Displaying items by tag: Kino Lorber Studio Classics

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We’ve got a trio of new disc reviews for you today to start the new week, including...

Tim’s review of Columbo: The Return (1989-2003) on Blu-ray from Kino Lorber Studio Classics, featuring the final 24 episodes of the series.

Stuart’s take on Patrice Leconte’s The Hairdresser’s Husband (1990) on Blu-ray from Kino Classics.

And Dennis’ thoughts on Bert I. Gordon’s The Food of the Gods (1976) on Blu-ray from American International Pictures via Kino Lorber Studio Classics’ new Kino Cult line.

More discs are on the way this week as well, so be sure to watch for them.

It’s a slow morning for release news, but we do have a couple things for you.

First, Paramount has set ZAZ: The Collection! for release on 4K Ultra HD on 11/19. That’s Zucker, Abrahams & Zucker to you! The collection will include Airplane! (1980), Top Secret! (1984), and The Naked Gun: From the Files of Police Squad! (1988). The first two are new to the format.

Kino Lorber Studio Classics is going to be releasing Claude Miller’s Deadly Circuit (1983) on Blu-ray on 10/29. The company has also revealed that Herbert Ross’ Play It Again Sam (1972) is coming soon to Blu-ray, while Michael Anderson’s Orca (1977) is coming soon to 4K Ultra HD. [Read on here...]

Boy, we’ve got a bunch of new catalog title announcements for you today, along with a TON of new Blu-ray and 4K cover artwork and Amazon.com pre-order links. But first, we have a few more new disc reviews...

Tim has taken a look at the new animated double-feature of Conrad Vernon and Greg Tiernan’s The Addams Family (2019) and The Addams Family 2 (2021) in 4K Ultra HD from Shout! Studios.

And Dennis has offered his thoughts on Frank Borzage’s The Shining Hour (1938) and King Vidor’s Northwest Passage (1940) both on Blu-ray from the Warner Archive Collection.

Now then, let’s dive right into those announcements...

Kino Lorber Studio Classics has just revealed that Sidney Hayers’ Circus of Horrors (1960) is coming to 4K Ultra HD on 10/29, but with an SDR only grade (probably due to limitations with the original camera negative).

Warner Bros. Discovery Home Entertainment and HBO have set Veep: The Complete Series for release on Blu-ray on 10/22, in a new 13-disc set. This follows closely in the wake of Warner’s newly-announced release of The West Wing: The Complete Series in a new 28-disc Blu-ray set on 10/1. Both are obviously timed to the upcoming Presidential Election here in the States. They’re now available on Amazon.com and you can see the cover artwork below the break (click on each to visit the pre-order pages). [Read on here...]

All right, I’d intended to have a news update yesterday, but we all day working on a major upgrade of the Release Dates & Cover Artwork section here at The Bits. Not only have added tons of new Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links, we’ve done some software and server upgrades to the section as well, so it should be working better than ever. Better yet, we’re going to have new updates of the section every Tuesday to keep it fresh with all the latest titles!

As you may know, The Digital Bits is an Amazon Affiliate, so anytime you order literally anything after clicking to them through one of our links, you’re helping to support our work at The Bits. It makes a big difference and we truly appreciate it. So we hope you’ll find our upgraded Release Dates & Cover Artwork useful and use it often!

Now then, we have some new disc reviews for all of you to enjoy here today...

Stephen has offered his in-depth thoughts on Robert Altman’s Thieves Like Us (1974) in 4K Ultra HD from Vinegar Syndrome’s Cinématographe label, along with Destin Daniel Cretton’s Just Mercy (2019) in 4K from Warner Bros. Discovery Home Entertainment, and also Peter Hyams’ Sudden Death (1995) in 4K UHD from Kino Lorber Studio Classics.

Stuart has weighed in with a look at Ken Loach’s The Old Oak (2023) on Blu-ray from Kino Lorber, as well as Fred Zinnemann’s The Nun’s Story (1959) on Blu-ray from the Warner Archive Collection.

And Dennis has reviewed Phil Karlson’s 99 River Street (1953) on Blu-ray from Kino Lorber Studio Classics as well.

In announcement news today, Universal and Illumination have just set the CG-animated Despicable Me 4 for Blu-ray, DVD, and 4K Ultra HD release on 9/24, with the Digital version available next week on 9/10. Scores of featurettes and deleted scenes will be included. [Read on here...]

We’re finishing up the week with a pair of additional disc reviews here, including...

Stephen’s look at John Krasinski’s If (2024) in 4K Ultra HD from Paramount.

And Stuart’s thoughts on Vittorio De Seta’s Bandits of Orgosolo (1960) on Blu-ray from Radiance Films.

As always, more reviews are on the way, so be sure to watch for them.

We’ve also just finished a massive update of our 4K Ultra HD Release List here at The Bits as promised to include everything announced for the format in the last few weeks, with A/V details (if known) and Amazon.com pre-order links (if available). We’ve also included some rumored titles from our industry sources and there are a few surprises in there, so you’ll definitely want to give it a look!

And we’ve got a few more new disc announcements for you here today, starting with Imprint’s revelation that they’re releasing Wolfgang Petersen’s The NeverEnding Story (1984) on 4K Ultra HD on 11/27, the final of four catalog 4Ks the company is releasing that month! The release is timed to celebrate the film’s 40th anniversary. This will be a 5-disc set that includes the original US Theatrical Cut and the German Extended Cut on separate 4K Ultra HD discs, the former with Dolby Vision HDR and the latter with HDR10. Both cuts will also be included on separate Blu-rays, and you’ll get an additional Blu-ray that features Lisa Downs’ all-new Life After NeverEnding Story feature-length documentary. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting Tuesday off here at The Bits with three new disc reviews for all of you to enjoy, including...

Dennis’ look at Arkasha Stevenson’s The First Omen (2024) on Blu-ray from 20th Century Studios.

Stuart’s thoughts on Teruo Ishii’s Prison Walls: Abashiri Prison I-III (1965) on Blu-ray from Eureka Entertainment.

And Stephen’s take on Don Seigel’s original sci-fi classic Invasion of the Body Snatchers (1956) in 4K Ultra HD from Kino Lorber Studio Classics.

In announcement news today, Kino Lorber Studio Classics has revealed a few more great new catalog releases, including Sidney Lumet’s Garbo Talks (1984) and Claude Autant-Lara’s Enough Rope (1963) on Blu-ray on 10/15, followed by William Friedkin’s Rules of Engagement (2000) and Peter Collinson’s Fright (1971) on 4K Ultra HD, as well as Carlo Carlei’s Fluke (1995) and Andre Gower’s Wolfman’s Got Nards (2018) on Blu-ray on 10/22. And coming soon to 4K Ultra HD from the company is Roy Ward Baker’s Scars of Dracula (1970), while coming soon to Blu-ray is the Film Noir: The Dark Side of Cinema XXV box set which features John H. Auer’s The Flame (1947), City That Never Sleeps (1953), and Hell’s Half Acre (1954). [Read on here...]

Morning folks! We’ve got some great release news for you today! And unfortunately, my neighborhood here in SoCal is experiencing some kind of major power disruption (I’m looking at like 20 utility tricks outside my office window right now) or I’d have had this up for you all last night.

First, some new disc reviews, as always…

Stuart has taken an in-depth look at Imprint’s excellent new Blu-ray box set of the classic British sci-fi TV series The Prisoner: The Complete Series (1967-1968). In short: It’s excellent. Do give it a look.

Also, our new team member Sam Cohen has reviewed Peter Hyams’ Narrow Margin (1990) in 4K Ultra HD from Kino Lorber Studio Classics.

And Dennis has turned in his thoughts on Tibor Takács’ Sabotage (1996) on Blu-ray from the MVD Rewind Collection!

And more reviews are on the way this week, including (but not limited to) Furiosa and Kingdom of the Planet of the Apes in 4K, so be sure to watch for those soon.

Now then… Walt Disney Studios Home Entertainment has just officially announced the 4K Ultra HD release of two popular M. Night Shyamalan films on 10/22! Here’s the official press release (which continues below the break)…

TWO ICONIC M. NIGHT SHYAMALAN FILMS, THE SIXTH SENSE
AND SIGNS, ARRIVE ON 4K UHD FOR THE FIRST TIME EVER!

IN ADDITION, A SPECIAL BUNDLE INCLUDING UNBREAKABLE WILL
BE AVAILABLE EXCLUSIVELY AT DIGITAL RETAILERS

THE SIXTH SENSE CELEBRATES 25 YEARS!

BURBANK, CA. (August 26, 2024) – The Sixth Sense and Signs, two iconic thrillers from Oscar-nominated director, M. Night Shyamalan, will be available for the first time ever in stunning 4K UHD digital on August 27, and 4K UHD Blu-ray disc on October 22. The original negatives for both films were scanned at 4K resolution and restored in High Dynamic Range (HDR). [Read on here...]

We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...

Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.

Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.

Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.

Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]

All right, Bits readers, today is a tough one news-wise, and it has little to do with specific title release news or announcements.

We’ve learned from multiple sources now that the 15% US workforce cuts at Paramount Global—a restructuring that’s happening in advance of the company’s merger with Skydance Media to reduce annual costs by some $500 million—have landed very heavily on the Melrose lot. As reported widely last week, the layoffs amount to about 2,000 people, with most expected to be gone by the end of next month and the rest by year’s end.

Current co-CEOs George Cheeks, Brian Robbins, and Chris McCarthy have described the layoffs thusly in a memo to the workforce: “As we continue to advance our plan, we announced on our earnings call last week that we will be reducing our US-based workforce by approximately 15%, focusing on redundant functions and streamlining corporate teams.”

The expectation was that every division would be impacted. As reported last week, Paramount Television Studios has been shuttered completely. What’s not been reported widely yet is the impact on overall studio operations.

The Digital Bits sources indicate that nearly every department has been affected—in a few cases severely—from marketing, legal, and accounting, to production, post-production, finance, mastering, vault and library services, and unfortunately also Paramount Home Entertainment. The cuts are reportedly not so deep as to result in a complete loss of institutional knowledge, but they’re more than deep enough to result in major workflow disruptions. [Read on here...]