Displaying items by tag: Akira Kurosawa

All right, we’ve got some big announcement news to report today, as well as some very interesting industry news. But first, more new disc reviews...

Stuart has turned in his thoughts on Franco Zeffirelli’s The Taming of the Shrew (1967) on Blu-ray from Via Vision’s Imprint Films label, as well as Robert Clouse’s Black Belt Jones (1974) on Blu-ray from the Warner Archive Collection.

And Dennis has turned in a look at Todd Solondz’s Happiness (1998) on Blu-ray from the Criterion Collection.

Also here at The Bits today, we’ve posted major updates of our 4K Ultra HD Release List, as well as our Release Dates & Cover Art section, both of which feature all the latest Amazon pre-order links. So be sure to check those out, and remember that we’re an Amazon Affiliate which means that clicking through one of our links (like this one) before shopping for literally anything from Amazon is a great way to help support our work here at the site. It makes a BIG difference. So thank you!

Now then, speaking of Criterion, let’s get right to today’s big release news: Criterion has just announced their January 2025 release slate, and every single title will include 4K UHD! On 1/7, look for Yojimbo/Sanjuro: Two Samurai Films by Akira Kurosawa, which itself has no Spine # but which includes 4K UHD upgrades of Yojimbo (1961) (Spine #52 – 4K+BD) and Sanjuro (1962) (Spine #53 – 4K UHD + BD). Following on 1/14, you’ll get Jean Eustache’s The Mother and the Whore (1973) (Spine #1245 – 4K+BD, BD & DVD) and Richard Pryor’s Jo Jo Dancer, Your Life Is Calling (1986) (Spine #1247 – 4K+BD & BD). On 1/21, look for Stephen Frears’ The Grifters (1990) (Spine #1246 – 4K+BD & BD). And finally, 1/28 will bring Anthony Mann’s Winchester ‘73 (1950) (Spine #1247 – 4K+BD & BD). You can see the cover artwork at left and below the break. [Read on here...]

Published in My Two Cents

We’ve got a good bit of ground to cover here at The Bits today, so let’s start as always with new disc reviews...

Now available here are Stephen’s take on Francis Ford Coppola’s The Conversation (1974) in 4K Ultra HD from StudioCanal, David Allen’s The Primevals (2023) as released on Blu-ray by Umbrella Entertainment, and the Blu-ray Audio version of Jonathan Demme and Talking Heads’ Stop Making Sense (1984) live album, which includes Dolby Atmos.

Stuart’s look at the Philo Vance Collection on Blu-ray from Kino Lorber Studio Classics—which includes The Canary Murder Case (1929), The Greene Murder Case (1929), and The Benson Murder Case (1930)—as well as George King’s The Shop at Sly Corner (1947) and the Columbia Film Noir #6: The Whistler box set—which includes The Whistler (1944), The Mark of the Whistler (1944), The Power of the Whistler (1945), Voice of the Whistler (1945), Mysterious Intruder (1946), The Secret of the Whistler (1946), The Thirteenth Hour (1947), and The Return of the Whistler (1948)—both on Blu-ray from Indicator.

Dennis’ thoughts on Basil Dearden’s The Man Who Haunted Himself (1970) on Blu-ray from Imprint and Welcome Back, Kotter: The Complete Series (1975-1979) on DVD from Warner Bros. Discovery Home Entertainment.

And finally, Tim has taken a look at Arch Oboler’s Bwana Devil (1952) on Blu-ray 3D from Kino Lorber Studio Classics with the help of the 3-D Film Archive.

More reviews are forthcoming, so stay tuned!

Now then, before we get to the big release news today, I wanted to alert you all to the fact that we’ve just posted a big update to our Cover Art section here at The Bits, aka the Release Dates & Artwork section (thanks to our own Russell Hammond)! It now features TONS of new Blu-ray, DVD, and 4K Ultra HD cover art, all with Amazon.com pre-order links. You can browse and sort the titles by street date and format, and of course The Bits is an Amazon Affiliate, so anytime you click through one of our Amazon links and order literally anything from them, you’re helping to support our work and we really do appreciate it. It makes a real difference for us. [Read on here...]

Published in My Two Cents

We’re starting things off this week as always with another new disc review...

Stephen has just checked in with his in-depth thoughts on Roman Polanski’s Chinatown (1974) in 4K Ultra HD, a new Paramount Presents title that also includes Jack Nicholson’s 1990 sequel, The Two Jakes, on Blu-ray. Sounds like it’s a pretty good release, so do give it a look.

Speaking of good 4K, I had the great fortune yesterday afternoon to attend the West Coast premiere of the new Janus Films 4K restoration of Akira Kurosawa’s legendary masterpiece Seven Samurai (1954), which was held at the Egyptian Theatre in Hollywood. It was my... I don’t know, forty or fiftieth viewing of the film? And I brought my friend Tom Beckett-Maines along for his first ever viewing. It goes without saying that we both enjoyed the film, and it was very encouraging to experience it with a packed crowd filled with young people who were really into it. Tip of the hat to the American Cinematheque for a great screening. If I lived a little closer to L.A. I would definitely become a card-carrying member, because they always do it right.

I think we can reasonably expect that Seven Samurai will be announced for physical 4K Ultra HD release by Criterion sooner rather than later, and I personally can’t wait for it. I still have a few “holy grail” physical media releases on my bucket list, and one of them is surely a Blu-ray/4K Ultra HD upgrade of Criterion’s wonderful AK100 DVD box set. But I’ll take all the Kurosawa I can get in 4K in the meantime. [Read on here...]

Published in My Two Cents

We start today with more new disc reviews, including...

Stephen’s look at John Flynn’s Rolling Thunder (1977) and Kimberly Peirce’s Carrie (2013) in 4K Ultra HD, as well as Jonathan Kaplan’s Over the Edge (1979) on Blu-ray, all from Shout! Factory.

Stuart’s take on Ken Loach’s documentary The Spirit of ‘45 (2013) on Blu-ray from Vinegar Syndrome and Alain Cavalier’s Le Combat dans l’île (1962) on Blu-ray from Radiance Films.

And Dennis’ thoughts on Kino Classics’ Vitagraph Comedies Blu-ray, featuring 40 classic shorts on three discs.

Now then, in terms of actual announcement news, we’ve got a couple of items for you and they’re pretty great. But there’s even more unofficial news, that’s no less exciting! Let’s get to the actual announcement news first...

It starts today with word that Janus Films will be debuting a brand new 4K restoration of Akira Kurosawa’s legendary epic Seven Samurai (1954) next month in New York and Los Angeles! You’ll be able to see it on 7/5 at the Film Forum in NYC and on 7/7 at the American Cinematheque’s Egyptian Theatre in Los Angeles. This is only my favorite film of all time. I will absolutely be at that Egyptian Theatre screening, and the fact that this restoration is now complete surely means that a physical 4K Ultra HD is coming later this year from Criterion as well. You can see the poster for this release at left, and the trailer is available for reviewing below the break. [Read on here...]

Published in My Two Cents

All right, there hasn’t been a lot of release news to report over the last couple of days, but we do have a bunch of new disc reviews for you to enjoy...

I’ve taken a look at the Criterion Collection’s new 4K Ultra HD release of Ingmar Bergman’s The Seventh Seal (1957), which streets next week.

Tim has reviewed the DreamWorks animated spin-off/sequel Puss in Boots: The Last Wish in 4K Ultra HD from Universal.

Dennis has checked in with his thoughts on Elliott Nugent’s Never Say Die (1939) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his take on Fernando Trueba’s Memories of My Father (2020) on Blu-ray from the Cohen Media Group via Kino Lorber.

And finally, Stephen has reviewed Christopher Berkeley and Sam Liu animated Batman: The Doom That Came to Gotham in 4K Ultra HD from DC and Warner Bros., as well as Adrian Lyne’s Flashdance (1983) in 4K Ultra HD from Paramount.

As always, more reviews are forthcoming, so be sure to keep checking back for them. [Read on here...]

Published in My Two Cents

All right, there’s some big catalog announcement news today, though it won’t come as a surprise to anyone who reads The Bits regularly. But first...

We’ve posted a new Blu-ray review here at The Bits, featuring my take on Akira Kurosawa’s 70 mm masterpiece Dersu Uzala (1975), which is new on Blu-ray from Imprint Films.

It features a best-yet-on-disc 1080p image presentation mastered from a recent 2K restoration of the film. And it adds a bounty of special features, including two new documentary featurettes and a terrific new audio commentary by Japanese film historian Stuart Galbraith IV.

For English-language speakers who have been waiting to see this film on Blu-ray, this disc is long overdue and highly welcome.

Now then, the big release news today is that Paramount has finally officially announced the 4K Ultra HD release of Quentin Tarantino’s Pulp Fiction (1994) on 12/6. It’s available in both Amaray packaging and Limited Edition Collector’s Steelbook packaging—both should be widely available. It appears that both Dolby Vision and HDR10 will be included, along with the previous 5.1 DTS-HD Master Audio mix. [Read on here...]

Published in My Two Cents

We’re wrapping up the week here at The Bits with a few new disc reviews...

I’ve turned in my thoughts on Sony’s recent Heavy Metal: Limited Edition 2-Movie Collection, a 4K Ultra HD Steelbook release that include the original film remastered with Dolby Vision HDR and Dolby Atmos audio, plus the Heavy Metal 2000 sequel as a Blu-ray bonus.

Tim has taken a look at Umbrella Entertainment’s new Blu-ray release of Heavy Metal, which is available as an all-region import.

Tim has also turned in his thoughts on Christopher Landon’s Happy Death Day and Happy Death Day 2U in 4K Ultra HD from our friends at Scream Factory.

And Dennis closes out our review selections today with a look at Boomerang (1992) on Blu-ray from Paramount. [Read on here...]

Published in My Two Cents

We’ve got some big release news today, but first we’re starting the week off with a trio of new disc reviews...

I’ve given Akira Kurosawa’s Ran a look in 4K Ultra HD from StudioCanal and found it to be a pretty impressive upgrade, save for a less than stellar English subtitle translation. It’s definitely worth a look for cinephiles.

Also, I’ve just reviewed Mel Stuart’s Willy Wonka and the Chocolate Factory in 4K Ultra HD from Warner Bros, a release that celebrates the film’s 50th anniversary. It’s certainly never looked better (and it’s finally presented in the correct 1.85:1 theatrical aspect ratio as well).

Finally, I’ve also posted my thoughts on John Krasinski’s long-delayed A Quiet Place: Part II in 4K UHD from Paramount. It’s a more satisfying film than the original and it looks and sounds terrific, though the extras leave much to be desired.

More new Blu-ray and 4K UHD reviews are on the way later this week, so be sure to keep checking back for them. [Read on here...]

Published in My Two Cents

The Hidden Fortress is an irresistible blend of grand comic adventure with Kurosawa’s emblematic humanism and innovative craftsmanship.” — Stuart Galbraith, author of The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of the release of The Hidden Fortress, Akira Kurosawa’s influential jidai-geki and starring long-time Kurosawa collaborator Toshiro Mifune (Seven Samurai, Throne of Blood, Yojimbo).

The popular Kurosawa film turns sixty this year, and for the occasion, The Bits features a Q&A with film historian and Japanese cinema authority Stuart Galbraith. [Read on here...]