Displaying items by tag: Scream Factory

We’re just chiming in here quickly again today with a few more pieces of industry news…

The first is physical media related: Paramount Home Entertainment has just listed Gregory Goblit’s Primal Fear (1996) as a new 4K Ultra HD Paramount Presents release on 3/26.

Paramount has also listed David S. Ward’s Major League (1989) for release in 4K Ultra HD and 4K UHD Steelbook format on 4/2 in honor of the film’s 35th anniversary.

We don’t have further details on these yet, but we except the studio to make an official announcement very soon. You can see the cover artwork at left and also below the break. [Read on here...]

All right, we have a lot to report today so let’s get right into it. We’ll start with more new disc reviews, which include...

Dennis’ look at Rick Charnoski’s Warm Blood (2022) on Blu-ray from Factory 25 and Vinegar Syndrome.

Stuart’s take on Elia Kazan’s final film, The Last Tycoon (1976) on Blu-ray from Kino Lorber Studio Classic.

And Tim’s thoughts on Jonathan Lynn’s Clue (1985) in 4K Ultra HD from Shout! Factory.

Enjoy those and watch for more all this week!

In terms of announcement news this afternoon, Universal Pictures Home Entertainment and DreamWorks Animation have just officially set the CG-animated Trolls Band Together for release on Blu-ray, DVD, 4K Ultra HD, and Digital on 1/16—that’s right, next week! Extras will include a Sing-Along Version, 7 featurettes (including Fun in the Recording Booth, *NSYNC: Hi, Hi, Hi, Building the Band, Together Again, Animating Trolls, How to Draw, and How To: Hug Time Bracelets), 3 deleted scenes, and audio commentary (with producer Gina Shay, co-director Tim Heitz, head of story Colin Jack, production designer Ruben Perez Reynoso, and visual effects supervisor Marc J. Scott). The 4K disc will be a UHD-100 with Dolby Atmos audio (the Blu-ray will include Atmos as well). You can see the cover artwork below the break.

Warner Bros. Discovery Home Entertainment has just officially announced the 3/26 Blu-ray and DVD release of Wednesday: Season One. It doesn’t appear that there will be any extras, but all eight episodes will be included. You can see the cover artwork at left and also below. [Read on here...]

Afternoon, folks! We’re stating the new week here at The Bits with a couple of new disc reviews, including...

Tim’s take on Daniel Attias’ Silver Bullet: Collector’s Edition in 4K Ultra HD, as well as his thoughts on our old friend John Harrison’s Tales from the Darkside: The Movie – Collector’s Edition in 4K Ultra HD, both of them from Scream Factory.

Speaking of Scream, Shout Studios has also begun revealing some of their March catalog titles, which thus far are set to include Jonathan Kaplan’s Over the Edge (1979) on Blu-ray on 3/5, Mick Garris’ The Shining miniseries (1997) on Blu-ray on 3/12, Simon Wincer’s Quigley Down Under (1990) in 4K as a Shout! Select title also on 3/12, and a trio of additional 4K titles on 3/19... Lars Klevberg’s Child’s Play (2019), Kimberly Peirce’s Carrie (2013), and Kathryn Bigelow’s K-19: The Widowmaker (2002).

Meanwhile, the big news today is that Marvel and Disney have officially announced the Blu-ray, DVD, and 4K Ultra HD release of Nia DaCosta’s The Marvels (2023) for release on 2/13, with the Digital release expected on 1/16. Extras will include audio commentary with DaCosta and VFX supervisor Tara DeMarco, 2 featurettes (Entangled and The Production Diaries), 4 deleted scenes, and a gag reel. There will also be a 4K Steelbook edition that’s exclusive to Walmart. Audio on the 4K (a UHD-66 disc) will be Dolby Atmos, with DTS-HD Master Audio on the Blu-ray. You can see the cover artwork at left and also below.

Also, Universal and DreamWorks Animation have listed the CG-animated Trolls Band Together (2023) for Blu-ray, DVD, and 4K UHD release on 7/1 on Amazon, though that’s probably a placeholder date. Whatever the final street date ends up being, look for a Trolls 3-Movie Collection on Blu-ray and DVD that same day. [Read on here...]

Afternoon, folks! I certainly hope that those of you who celebrate it have had a great Christmas holiday, and that the rest of you are enjoying the holiday season.

I’ve got just a quick update here for you today and I’ll post a little more as the week goes on. This time of year there’s typically very little news-wise worth reporting, but there are some odds and ends to cover.

First though, I want to catch you up on the latest disc reviews we’ve posted here at The Bits since our last news post last week. Now available for your reading pleasure here are...

My reviews of James Cameron’s Avatar: Collector’s Edition (2009) and Avatar: The Way of Water – Collector’s Edition (2022) in 4K Ultra HD from Lightstorm and 20th Century Studios.

Tim’s thoughts on Richard Donner’s Scrooged: 35th Anniversary Edition (1988) in 4K from Sony and George Mihalka’s My Bloody Valentine: Collector’s Edition (1981) in 4K from Scream Factory.

Dennis’ takes on David Gordon Green’s The Exorcist: The Believer (2023) in both Blu-ray and 4K Ultra HD from Universal, as well as Oren Rudavsky’s The Treatment (2006) on Blu-ray from Kino Lorber, and Richard Attenborough’s In Love and War (1996) on Blu-ray from the Warner Archive Collection.

Stephen’s reviews of Charles Kaufman’s Mother’s Day (1980) in 4K from Troma via Vinegar Syndrome, Emma Tammi’s Five Nights at Freddy’s in 4K from Universal, and Ti West’s Pearl (2022) in 4K from A24 via Turbine Media.

And finally Stuart’s look at Succession: The Complete Series on DVD from HBO, Alain Resnais’ La Guerre est finie (1966) on Blu-ray from The Film Desk and Vinegar Syndrome, and Paul Lynch’s The Hard Part Begins (1973) on Blu-ray from Canadian International Pictures via Vinegar Syndrome. [Read on here...]

Afternoon, Bits readers! It’s been a few days since we’ve done a major news update here on the site, and the reason is that we’ve been very focused on completing new disc reviews for you guys. This is the time of year when all of the big fourth quarter titles start arriving for review, and we’re right in the thick of it now. So today we’re pleased to offer you...

My reviews of James Mangold’s Indiana Jones and the Dial of Destiny (2023), along with The Mandalorian: The Complete First Season (2019) and The Mandalorian: The Complete Second Season (2020), all in 4K Ultra HD from Lucasfilm via Disney, as well as my review of James Cameron’s Titanic: 25th Anniversary Limited Edition in 4K Ultra HD from Paramount.

We also have Stephen’s reviews of WandaVision: The Complete Series (2021) in 4K Ultra HD from Marvel via Disney, as well as Tommy Wirkola’s Violent Night (2022) in 4K UHD via Universal, and Michael Crichton’s The Great Train Robbery (1978) on Blu-ray from MGM via Kino Lorber Studio Classics.

And Stuart has weighed in on Henry Decoin’s Strangers in the House (1942) on Blu-ray from Gaumont via Kino Lorber Studio Classics.

Rest assured, we have many more new disc reviews on the way as well, so be sure to watch for them. [Read on here...]

This is going to be a big week in terms of new disc reviews! Just today we’ve got...

My take on Christopher Nolan’s Oppenheimer (2023) in 4K Ultra HD from Universal, which in my opinion is the A/V demo disc of the year, not to mention a terrific special edition release. Unfortunately, it’s selling out everywhere, but we strongly suspect that Universal is already replicating more copies (and we’ve asked for official confirmation of that, which we’ll share here as soon as we hear back).

Tim’s reviews of Greta Gerwig’s Barbie (2023) in 4K Ultra HD from Warner Bros and Jeannot Szwarc’s Santa Claus: The Movie (1985) in 4K UHD from StudioCanal in the UK.

Stuart’s look at the Audie Murphy Collection III box set from Kino Lorber Studio Classics, which includes Hell Bent for Leather (1960), Posse from Hell (1961), and Showdown (1963) on Blu-ray.

And Dennis’ thoughts on Brad Watson’s The Siege (2023) on Blu-ray from Well Go USA Entertainment, as well as Harry Beaumont’s Dance, Fools, Dance (1931) on Blu-ray from the Warner Archive Collection.

I’m also hard at work on my 4K review of James Cameron’s Titanic (1997) from Paramount and we have several more Blu-ray and 4K Ultra HD reviews cooking at the moment. I would expect James Mangold’s Indiana Jones and the Dial of Destiny to show up at any time for review in 4K as well. So be sure to keep your eyes peeled for them. [Read on here...]

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]