Displaying items by tag: Sony Pictures Home Entertainment

All right, I hope all of you guys here in the States checked out the solar eclipse this morning! Here in Southern California, the Moon only covered about 54% of the Sun at maximum, but I took the scope out this morning anyway and got a couple good pictures that I’ll share below the break.

In the meantime, the big news today is unofficial, but it comes from enough retail sources now that I’m confident it’s accurate: Warner Bros. Discovery Home Entertainment will release Denis Villeneuve’s Dune: Part Two (2024) on Blu-ray, DVD, 4K Ultra HD, and 4K UHD Steelbook on 5/14. And while we’ll have to wait for the official press release (expected anytime now) to be sure, based on the promo images the studio is sharing with some of the pre-order listings, it looks like the aspect ratio for the title may be full 1.78:1. This would replicate the maximum IMAX image area for home viewing. Again, that’s not certain yet. So fingers crossed, we’ll know more very soon. You can see the 4K Steelbook art at left and also below the break.

[Editor’s Note: The 5/14 date is now official per WBHE, but we’ve confirmed that the aspect ratio will be 2.39:1 only. Don’t attack the messenger please; we’re only passing on what we’ve learned.]

Also newly announced today by Lionsgate is Francis Ford Coppola’s One from the Heart: Reprise (1982), which will finally arrive here in the States in 4K Ultra HD on 5/7. The entire film has been restored from the original camera negative and six minutes of footage have been added back to the film by Coppola himself. The 4K package will include a UHD disc of the new cut plus the original 1982 Theatrical Version on Blu-ray, with all of its legacy special features. [Read on here...]

We have a new disc review for all of you to enjoy today here at The Bits...

Our own Tim Salmons has just weighed in on the Warner Archive Collection’s Looney Tunes: Collector’s Choice – Volume 1 Blu-ray, which includes 20 classic animated shorts from 1945 to 1959, among them some real rarities. Tim will be reviewing Volume 2 and Volume 3 on Blu-ray soon as well, so watch for those to follow in the coming days.

We’ve also updated our 4K Ultra HD Release List here at The Bits today with some new titles and Amazon.com pre-order links, so you’ll definitely want to check that out here.

And over on our Patreon page today, I’ve shared a feature entitled Steelbooks (And Why Hollywood Loves Them)! that looks back at the origins and history of Steelbook packaging, and why it’s become so popular with both the Hollywood studios and retailers. This post is free and open to everyone for a couple of reasons.

First, we want to give you all a taste of the kinds of content we’re creating exclusively for our paying supporters on Patreon. And second, we’re going to be running a poll on our Patreon page on behalf of a major Hollywood studio that wants your opinion on a Steelbook project they’re considering. That will appear in the next couple days there and it too will be free and available to all. [Read on here...]

We’re starting this week with a trio of great new disc reviews here at The Bits, including...

Stuart’s thoughts on Kenneth Branagh’s A Midwinter’s Tale (1995) on Blu-ray from Castle Rock Entertainment via the always excellent Warner Archive Collection.

And Stephen’s take on Oldřich Lipský’s The Mysterious Castle in the Carpathians (1981) on Blu-ray from Deaf Crocodile and Vinegar Syndrome, as well as his look at John Carpenter’s Starman (1984) in 4K Ultra HD from Sony Pictures Home Entertainment as featured in their excellent Columbia Classics 4K Ultra HD Collection: Volume 4 box set!

All of these are fascinating titles and well worth a look.

Before we continue, I mentioned Warner Archive a moment ago: All of us here at The Digital Bits would like to take a moment today to salute our dear friend George Feltenstein and everyone who has contributed to the Warner Archive Collection over the years—the fan-favorite boutique label just celebrated its 15th anniversary on Saturday! Here’s to many more years and all the fantastic Blu-ray and DVD catalog titles to come. Well done, folks!

In announcement news today, Kino Lorber Studio Classics has just set Mark DiSalle’s The Perfect Weapon (1991) and Stephen Norrington’s Death Machine (1994) for Blu-ray release on 5/21. The company has also revealed that Gary Nelson’s Noble House (1988) miniseries is coming soon to Blu-ray, and also that Richard Stanley’s Dust Devil (1992) is coming soon to both Blu-ray and 4K Ultra HD. [Read on here...]

All right, it’s been a busy couple of days here at The Bits in the wake of our reviews of the James Cameron 4K titles—The Abyss, Aliens, and True Lies.

Many of you have reported having trouble getting your pre-orders fulfilled, or have seen shipping dates delayed, whether from Amazon, Walmart, Disney Movie Club, Target, or what have you. This is apparently due to distribution issues resulting from—we strongly suspect—demand for these titles outstripping Disney’s expectations. In any case, more product is being replicated and shipped to distributors and retailers, so these issues should clear up over the next week or two.

Hopefully, this will send a strong message to Disney that people still want to buy catalog 4K titles—a good sign for the future.

Meanwhile, we have one new disc review here at The Bits today: Stephen has taken an in-depth look at Howard Hawks’ His Girl Friday (1940) in 4K Ultra HD from Sony’s new Columbia Classics 4K Collection: Volume 4 box set. More reviews from this set will follow soon.

In announcement news today, Warner Bros. Discovery Home Entertainment has now officially set Steven Soderberg’s Ocean’s Trilogy for 4K UHD release on 4/30. [Read on here...]

We have several new disc reviews to begin the week here at The Bits, starting with...

Stuart’s take on Raoul Walsh’s Gentleman Jim (1942) on Blu-ray from the Warner Archive Collection.

Dennis thoughts on Michael Epstein’s LennonNYC (2010) on Blu-ray from Via Vision Entertainment and Peter Yates’ Murphy’s War (1971) on Blu-ray from Arrow Video.

Stephen’s look at Bill Plympton’s The Tune (1992) on Blu-ray from Vinegar Syndrome.

And finally, Tim’s review of Ardman Animations’ Shaun the Sheep: The Complete Series on Blu-ray from Shout! Studios.

We also have a bunch of new announcement news for you today, but first this: Warner Bros. Discovery Home Entertainment has listed Denis Villeneuve’s Dune: Part Two for Blu-ray, 4K Ultra HD, and 4K Steelbook pre-order on Amazon. The street date is TBA, but is likely due in May or June. There will also be a 2-Film Collection in both 4K UHD and Blu-ray.

Now, a lot of you have asked what aspect ratio Dune: Part Two will be in on disc. As many of you know, Dune: Part One was shot mostly in 2.39:1 but about an hour was in full 1.90:1. Yet Warner’s Blu-ray and 4K release were both in 2.39 only. Meanwhile, most of Dune: Part Two was shot in 1.90:1, with about forty minutes in the full 1.43:1 IMAX ratio. So people are wondering if the Blu-ray and 4K will preserve that variable IMAX ratio, and if Part One will ever be re-released on both formats with the variable ratio as well. I’ve asked Warner for clarification on this and will share it here when they reply. Meanwhile, you can find the studio’s temp cover art (with Amazon links) below the break. [Read on here...]

All right, it’s been a week and a half now since we first broke the news here at The Digital Bits that Disney had signed a new deal with Sony for the latter to take over Disney’s physical media production and distribution.

In that time, there’s been a lot of speculation as to what this might mean for Disney’s physical media releases going forward. And there are certainly many questions that it’s natural for disc consumers to ask about the deal.

Does this mean that Disney will continue releasing Blu-ray and 4K discs? Will they perhaps even increase their title output? Will more Disney, Fox, Touchstone, and Hollywood Pictures deep catalog content finally come to 4K UHD? Does Sony taking over distribution from Disney mean that their product will return to markets the studio has pulled out of recently?

One thing we can safely say for sure is that Sony is a lot more efficient at producing and distributing titles on Blu-ray and 4K Ultra HD.

So streamlining this process and reducing unnecessary bureaucracy can only be a good thing in the sense of making Disney’s physical media titles more profitable for the studio.

But to answer those larger questions, I’ve continued to check in with our many industry sources over the last week or two. And I have learned a couple of things that should help to clarify the picture a bit for consumers. [Read on here...]

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]

Well, yesterday was kind of a big day in terms of industry news, but as it happens, there have been quite a lot of interesting 4K Ultra HD and Blu-ray announcements in the last 24 hours too!

But before we get to those, we have a few more new disc reviews for you...

I’ve just taken a look at John Sturges’ Gunfight at the O.K. Corral (1957) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Ron Maxwell’s cult classic Little Darlings (1980) in 4K UHD from Vinegar Syndrome’s new Cinématographe Films label.

Stephen has turned in his thoughts on Nia DaCosta’s The Marvels (2023) in 4K Ultra HD from Marvel and Disney, along with Yoshimitsu Banno’s Godzilla vs. Hedorah (1971) on 4K UHD (sans English subs) from Toho Studios in Japan.

Dennis has given Ted Kotcheff’s Split Image (1982) a look on Blu-ray from Kino Lorber Studio Classics, along with Vincente Minnelli’s Madame Bovary (1949) on Blu-ray from the Warner Archive Collection.

And Stuart has reviewed Andrew V. McLaglen’s The Devil’s Brigade (1968) on Blu-ray from Kino Lorber Studio Classics and Steve Zaillian’s Searching for Bobby Fischer (1993) on Blu-ray from Imprint Films.

Many more reviews are forthcoming, including Footloose, Conan the Destroyer, and Justice League: Crisis on Infinite Earths – Part One in 4K, so be sure to keep your eyes peeled for them.

Now then... in terns of title announcements, Paramount’s just dropped a couple of big ones starting with confirmation of a title we’ve mentioned here at The Bits recently: Alex Proyas’ The Crow (1994) officially streets on 4K Ultra HD and 4K Steelbook on 5/7. The 4K disc will include Dolby Vision and HDR10 high dynamic range. [Read on here...]

Regarding the Disney/Sony physical media news that we broke this morning on The Digital Bits (link here), we’ve learned the following additional information from our industry sources:

• Once again, we’ve confirmed that Disney is indeed in the process of transitioning to a licensed physical media distribution model via an agreement with Sony Entertainment.

• As part of this deal, Sony will market, sell, and distribute new Disney releases plus catalog titles on physical media (4K Ultra HD, Blu-ray, DVD, etc.) to consumers through retailers and distributors in the U.S. and Canada.

• This shift is consistent with other strategies that Disney is working to implement company-wide, as exemplified by the company’s recent transitions in other markets.

• Per usual, Disney regularly evaluates their approach to the physical media market as the home entertainment business and industry at large continue to rapidly evolve alongside consumer behavior.

This update is continued below the break... [Read on here...]