Displaying items by tag: Celluloid Dreams

We start as always today with more new disc reviews, including…

Stephen’s look at Jonathan Demme’s Last Embrace (1979) in 4K Ultra HD from Vinegar Syndrome’s excellent Cinématographe line, as well as John Waters’ Cry-Baby (1990) in 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s reviews of Andrzej Żuławski’s L’important c’est d’Aimer... (1975) on Blu-ray from Film Movement via Vinegar Syndrome, along with John Guillermin’s The Whole Truth (1958) on Blu-ray from Powerhouse Films’ Indicator label.

And Dennis’ take on Boaz Yakin’s Fresh (1994) on Blu-ray from Via Vision’s Imprint Films.

Now then, there’s some exciting release news for us to share with you today, but first we want to take a moment to clear up some confusion: The Warner Archive Collection is still the Warner Archive Collection!

Many of you have probably seen that their Facebook page was suddenly rebranded as Warner Classics (click here for the link). But rest assured, the Warner Archive Collection remains! Warner is simply trying to unite all of its “classic film” marketing activity in one social media space. So while the Warner Archive Collection remains the core of this page, you’ll also learn here about forthcoming classic film releases on Blu-ray and 4K UHD from the studio proper, as well as theatrical screening activity, and the like. So everyone can relax—Warner Archive has not disappeared!

In fact, Warner Archive has just shared some excellent release news: The Looney Tunes Collector’s Choice: Volume 4 Blu-ray is officially coming on 11/26! You can see their official Facebook post here. Details of the actual shorts the set will include are yet to be announced, but the release is definitely now in production. Great news indeed! [Read on here...]

Published in My Two Cents

We have four new disc reviews for you to enjoy today, including...

Tim’s look at Giuliano Carnimeo’s The Case of the Bloody Iris (1972) in 4K Ultra HD from our friends at Celluloid Dreams... and we mean friends literally—the company was launched by former DVD Review editor Guido Henkel and his son Lucas. (Congrats to both of them on their first successful title!)

Stuart’s take on George Roy Hill’s The Little Drummer Girl (1984) on Blu-ray from the Warner Archive Collection.

Stephen’s thoughts on John Mackenzie’s The Long Good Friday (1980) in 4K Ultra HD from Arrow Video UK, a region-free British import title.

And Dennis’ look at Chad Ferrin’s H.P. Lovecraft’s The Old Ones (2024) on Blu-ray from Vinegar Syndrome.

Also, we’ve just posted a massive update of our Release Dates & Cover Art section featuring all the latest Blu-ray, DVD, and especially 4K Ultra HD titles that are available for pre-order on Amazon.com. There are tons of new titles, and remember that anytime you order one using our links you’re helping to support our work here at The Bits (and we really do appreciate it)!

We’ve also got some great release news for you today, starting with word that Arrow Video has just announced their forthcoming Shawscope: Volume Three Blu-ray box set, which will street on 11/26. [Read on here...]

Published in My Two Cents

Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

Published in My Two Cents

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

Published in My Two Cents

All right, believe it or not, even after the insanity that’s been the last couple of days, we still have a bit more new release news to catch you all up on here at The Bits...

First things first… Lionsgate has officially set The Expendables 4, aka Expend4bles, for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. There will also a trio of retail exclusive versions, including an Amazon 4K with lenticular cover, a Best Buy 4K Steelbook, and a Walmart Steelbook 4-Film 4K Collection. All 4K versions of Expend4bles will offer Dolby Vision HDR and Dolby Atmos audio on a 100GB disc. Extras on the Blu-ray and 4K SKUs will include audio commentary with director Scott Waugh, 2 featurettes (Bigger, Bolder, Badder: The Expendables in Action and More Than a Team: New Blood Meets Old Blood), plus the film’s theatrical trailer. You can see the cover artwork at left and also below.

Lionsgate has also set Kevin Greutert’s Saw X for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. Look for HDR10 and Dolby Atmos on the 4K SKU. Extras will include audio commentary (with director-editor Kevin Greutert, cinematographer Nick Matthews, and production designer Anthony Stabley), the 6-part Reawakening documentary (includes I Want to Play a Game: Bleeding New Life into the Saga, This Time It’s Personal: Characters and Casting, Another Time, Another Place: Locations and Cinematography, There Will Be Blood: Production Design and Make-up, Leave Nothing to Chance: Post-Production, and Live or Die: Release and Legacy), 2 additional featurettes (Drawing Inspiration: Illustrated Scene Breakdowns with Kevin Greutert and Make-Up Department Trap Tests), deleted scenes, and the film’s theatrical trailer. Again, you’ll find the cover art below. [Read on here...]

Published in My Two Cents