Displaying items by tag: Sony Pictures Home Entertainment

We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...

Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.

Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.

Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.

Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]

We’ve got a good bit of ground to cover here at The Bits today, so let’s start as always with new disc reviews...

Now available here are Stephen’s take on Francis Ford Coppola’s The Conversation (1974) in 4K Ultra HD from StudioCanal, David Allen’s The Primevals (2023) as released on Blu-ray by Umbrella Entertainment, and the Blu-ray Audio version of Jonathan Demme and Talking Heads’ Stop Making Sense (1984) live album, which includes Dolby Atmos.

Stuart’s look at the Philo Vance Collection on Blu-ray from Kino Lorber Studio Classics—which includes The Canary Murder Case (1929), The Greene Murder Case (1929), and The Benson Murder Case (1930)—as well as George King’s The Shop at Sly Corner (1947) and the Columbia Film Noir #6: The Whistler box set—which includes The Whistler (1944), The Mark of the Whistler (1944), The Power of the Whistler (1945), Voice of the Whistler (1945), Mysterious Intruder (1946), The Secret of the Whistler (1946), The Thirteenth Hour (1947), and The Return of the Whistler (1948)—both on Blu-ray from Indicator.

Dennis’ thoughts on Basil Dearden’s The Man Who Haunted Himself (1970) on Blu-ray from Imprint and Welcome Back, Kotter: The Complete Series (1975-1979) on DVD from Warner Bros. Discovery Home Entertainment.

And finally, Tim has taken a look at Arch Oboler’s Bwana Devil (1952) on Blu-ray 3D from Kino Lorber Studio Classics with the help of the 3-D Film Archive.

More reviews are forthcoming, so stay tuned!

Now then, before we get to the big release news today, I wanted to alert you all to the fact that we’ve just posted a big update to our Cover Art section here at The Bits, aka the Release Dates & Artwork section (thanks to our own Russell Hammond)! It now features TONS of new Blu-ray, DVD, and 4K Ultra HD cover art, all with Amazon.com pre-order links. You can browse and sort the titles by street date and format, and of course The Bits is an Amazon Affiliate, so anytime you click through one of our Amazon links and order literally anything from them, you’re helping to support our work and we really do appreciate it. It makes a real difference for us. [Read on here...]

We’ve got just a handful of announcement news items to share with you today...

The first is that Sony Pictures Home Entertainment has just set Chris Smith’s American Movie (1999) for release on 4K Ultra HD on 10/15 in honor of the film’s 25th anniversary.

This will be a Sony Pictures Classics release. The 4K disc will include Dolby Vision HDR and the original English mono audio in lossless DTS-HD MA format.

Extras will include audio commentary with the director and cast, deleted scenes, the Coven short film by Mark Borchardt, and the film’s theatrical trailer. You can see the cover artwork at left.

Elsewhere around the Interwebs, various online retailers have begun taking pre-orders for the Blu-ray, DVD, and 4K Ultra HD release of Eli Roth’s Borderlands (2024) and Nikhil Nagesh Bhat’s Kill (2023) from Lionsgate, M. Night’s Shyamalan’s Trap (2024) from Warner Bros, Ti West’s MaXXXine (2024) from A24, and Osgood Perkins’ Longlegs (2024) from Neon/Decal. The street date for all of these is TBA. [Read on here...]

Welcome to a new week, folks! Boy, have we got some great new 4K and Blu-ray announcement news to share with you today! Naturally, we also have more new disc reviews here at The Bits as well. So as always, let’s start with the latter first...

Stephen has taken a look at Paul Schrader’s American Gigolo (1980) which is now available in a new 4K UHD release from Arrow Video.

Tim has offered his thoughts on Lamberto Bava’s Demons (1985) and Demons 2 (1986) in 4K Ultra HD from the good folks at Synapse Films. Both of those street next week.

Dennis has checked in with a look at Matt Bettinelli-Olpin and Tyler Gillett’s Abigail (2024) on Blu-ray from Universal.

And Stuart has weighed in with his review of Imprint’s recent Directed by John Farrow Blu-ray box set, which includes Commandos Strike at Dawn (1942), The Hitler Gang (1944), Night Has a Thousand Eyes (1948), Submarine Command (1951), and Botany Bay (1953), and the John Farrow: Hollywood’s Man in the Shadows (2021) documentary.

More reviews are forthcoming all this week, so be sure to watch for them!

Now then, we’re awaiting official press releases, but Paramount has just listed David Fincher’s Zodiac (2007) for release on 4K Ultra HD on 10/29, along with Barry Sonnenfeld’s Addams Family Values (1993) in long-awaited 4K UHD! Both titles we first revealed here at The Bits back in June (click here and here). The good news is that each will include Dolby Vision HDR. You can see the cover artwork at left and also below! [Read on here...]

All right, first things first today—this is officially Prime Day on Amazon.com, so there are a TON of deals to be had on all kinds of items from Blu-rays, DVDs, and 4Ks, to books, computer stuff and all kinds of household items.

As you know, The Digital Bits is an Amazon Affiliate, so whenever you’re planning on shopping for literally anything from Amazon—particularly on a day like today—we’d sure appreciate it if you started by clicking on one our affiliate links first (like this one, or the logo below).

It makes a huge difference for us in keeping The Bits going, so thank you in advance for your support!

Now then, we’re starting today with three more new disc reviews from our staffers here, including...

Tim’s thoughts on Peter Collinson’s The Italian Job (1969)—a big favorite of ours here at The Bits—in 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s take on Anthony Mann’s The Tin Star (1957)—a great VistaVision Western starring Henry Fonda and Anthony Perkins—on Blu-ray from Arrow Video.

And Dennis’ look at Alfred Hitchcock’s Mr. & Mrs. Smith (1941)—a classic Robert Montgomery and Carole Lombard screwball comedy—on Blu-ray from the good people of the Warner Archive Collection.

More reviews are forthcoming this week, so be sure to check back for them!

Now then, we’ve got some very good release physical media news for you today, starting with this: I’ve confirmed that the new US 4-disc Godzilla Minus One: 4K Ultra HD + Blu-ray Deluxe Collector’s Edition from Toho is just the latest of multiple planned physical media releases of the film. More editions are apparently “coming soon” in the months ahead. So expect wide-release versions eventually, and probably international SKUs as well. That’s definitely good news for fans around the world, and there are definitely a lot of you out there! [Read on here...]

Morning everyone, and welcome to the first week of July!

I’ve been very busy over the weekend working on new disc reviews, frankly probably a little too hard—I should probably have taken more of a break to recharge. Nevertheless, I’ve completed a trio of new reviews for you all to enjoy, so today we present...

My take on Luc Besson’s La Femme Nikita (1990) new on 4K Ultra HD Steelbook from Sony Pictures Home Entertainment—a great 4K remaster of one of my favorite films.

My look at Ron Frank’s funny and poignant documentary Remembering Gene Wilder (2023) on Blu-ray from Kino Lorber—which covers the actor’s life and career in detail, and features interviews with Mel Brooks and other friends.

And finally, my review of a surprise title that just arrived on Sunday morning: Jan de Bont’s Twister (1996) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment—a terrific remaster that leaves this film looking and sounding better than it ever has before.

I’m also working to finish another review today, which is Alex Garland’s Civil War. I expect to have that up here by tomorrow. And of course, the rest of the Bits team is working on new reviews as well, so be sure to check back for those over the coming days.

Now then, in announcement news this afternoon, Universal has officially set David Leitch’s The Fall Guy (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 7/23. The package will include both the Theatrical Cut and an Extended Cut of the film with 20 minutes of additional footage. Extras will feature audio commentary on both of those with director Leitch and producer Kelly McCormick, a gag reel, alternate takes, the 5-part Stunts on Stunts: Breaking Down the Action documentary, and 6 featurettes (Making a Meta Masterpiece, How to Break a World Record, Nightclub Mayhem, The Art of Doubling, Making Metalstorm, and Falling for The Fall Guy with Rob Reese). You can see the cover artwork at left and also below. [Read on here...]

All right, we haven’t had a lot of news updates this week, because frankly there just hasn’t been a lot of news to report. And also because we’ve all been working on a lot of disc reviews for you to enjoy. In fact, today we have no less than TEN to share with you, including...

My thoughts on Guy Ritchie’s The Ministry of Ungentlemanly Warfare (2024) in 4K Ultra HD from Lionsgate, Akira Kurosawa’s Dreams (1990) in 4K UHD from The Criterion Collection, and Gil Kenan’s Ghostbusters: Frozen Empire (2024) in 4K UHD from Sony Pictures Home Entertainment.

Tim’s review of Ernie Fosselius’ Hardware Wars (1978) on Blu-ray and Albert Band’s Ghoulies II (1987) in 4K UHD from the MVD Rewind Collection, Gualtiero Jacopetti and Franco Prosperi’s Goodbye Uncle Tom (1971) in 4K from Blue Underground (which is definitely not for the faint of heart), and Jason Reitman’s Ghostbusters: Afterlife (2021) in 4K UHD from Sony Pictures Home Entertainment.

Dennis’ take on Ted Geoghegan’s Brooklyn 45 (2023) on Blu-ray from Shudder.

And Stephen’s look at Mark Waters’ Mean Girls (2004) on 4K Ultra HD from Paramount, as well as the import version of Michael Mann’s Ferrari (2023) in 4K UHD from Neon and Sky via Universal in UK.

More reviews are on the way for Monday, including my look at Luc Besson’s La Femme Nikika (1990) in 4K from Sony, and Alex Garland’s Civil War (2024) in 4K from Lionsgate, so be sure to watch for them.

Also, just a heads up: Our very own Russell Hammond has posted the new update of our ever-popular Release Dates and Cover Art section (see Cover Art above), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, you can sort by date, by format, even isolate the Criterion titles! And as an Amazon Affiliate, literally anything you order from Amazon after clicking to them through one of our links (like this one) goes to help support our work here at The Bits and we greatly appreciate it! [Read on here...]

We’re starting the new week here at The Bits, as always, with more new disc reviews...

Stephen has turned in his thoughts on Albert Magnoli’s celebration of all things Prince, Purple Rain (1984), in 4K Ultra HD from Warner Bros. Discover Home Entertainment. The film celebrates its 40th anniversary this summer, and the city of Minneapolis has been partying all weekend in honor of it (more on that here).

Also, I’ve shared my thoughts on Trey Parker and Matt Stone’s South Park: Bigger, Longer & Uncut (1999) in 4K Ultra HD from Paramount Home Entertainment. I’m not sure the title actually needed a 4K upgrade, but what the heck—blame Canada. You can read all the details here.

And Dennis has shared his perspective on The Wachowskis’ Bound (1996), which is new on Blu-ray (and 4K UHD) from our friends at The Criterion Collection.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Now then... we’ve got a pretty significant piece of industry news to share with you today. Sony Pictures Home Entertainment has completed an “umbrella” distribution deal with Studio Distribution Services (SDS) that covers not only their own Blu-ray, DVD, and 4K Ultra HD product, but also titles from Lionsgate and Disney (along with 20th Century Studios, Touchstone, Hollywood Pictures, and the other Disney-owned labels), which Sony produces for those studios. We first broke the news of this for our Patreon subscribers over the weekend.

The reason this deal is important is that it guarantees Sony, Disney, 20th Century Studios, and Lionsgate a direct and stable distribution channel for their physical media product into Walmart stores. And as we’ve reported previously, Walmart is the biggest disc retailer in North America with a whopping 45% share of the disc sales market (as of earlier this year—that number may have grown a bit with the recent exit of Best Buy, which had approximately 4% of the business). [Read on here...]

We’ve got several new disc reviews to share with you today, including...

My take on Michael Apted’s Thunderheart (1992) in its first-ever U.S. Blu-ray release from Sony Pictures Home Entertainment.

Stephen’s look at Adam Wingard’s Godzilla x Kong: The New Empire (2024) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

Dennis’s thoughts on Adam Egypt Mortimer’s Daniel Isn’t Real (2019) on Blu-ray from Vinegar Syndrome and Jeremy Kagan’s Big Man on Campus (1989) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s reviews of Ingmar Bergman’s Face to Face (1976) on Blu-ray from Imprint Films and Noboru Nakamura’s The Shape of Night (1964) on Blu-ray from Radiance Films.

We’ll have more new reviews here at The Bits tomorrow as well, so be sure to check back for them early!

In title announcements today, the big news is that Warner Bros. Discovery Home Entertainment has officially set George Miller’s Furiosa: A Mad Max Saga (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K + BD Steelbook on 8/13. The Digital release is expected on 6/25. [Read on here...]

We’re rounding out the week here at The Bits with a pair of additional disc reviews, including...

Stephen’s thoughts on Yuzuru Tachikawa’s anime Blue Giant (2023) on Blu-ray from GKids via Shout! Studios.

And Dennis’ take on Sophie Compton and Reuben Hamlyn’s Another Body (2023) on Blu-ray from Vinegar Syndrome.

Also today, we’ve updated our 4K Ultra HD Release List here at The Bits with all the latest announced 4K titles as well as those we’ve learned are coming from our industry sources.

Over on our Patreon page, many of you have asked us for an Annual Membership option in order to get the best value while backing us and supporting The Bits there. So we’re very pleased to finally make it available today. Signing up as a Patreon supporter of The Bits via the Annual Membership option (at whatever support level you choose) gives you a 10% discount.

And while we’re talking Patreon, we’re going to be holding a members-only Digital Bits: “Ask Us Anything” Live Chat on Patreon tomorrow (Saturday, June 15th) at 11 AM Pacific (1 PM Central, or 6 PM UTC). I’ll be on hand to participate, along with Tim Salmons and Stephen Bjork. You can ask us about physical media, 4K, Blu-ray, film in general, our work, our interests—pretty much any topic other than politics is fair game. While there may be a few questions (about specific upcoming titles) that we can’t answer, we’ll do our best to tackle all questions as they come in. Our goal is to go live for at least an hour. And if everything goes smoothly, we’ll continue for a second hour (provided there’s enough demand/questions to warrant doing so). We hope to see you there! [Read on here...]