Displaying items by tag: James Cameron

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]

ACADEMY AWARD WINNER FOR BEST VISUAL EFFECTS

Return to Pandora When Avatar: Fire and Ash Arrives on Digital March 31 and on 4K Ultra HD, Blu-ray, 3D Blu-ray, and DVD May 19

Featuring Over 3 Hours of Never-Before-Seen Extras

BURBANK, CA (March 24, 2026) – Visionary filmmaker James Cameron invites audiences to return to the breathtaking world of Pandora when 20th Century Studios’ Avatar: Fire and Ash arrives on Digital March 31, including Amazon Prime Video, Apple TV, and Fandango at Home. The cinematic event continues as the film becomes available to own on 4K Ultra HD, Blu-ray, 3D Blu-ray, and DVD May 19, featuring stunning Dolby Vision picture quality and immersive Dolby Atmos audio that bring the visually spectacular, action-packed adventure home in breathtaking fashion.

Avatar: Fire and Ash continues the franchise’s extraordinary box office momentum, earning $1.5 billion worldwide and ranking among the Motion Picture Association’s top-grossing films of all time. That global success is matched by powerful audience enthusiasm, including a 90% Verified Hot Audience Score on Rotten Tomatoes, alongside major honors for Best Visual Effects from the Academy Awards, BAFTA, and the American Cinematheque, among others. Critics have hailed the film as “a movie event unlike any other” (Ross Bonaime, Collider), with some declaring it “the best Avatar yet” (Matt Hambidge, FandomWire), praising its masterful blend of natural wonder, breathtaking action, and emotional storytelling.

Fans can explore the world of Avatar: Fire and Ash on a deeper level with more than three hours of never-before-seen bonus content, offering an expansive look at the creation of Pandora. The extras dive into the development of Na’vi culture, including the language, design, costumes, and environments, while also taking viewers behind the scenes of the filmmaking process with in-depth looks at performance capture, visual effects, and groundbreaking 3D technology that bring the immersive experience to life. [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting Tuesday off here at The Bits with three new disc reviews for all of you to enjoy, including...

Dennis’ look at Arkasha Stevenson’s The First Omen (2024) on Blu-ray from 20th Century Studios.

Stuart’s thoughts on Teruo Ishii’s Prison Walls: Abashiri Prison I-III (1965) on Blu-ray from Eureka Entertainment.

And Stephen’s take on Don Seigel’s original sci-fi classic Invasion of the Body Snatchers (1956) in 4K Ultra HD from Kino Lorber Studio Classics.

In announcement news today, Kino Lorber Studio Classics has revealed a few more great new catalog releases, including Sidney Lumet’s Garbo Talks (1984) and Claude Autant-Lara’s Enough Rope (1963) on Blu-ray on 10/15, followed by William Friedkin’s Rules of Engagement (2000) and Peter Collinson’s Fright (1971) on 4K Ultra HD, as well as Carlo Carlei’s Fluke (1995) and Andre Gower’s Wolfman’s Got Nards (2018) on Blu-ray on 10/22. And coming soon to 4K Ultra HD from the company is Roy Ward Baker’s Scars of Dracula (1970), while coming soon to Blu-ray is the Film Noir: The Dark Side of Cinema XXV box set which features John H. Auer’s The Flame (1947), City That Never Sleeps (1953), and Hell’s Half Acre (1954). [Read on here...]

We’re starting things off this week as always with another new disc review...

Stephen has just checked in with his in-depth thoughts on Roman Polanski’s Chinatown (1974) in 4K Ultra HD, a new Paramount Presents title that also includes Jack Nicholson’s 1990 sequel, The Two Jakes, on Blu-ray. Sounds like it’s a pretty good release, so do give it a look.

Speaking of good 4K, I had the great fortune yesterday afternoon to attend the West Coast premiere of the new Janus Films 4K restoration of Akira Kurosawa’s legendary masterpiece Seven Samurai (1954), which was held at the Egyptian Theatre in Hollywood. It was my... I don’t know, forty or fiftieth viewing of the film? And I brought my friend Tom Beckett-Maines along for his first ever viewing. It goes without saying that we both enjoyed the film, and it was very encouraging to experience it with a packed crowd filled with young people who were really into it. Tip of the hat to the American Cinematheque for a great screening. If I lived a little closer to L.A. I would definitely become a card-carrying member, because they always do it right.

I think we can reasonably expect that Seven Samurai will be announced for physical 4K Ultra HD release by Criterion sooner rather than later, and I personally can’t wait for it. I still have a few “holy grail” physical media releases on my bucket list, and one of them is surely a Blu-ray/4K Ultra HD upgrade of Criterion’s wonderful AK100 DVD box set. But I’ll take all the Kurosawa I can get in 4K in the meantime. [Read on here...]

We’ve got two more new disc reviews for you to enjoy today, including...

My take on Trey Parker and Matt Stone’s Team America: World Police in 4K Ultra HD from Paramount, which streets this coming Tuesday.

Also, my review of Alfonso Cuarón’s Gravity (2013), which is available in a new reissue Blu-ray (essentially a repackage of the 2015 Diamond Luxe Edition with Dolby Atmos audio) from Warner Bros. Discovery Home Entertainment.

I’m working on more disc reviews for early next week, including South Park: Bigger, Longer, and Uncut (1999) and also The Ministry of Ungentlemanly Warfare (2024), both in 4K UHD. And the rest of the review team will be back next week as well with a bunch more.

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Ishana Night Shyamalan’s The Watchers (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 8/27. Expect the Digital release to become available on 6/28. Extras will include 4 featurettes (Welcome to the Show: The Making of The Watchers, Creating The Watchers, Constructing the Coop, and Ainriochtán and the Irish Fairy Folklore) as well as a deleted scene. You can see the cover artwork at left and also below. [Read on here...]

We start today with more new disc reviews, including...

Stephen’s look at John Flynn’s Rolling Thunder (1977) and Kimberly Peirce’s Carrie (2013) in 4K Ultra HD, as well as Jonathan Kaplan’s Over the Edge (1979) on Blu-ray, all from Shout! Factory.

Stuart’s take on Ken Loach’s documentary The Spirit of ‘45 (2013) on Blu-ray from Vinegar Syndrome and Alain Cavalier’s Le Combat dans l’île (1962) on Blu-ray from Radiance Films.

And Dennis’ thoughts on Kino Classics’ Vitagraph Comedies Blu-ray, featuring 40 classic shorts on three discs.

Now then, in terms of actual announcement news, we’ve got a couple of items for you and they’re pretty great. But there’s even more unofficial news, that’s no less exciting! Let’s get to the actual announcement news first...

It starts today with word that Janus Films will be debuting a brand new 4K restoration of Akira Kurosawa’s legendary epic Seven Samurai (1954) next month in New York and Los Angeles! You’ll be able to see it on 7/5 at the Film Forum in NYC and on 7/7 at the American Cinematheque’s Egyptian Theatre in Los Angeles. This is only my favorite film of all time. I will absolutely be at that Egyptian Theatre screening, and the fact that this restoration is now complete surely means that a physical 4K Ultra HD is coming later this year from Criterion as well. You can see the poster for this release at left, and the trailer is available for reviewing below the break. [Read on here...]

Heads-up Digital Bits readers!

Paramount Home Entertainment has been made aware of an error on their 4K Ultra HD of James Cameron’s Titanic (1997) (specifically, instances of missing off-screen dialogue) and is going to correct it with a disc replacement program.

If you have this title, visit the online form linked below:

https://phe-physical-consumer-support.imoxiemedia.com/

Select issue type “Other,” format “UHD,” put “Titanic 4K Ultra HD” in the title field, and in the brief description box add “Replacement Disc.”

You’ll be asked for your shipping info and a proof of purchase.

Discs will be shipped out soon and we’ll let you all know—both here on The Bits and on our social media—when they’ve begun to go out.

Stay tuned...

[Editor’s Note: For those asking: Three lines of off-screen dialogue are missing from all the tracks on the US Titanic 4K. Around 2:11:10, Leo should say “Ok! Let’s go!” and moments later “Let’s go, Rose.” Then at around 2:37:27 Leo should say again, “This way.” as the minister is praying.]

(You can follow Bill on social media at these links: Twitter and Facebook)

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminator—producer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]