Displaying items by tag: John Landis

All right, we’ve got a big week ahead of us here at The Digital Bits. As all of you know, the new James Cameron catalog 4K titles—The Abyss, True Lies, and Aliens—all drop via 4K Digital tomorrow. And we’ve got some big announcement news to share with all of you today as well. But first, we’ve got a new disc review for you...

Stephen has just turned in his thoughts on Kathryn Bigelow’s Point Break (1991) in 4K Ultra HD from Shout! Factory. Enjoy!

Now then... there’s big news today, more big news, and yet another piece of big news. So let’s start with that first one...

Paramount Home Entertainment has just officially set Herbert Ross’ original Footloose (1984) for release on 4K Ultra HD on 2/13/24. We’re awaiting confirmation of the A/V specs on this one, but the title will come in both Amaray and Steelbook packaging, and will have a Blu-ray and Digital copy code. All of the legacy extras from the Blu-ray will carry over. You can see the cover artwork at left and also below. [Read on here...]

Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

We’re back as promised this morning with another big announcement news round-up (and definitely be sure to check out our packed news update from yesterday evening as well, if you missed it)...

We’ll start with Barbie news (and there’s a phrase I officially never imagined I’d say): Warner Bros. Discovery Home Entertainment has just set Greta Gerwig’s pink-hued box office bonanza for “Premium Digital” release on 9/12 (SRP $29.99). Extras will include 6 behind-the-scenes featurettes (Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make Believe, All-Star Barbie Part, and It’s a Weird World). The physical media release on Blu-ray, DVD, and 4K Ultra HD will be announced at a later date (but our sources are still telling us to expect it on 10/3).

Also today, Kino Lorber Studio Classics has officially announced that Billy Wilder’s Stalag 17 (1953) is coming on Blu-ray and 4K Ultra HD on 11/21! Also coming that day on Blu-ray only is Clive Donner’s Babes in Toyland (1986), featuring both 1.33:1 and 1.78:1 aspect ratio versions. And coming on 11/14 on Blu-ray only will be Monte Markham’s Neon City (1991).

Stalag 17 will include a new 4K scan of the original camera negative with Dolby Vision HDR. The Blu-ray will also be mastered from the new 4K scan. Each disc will include new audio commentary with film historians Steve Mitchell and Steven Jay Rubin, as well as a second commentary with film historian Joseph McBride. You’ll also get the legacy commentary with Richard Erdman, Gil Stratton, and Donald Bevan, as well as 2 featurettes (Stalag 17: From Reality to the Screen and The Real Heroes of Stalag XVII B).

In terms of titles that are coming soon from KLSC, a 4K Ultra HD release of Clint Eastwood’s Play Misty for Me (1971) is in the offing. And the company has revealed that Kino Cult and Something Weird are working together on a Two Cult Classics by Betty Page Blu-ray double feature of Varietease (1954) and Teaserama (1955). Look for that to street sometime in 2024. [Read on here...]

We’ve got a quick early news update for you here at The Bits this morning featuring a major new disc review and some great breaking title announcement news as well. First the review...

Tim has just weighed in with his thoughts on John Landis’ An American Werewolf in London: Limited Edition in 4K Ultra HD from our friends at Arrow Video.

Sounds like it’s a loaded package, with best-ever image and sound quality for this film, so if you’re a fan you won’t want to miss it.

Now then, we’ve learned that Shout! and Scream Factory are just about to announce their May Blu-ray, DVD, and 4K Ultra HD slate, and it includes a trio of great and much-loved catalog titles in 4K Ultra HD. [Read on here...]

A funny thing happened on the way to yesterday’s My Two Cents post! For some reason, I lost track of a day this week, so I thought yesterday was Friday. Then I wake up and here’s Friday again, much to my surprise. LOL. So anyway, while a bit of yesterday’s post still applies this afternoon, we’ve got some great breaking release news to share with you all today...

First up, the fine Imprint Films (down in Australia) has just announced their March 2022 Blu-ray slate, which is due to street on 3/30/22. It will include Sam Peckinpah’s The Osterman Weekend (1983 – mastered from new 2K scans of the director’s cut negative and the theatrical cut, so it will include both versions), Buzz Kulik’s The Hunter (1980 – starring Steve McQueen), Samuel Fuller’s China Gate (1957), Byron Haskin’s Conquest of Space (1955 – produced by George Pal), John Sturges’ Marooned (1969), Robert Wise’s Audrey Rose (1977), and Dalton Trumbo’s Johnny Got His Gun (1971). Not bad at all!

As usual, all of these Blu-rays should be region free. You’ll find them available here on the Imprint website.

But here’s the whopper today... Arrow Video has just announced its March 2022 slate as well, which includes no less than three new 4K UHD catalog titles! [Read on here...]