Displaying items by tag: Blue Underground

We’ve got more new disc reviews from The Bits’ team for you this evening...

They start with Stephen’s look at Richard Lester’s Juggernaut (1974) on Blu-ray from Kino Lorber Studio Classics.

Dennis has offered his thoughts on Tod Browning’s The Devil Doll (1936) on Blu-ray from the Warner Archive Collection, along with Jagoda Szelc’s Tower. A Bright Day. and Monument (2018) on Blu-ray from Yellow Veil Pictures via Vinegar Syndrome.

And Stuart has checked in with a look at Dušan Vukotić’s Visitors from the Arkana Galaxy (1981) on Blu-ray from Deaf Crocodile via Vinegar Syndrome, as well as Imprint’s excellent Directed by Sidney J. Furie Blu-ray box set, which includes The Lawyer, Little Fauss and Big Halsy (both 1970), Hit! (1973), Sheila Levine Is Dead and Living in New York (1975), and The Boys in Company C (1978).

As always, more reviews are forthcoming, so be sure to stay tuned for them.

Speaking of reviews... I had the chance this week to talk directly with Lightstorm about the remastering work done for James Cameron’s Titanic on 4K Ultra HD, a disc which should now be in all your of hands. If that’s the case, you’ll know for yourselves that the film looks and sounds fantastic. When I reviewed the title here at The Bits last week, I promised that I would soon be updating that review with details on exactly how the film was remastered for UHD release. And indeed, I’ll be doing exactly that here at the site tomorrow afternoon. But if you subscribe to The Digital Bits’ new Patreon, you can read those details right now. And hey—it’s a great way to help us in our work here at the website if you believe, as we do, in supporting cause of physical media. [Read on here...]

We’re back as promised this morning with another big announcement news round-up (and definitely be sure to check out our packed news update from yesterday evening as well, if you missed it)...

We’ll start with Barbie news (and there’s a phrase I officially never imagined I’d say): Warner Bros. Discovery Home Entertainment has just set Greta Gerwig’s pink-hued box office bonanza for “Premium Digital” release on 9/12 (SRP $29.99). Extras will include 6 behind-the-scenes featurettes (Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make Believe, All-Star Barbie Part, and It’s a Weird World). The physical media release on Blu-ray, DVD, and 4K Ultra HD will be announced at a later date (but our sources are still telling us to expect it on 10/3).

Also today, Kino Lorber Studio Classics has officially announced that Billy Wilder’s Stalag 17 (1953) is coming on Blu-ray and 4K Ultra HD on 11/21! Also coming that day on Blu-ray only is Clive Donner’s Babes in Toyland (1986), featuring both 1.33:1 and 1.78:1 aspect ratio versions. And coming on 11/14 on Blu-ray only will be Monte Markham’s Neon City (1991).

Stalag 17 will include a new 4K scan of the original camera negative with Dolby Vision HDR. The Blu-ray will also be mastered from the new 4K scan. Each disc will include new audio commentary with film historians Steve Mitchell and Steven Jay Rubin, as well as a second commentary with film historian Joseph McBride. You’ll also get the legacy commentary with Richard Erdman, Gil Stratton, and Donald Bevan, as well as 2 featurettes (Stalag 17: From Reality to the Screen and The Real Heroes of Stalag XVII B).

In terms of titles that are coming soon from KLSC, a 4K Ultra HD release of Clint Eastwood’s Play Misty for Me (1971) is in the offing. And the company has revealed that Kino Cult and Something Weird are working together on a Two Cult Classics by Betty Page Blu-ray double feature of Varietease (1954) and Teaserama (1955). Look for that to street sometime in 2024. [Read on here...]

We’re closing out the week with a bunch of new disc reviews and a ton of significant new title announcements as well from the likes of Arrow, Imprint, Sony, Shout! Factory, and more. But first, here are those reviews...

First, Stephen has delivered his in-depth takes on James Gunn’s Guardians of the Galaxy, Volume 3 (2023) on 4K Ultra HD from Marvel and Disney, Jonathan Goldstein and John Francis Daley’s Dungeons & Dragons: Honor Among Thieves (2023) on 4K UHD from Paramount, Russell Mulcahy’s Razorback (1984) on 4K UHD from Umbrella Entertainment, Lucio Fulci’s City of the Living Dead (1980) on 4K UHD from Cauldon Films, and Dario Argento’s Tenebrae (1982) on 4K UHD from Synapse Films.

Stuart has chimed in with his thoughts on Henry Koster’s My Man Godfrey (1957) on Blu-ray from Kino Lorber Studio Classics, as well as Fred Zinnemann and John Sturges’ The Old Man and the Sea (1958) on Blu-ray from the Warner Archive Collection.

And Dennis has taken a look at Laura Tarruso’s About My Father (2023) on Blu-ray from Lionsgate, along with Cauleen Smith’s Drylongso (1998) on Blu-ray from the Criterion Collection.

Rest assured, we have even more new disc reviews coming next week, including Tim Burton’s The Nightmare Before Christmas, Akira Kurosawa’s Dreams, and several other titles.

Now then... in announcement news over the last couple of days, Sony Pictures Home Entertainment has officially set Frank Oz’s The Muppets Take Manhattan (1984) for release on 4K Ultra HD on 10/24. Look for the film to be mastered in 4K from the original camera negative with Dolby Vision HDR and a new Dolby Atmos sound mix, both approved by Oz (the original English 5.1 and mono audio are also included). The 4K disc will also include a new audio commentary with Oz. This will be accompanied by a Blu-ray disc featuring the remastered film with 5.1 audio and 3 legacy special features (including an Interview with Jim Henson, Muppetisms: Miss Piggy & Kermit the Frog, and Muppetisms: Pepe and Fozzie Bear). You can see the cover artwork at left and also below. [Read on here...]

Today’s new disc reviews here on The Bits include...

Tim’s review of Phil Tucker’s Robot Monster (1953) on Blu-ray 3D from Bayview Entertainment.

Stuart’s in-depth take on the Essential Film Noir: Collection 4 Blu-ray box set from Imprint Films and Via Vision Entertainment, which features The Enforcer (1951), Beware, My Lovely (1952), Jennifer (1953), Rope of Sand (1949), and Appointment with Danger (1950).

And Dennis’ look at Elliott Nugent’s The Great Gatsby (1949) on Blu-ray also from Imprint and Via Vision.

In announcement news today, Lionsgate has set Jalmari Helander’s Sisu for release on Blu-ray, DVD, and 4K Ultra HD on 7/11, with the Digital release available today. The 4K will be available in a wide-release Amaray SKU and also a Best Buy-exclusive Steelbook. Extras will include a pair of featurettes (Indestructible: Making Sisu and Pushing the Boundaries of Reality: The Visual Effects of Sisu). Audio on both the 4K and Blu-ray will be included in 5.1 Dolby TrueHD format. High dynamic range is likely HDR10 only on the 4K SKUs. [Read on here...]

We have just a quick update for you today here at The Bits with some interesting release news, plus a few odds and ends related to titles we’ve learned from our industry sources are likely forthcoming in the months ahead.

First of all, the big news: Paramount has officially set Peter Weir’s The Truman Show (1998) for 4K Ultra HD release on 7/4 in honor of the film’s 25th anniversary. The disc is mastered from a new 4K scan of the original camera negative approved by the director and it will feature Dolby Vision HDR, as well as a new Dolby Atmos sound mix.

Extras will include the previous legacy features, among them the 2-part How’s It Going to End? The Making of The Truman Show documentary, the Faux Finishing: The Visual Effects of The Truman Show featurette, deleted scenes, a photo gallery, theatrical trailers, and TV spots. You can see the cover artwork at left and also below. [Read on here...]

We’re kicking things off this week with a pair of new disc reviews...

Tim has posted his thoughts on Neil Jordan’s The Company of Wolves (1984) in 4K Ultra HD from Scream Factory.

And Stephen has checked in with his take on Daniel Kwan and Daniel Scheinert’s Best Picture-winning Everything Everywhere All at Once (2022) in 4K Ultra HD from A24 via Lionsgate.

In announcement and release news today, we have several interesting items for you...

First, our friends at MVD Entertainment have revealed the first 4K title in their MVD Rewind Collection, and it’s none other than Wes Craven’s Swamp Thing (1982)! Look for it to arrive on 7/25, and it will include both the Unrated International Version as well as the US Theatrical Version (which is rated PG). The title is also coming to Blu-ray that same day. You can see the cover artwork above left and also below.

Both versions are restored from new 16-bit 4K scans of the original camera negative, presented in the correct 1.85 aspect ratio with Dolby Vision HDR and audio in English 2.0 mono in DTS-HD Master Audio format (as well as Spanish mono). [Read on here...]

Welcome to the first week of April, everyone!

As you might expect, over the weekend we’ve posted several more new disc reviews for you all to enjoy, including...

My reviews of Jonathan Frakes’ Star Trek: Insurrection (1998) and Stuart Baird’s Star Trek: Nemesis (2002) in 4K Ultra HD from Paramount. That completes my look at all four of the newly-remastered Star Trek: The Next Generation feature films in 4K.

Stuart’s thoughts on Clarence Brown’s Wife vs. Secretary (1936) on Blu-ray from the Warner Archive Collection and Milton Moses Ginsberg’s The Werewolf of Washington (1973) on Blu-ray from Kino Classics.

And last but certainly not least, Stephen’s in-depth review of Wilfred Jackson, Hamilton Luske, and Clyde Geronimi’s original classic animated Cinderella (1950) in 4K Ultra HD from Disney, currently available from the Disney Movie Club, but coming widely later this year.

Key note about Cinderella—it looks like Disney’s actually done this one right, with a stunning 4K remaster that respects the film’s original photochemical production by leaving its line-work, fine detail, and grain structure fully intact! This really bodes well for future 4K animated titles from the studio, and one certainly hopes that all of these original animated classics will be revisited on the format going forward. [Read on here...]

Another day brings more new disc reviews, and more release and catalog announcement news as well. First, the reviews...

Tim has taken a look at Jesús Franco’s Marquis de Sade’s Philosophy in the Boudoir (1970) in 4K Ultra HD from our friends at Blue Underground.

Dennis has given Curt Siodmak’s Curucu, Beast of the Amazon (1956) a spin on Blu-ray from Vinegar Syndrome.

And Stephen has checked in with a review of both the regular 4K UHD and 4K Steelbook editions of Walter Hill’s The Driver (1978) from EMI and 20th Century Fox via StudioCanal in the UK.

Stay tuned for more new disc reviews all this week.

Now then, MPI Home Video has made their 4K Ultra HD + Blu-ray Mediabook edition of Edward Berger’s All Quiet on the Western Front (2022) official for release on 3/28. We mentioned the title yesterday of course, but now we know that the UHD disc will feature the film with Dolby Vision HDR and Dolby Atmos audio. We’re awaiting confirmation of any disc based extras, but we suspect that there are none, thus allowing the film the maximum possible data rates to ensure high A/V quality. [Read on here...]

Morning, folks! We’ve got an early update here on The Bits today with a few more new disc reviews, and some interesting release news as well. First, those reviews...

I’ve just completed a look at Universal’s new E.T.: The Extra-Terrestrial: 40th Anniversary Edition 4K Ultra HD release, which came out a few weeks ago. It’s interesting in that both the 4K and accompanying Blu-ray are completely new discs, each of which carries over all the extras from the previous 35th Anniversary release while adding a couple of new features too. A/V quality is essentially the same as before, though the 4K disc is now a BD-100, presumably to allow for the addition of the special features. You can learn more here.

Tim has also just completed a review of Harry Essex’s I, the Jury (1953) which is now available in 4K from ClassicFlix. The package includes a Blu-ray as well, featuring the film in HD and also 3D. And he’s posted a review of Brian De Palma’s Dressed to Kill (1980) in 4K from Kino Lorber Studio Classics for your reading enjoyment too.

More reviews are forthcoming soon, including my take on Criterion’s new 4K Ultra HD release of WALL-E from Pixar.

Also here at the site this morning, we’d like to call your attention to Michael Coate’s retrospective look at Steven Spielberg’s sci-if classic Close Encounters of the Third Kind, which celebrated its 45th anniversary yesterday. Michael shared a great Q&A with film historians on the occasion of its 40th anniversary in 2017, and that discussion is well worth checking out if you missed it then. You’ll also find interesting details on the film’s original theatrical release. Enjoy! [Read on here...]

All right, sorry for the lack of an update over the last couple of days. We’ve been very busy here at the site, working on reviews, preparing for some big upcoming reviews, and finishing a few more site upgrades. But the major reason is that there’s a ton of breaking and evolving release news to cover, and getting to the bottom of it all—collating all the details, checking in with sources, confirming key pieces of release information—takes a huge amount of time. But I’m always up for a challenge.

Before we get to that, however, let’s share those disc reviews we’ve been working on over the past few days...

First up, I’ve posted my thoughts on John Milius’ Red Dawn (1984) from Shout! Factory and also Colin Trevorrow’s Jurassic World: Dominion (2022) from Universal, both in 4K Ultra HD.

Tim has delivered a look at Joel Schumacher’s Flatliners (1990) in 4K UHD from Arrow Video, as well as John Carpenter’s Escape from New York (1981) in 4K from Scream Factory.

Dennis has reviewed a number of regular Blu-ray titles in the last few days, including Lon Chaney: Before the Thousand Faces – Volume 2 from Undercrank Productions, Josh and Benny Safdie’s Daddy Longlegs (2009) from Criterion, and Jack Gold’s The Tenth Man (1988) and Ken Hughes’s The Trials of Oscar Wilde (1960) from Kino Lorber Studio Classics.

And finally, Stephen has delivered in-depth looks at Paul W.S. Anderson’s Event Horizon (1997)—a Steelbook release that’s getting hard to find here in the States—and Jeff Fowler’s Sonic the Hedgehog 2 (2022) both in 4K Ultra HD from Paramount, along with Michael Findlay’s Shriek of the Mutilated (1974) on Blu-ray from American Films via Vinegar Syndrome.

As always more disc reviews are on the way in the coming days. [Read on here...]