Displaying items by tag: Space: 1999

All right, we’re back with a news update today and we’ve got a bunch of reviews to share with you today as well. Sorry it’s taken a few days to get back to news coverage this week, but I had a bunch of stuff to deal with this week, including checking in with our industry sources but also clearing a few important items off my review stack, after having my mother visiting for about ten days earlier this month.

As such, I’ve recently reviewed Sony’s terrific The Karate Kid: Ultimate Collection in 4K Ultra HD, a 6-film Amazon-exclusive box set that includes all of the films in this series plus some nice extras and great swag as well. It’s definitely worth getting your hands on if you’re a fan of the series.

On Monday, I also reviewed our friends Jeffrey Morris’ excellent new Space: 1999-themed documentary The Eagle Obsession. That’s coming on Blu-ray and 4K Ultra HD in 2026, so we’ll cover it then too.

Meanwhile, Tim has reviewed more of Arrow’s Shawscope: Volume Two Blu-ray box set—specifically Chang Cheh’s Ten Tigers of Kwangtung (1980)—as well as Peter Medak’s The Odd Job (1978) and The Ghost of Peter Sellers (2018) both on Blu-ray from Severin Films.

Dennis has taken a look at Alice Wu’s Saving Face (2004) on Blu-ray from the Criterion Collection.

Stephen has offered his thoughts on Martin Scorsese’s Raging Bull (1980) as newly-released in 4K Ultra HD by the folks at Imprint Films, as well as Atsushi Yamatoya’s Inflatable Sex Doll of the Wastelands (1967) and Jiří Barta’s The Pied Piper & Jiří Barta Shorts (1986) both on Blu-ray from Deaf Crocodile.

And Stuart has reviewed Tōru Murakawa’s The Beast to Die (1980) on Blu-ray from Radiance. [Read on here...]

In September of 1975, a new science-fiction series appeared on British television. Created and produced by Gerry and Sylvia Anderson, Space: 1999 followed the trials and tribulations of the inhabitants of Moonbase Alpha, after the Moon is accidentally blown out of Earth’s orbit and sent hurtling out into interstellar space. Though the series only ran for two seasons, it picked up a loyal following thanks to a strong cast led by Martin Landau and Barbara Bain (Mission: Impossible), as well as compelling and high-concept storytelling. But one of the show’s greatest strengths was a production design aesthetic that seemed far more plausible and realistic than those of other sci-fi franchises. And no design from Space: 1999 exemplifies this more clearly than the show’s iconic spacecraft, the Eagle Transporter.

Science fiction has certainly shown us other examples of compelling spacecraft on TV and the big screen, including Star Trek’s USS Enterprise and the Millennium Falcon of Star Wars fame. But for anyone interested in spaceflight at the time, the Eagle Transporter—used by the Alphans to shuttle between the Earth and Moon, to travel around the surface, and visit alien planets—seemed like a vehicle that could actually be built, flown, and perform as depicted. That’s because its design has much more in common with NASA’s Lunar Excursion Module (LEM)—which in reality delivered astronauts to the lunar surface six times between 1969 and 1972—than the Enterprise, the Falcon, or any other spacecraft that sci-fi enthusiasts had seen before or since. It’s only natural then that the Eagle has gained a legion of fans over the years. In fact, the author of this review is one of them. [Read on here...]

We start today with three new disc reviews, including...

Stephen’s look at Lucio Fulci’s Don’t Torture a Duckling (1972) in 4K Ultra HD from Arrow Video.

Stuart’s take on Stephen Soucy’s Merchant Ivory: The Documentary (2023) on Blu-ray from the Cohen Media Group via Kino Lorber.

And Tim’s thoughts on Shane Black’s The Nice Guys (2016) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

We’re all working on more new disc reviews here this week as well, including yours truly. So watch for those over the coming week.

Over on The Digital Bits’ Patreon on Sunday afternoon, I shared another new 30-minute My Two Cents: A Video Blog update with our subscribers, talking more about Tombstone and Dogma, as well as other recent industry developments. And we’re now taking questions for an Ask Me Anything session we’re planning next weekend. Supporting The Digital Bits via Patreon is a great way to help ensure that we can keep bringing you all great industry coverage here on the site. Do keep in mind that since we’ve been covering this industry since the very beginning of the DVD format back in 1997, nobody has better connections, sources, and knowledge of this industry that we do here on The Bits. So thank you all very much for reading and for your support!

Now then... in release news today, we’ve got exclusive details on the next pair of Lionsgate Limited 4K Ultra HD Steelbook titles, due to become available in May! Look for the studio to release Breck Eisner’s The Crazies (2010) and Matthew Vaughn’s Kick-Ass (2010) on 5/13! Both will include Dolby Vision HDR and new Dolby Atmos mixes, and they’ll both be released on 100GB discs. Each will also include new and legacy special features! [Read on here...]

We’re back today with some release news as well as a bunch more new disc reviews, including...

My take on Alex Garland’s Civil War (2024) in 4K Ultra HD from A24 and Lionsgate, a film I didn’t even want to see but that I ended up really impressed with, that also happens to be the most demo-worthy 4K release since Dune: Part Two, Oppenheimer, and Top Gun: Maverick. It also has a terrific documentary from our old friend Charles de Lauzirika, so it’s well worth your time.

Stephen’s thoughts on Abel Ferrara’s Bad Lieutenant (1992) in 4K Ultra HD from Kino Lorber Studio Classics, as well as the Wachowskis’ Bound (1996) in 4K Ultra HD from Criterion.

Dennis’ review of Sidney J. Furie’s The Lawyer (1970) and Frank Tuttle’s The Hour Before Dawn (1944) on Blu-ray from Kino Lorber Studio Classics.

And finally, Tim’s look at J. Lee Thompson’s Death Wish 4: The Crackdown (1987) and Allan A. Goldstein’s Death Wish V: The Face of Death (1994) on Blu-ray also from KL Studio Classics.

We definitely have more reviews cooking at The Bits, but with the 4th of July holiday here in the States falling on a Thursday (tomorrow) this year, we’re giving everyone the next few days off to recharge with their families. So we’ll be back on Monday with more new reviews and—we would imagine—plenty of breaking release news too.

In announcement news today, Kino Lorber Studio Classics has revealed that Ralph S. Singleton’s Graveyard Shift (1990) is coming soon to 4K Ultra HD. Also newly-revealed as coming soon to Blu-ray is Willard Juyck’s Best Defense (1984). [Read on here...]

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminator—producer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]

We’ve got a few more interesting pieces of release news for you all today, as well as more new disc reviews. Let’s get to the latter first...

Stephen has reviewed Robert Schwentke’s Snake Eyes: G.I. Joe Origins (2021) on 4K Ultra HD from Paramount, along with Norman Z. McLeod’s It’s a Gift (1934) on Blu-ray from Kino Lorber Studio Classics, and William A. Fraker’s A Reflection of Fear (1972) on Blu-ray from Imprint.

Also, Dennis has turned in his thoughts on Mark Robson’s Isle of the Dead (1945) on Blu-ray from the Warner Archive Collection and Stuart Heisler’s Among the Living (1941) on Blu-ray from Kino Lorber Studio Classics.

More reviews are on the way over the next several days, so be sure to watch for them.

Now then... in announcement news today, Sony Pictures Home Entertainment has just officially set Andy Serkis’ Venom: Let There Be Carnage for release on Blu-ray, DVD, and 4K Ultra HD on 12/14, with the Digital release due on 11/23. The 4K disc will include HDR10 high dynamic range and Dolby Atmos audio. Extras on both the Blu-ray and 4K will include outtakes & bloopers, 6 deleted scenes, and 4 behind-the-scenes featurettes (Eddie & Venom: The Odd Couple, Sick and Twisted Cletus Kasady, Concept to Carnage, and Let There Be... Action). You can see the cover artwork above-left and also below. [Read on here...]