1953), and Quack Shot (1954), Arthur Davis’ Holiday for Drumsticks (1949), and Norm McCabe’s The Impatient Patient (1942). Whew! [Read on here...]

We’ve got two new disc reviews for you to enjoy this afternoon, both of them Blu-ray titles…

First, Stephen has taken a look at John Dahl’s Red Rock West (1993) on Blu-ray, which is one of the first titles in Vinegar Syndrome’s new Cinématographe line, curated by our friend (and producer) Justin LaLiberty.

And I’ve reviewed Umbrella Entertainment’s recent Frank Herbert’s Dune Complete Collection Blu-ray box set, which includes John Harrison’s Dune (2000) miniseries along with Greg Yaitanes’ Children of Dune (2003) miniseries, as well as a ton of great special features and swag, all in super-deluxe packaging.

More reviews are forthcoming, including—in the next day or two—my take on Francis Lawrence’s The Hunger Games: The Ballad of Songbirds & Snakes (2023) from Lionsgate and Ronald F. Maxwell’s Little Darlings (1980), both of them in 4K Ultra HD. Little Darlings, I should note, is the other debut title in Vinegar Syndrome’s new Cinématographe line. So watch for those very soon.

We’ve also updated our 4K Ultra HD Release List here at The Bits, along with our Release Dates & Artwork section, both of which now include all the latest announced titles, with Amazon pre-order links.

And over on The Digital Bits’ Patreon, we’ve shared a new piece by Stephen on the ethics of altering films for release in other forms (for example B&W), and the challenges in trying to determine how films should look sometimes years later on home video, as well as some fun content from our friends over at The Bigger Pictures Film Restoration (more on that in a minute). As always, we really appreciate your support of The Digital Bits, which helps us to continue our work here at the site in support of physical media. And becoming a Patreon member is a great way to do that. We’re working to build a pretty terrific little community over there where Bits readers can hang out and share their thoughts and experiences. So you’re all welcome to join us there! [Read on here...]