Displaying items by tag: Yorgos Lanthimos

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We’ve got a trio of new disc reviews for you today to start the new week, including...

Tim’s review of Columbo: The Return (1989-2003) on Blu-ray from Kino Lorber Studio Classics, featuring the final 24 episodes of the series.

Stuart’s take on Patrice Leconte’s The Hairdresser’s Husband (1990) on Blu-ray from Kino Classics.

And Dennis’ thoughts on Bert I. Gordon’s The Food of the Gods (1976) on Blu-ray from American International Pictures via Kino Lorber Studio Classics’ new Kino Cult line.

More discs are on the way this week as well, so be sure to watch for them.

It’s a slow morning for release news, but we do have a couple things for you.

First, Paramount has set ZAZ: The Collection! for release on 4K Ultra HD on 11/19. That’s Zucker, Abrahams & Zucker to you! The collection will include Airplane! (1980), Top Secret! (1984), and The Naked Gun: From the Files of Police Squad! (1988). The first two are new to the format.

Kino Lorber Studio Classics is going to be releasing Claude Miller’s Deadly Circuit (1983) on Blu-ray on 10/29. The company has also revealed that Herbert Ross’ Play It Again Sam (1972) is coming soon to Blu-ray, while Michael Anderson’s Orca (1977) is coming soon to 4K Ultra HD. [Read on here...]

Today’s post starts with three new disc reviews, including...

Stuart’s take on the Film Focus: George Peppard box set from Imprint, which includes John Guillermin’s P.J. (1968), George Schaefer’s Pendulum (1969), Sam Wanamaker’s The Executioner (1970), and Richard T. Heffron’s Newman’s Law (1974).

Dennis’ look at Val Guest’s Assignment K (1968), also new on Blu-ray from Imprint.

And finally, Stephen’s thoughts on Vincente Minnelli and Busby Berkeley’s Cabin in the Sky (1943) on Blu-ray from the Warner Archive Collection.

Note that we have lots more new disc reviews on the way, so be sure to watch for them. Also here at The Bits today, we’ve posted a significant update of our 4K Ultra HD Release List with lots of new 4K UHD titles and Amazon links.

And for our Patreon supporters, we’ve recently shared our thoughts on Ron Moore’s Battlestar Galactica and how well the series holds up some fifteen years after it ended its run on the Sci-Fi Channel, along with some preliminary commentary on changes that are brewing within the home entertainment industry, as well as Stephen’s thoughts on the ethics of film alteration and the challenges in determining how films should look on Blu-ray and especially 4K. Supporting The Bits on Patreon is a great way to help us continue our work in service of physical media, and we surely do appreciate it. [Read on here...]