Displaying items by tag: Pitch Black 4K

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]

We start today with four more new disc reviews...

Stephen has taken a look at Calin Cazan, Dan Chisovski, and Mircea Toia’s animated The Son of the Stars (1985) on Blu-ray from Deaf Crocodile and Vinegar Syndrome.

Dennis has checked in with his thoughts on Darren Aronofsky’s The Whale (2022) on Blu-ray from Lionsgate, a film that just netted star Brendan Fraser the Academy Award for Best Actor.

And Stuart has taken a look at Vincente Minelli’s The Long, Long Trailer (1954) on Blu-ray from the Warner Archive Collection, along with Ulli Lommel’s The Devonsville Terror (1983) on Blu-ray from Vinegar Syndrome.

More reviews are forthcoming, so be sure to stay tuned for them.

Also today, we’ve posted our latest update of the Release Dates & Artwork section (see the Cover Art link at the top of the website), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, a portion of anything you order after clicking to Amazon from one of our links goes to help support our work here at The Bits and we really do appreciate it. [Read on here...]

Well... it’s Friday. And thank goodness. I don’t know about you, but this week has been trying. On top of everything else, we’ve had 90 and 100 degree heat here in SoCal with like 80% humidity. Human beings weren’t designed for that kind of sticky.

I am working on my review of Pitch Black in 4K Ultra HD from Arrow Video. I hope to have it up soon, but at the very latest it will be up on Monday. There’s a lot of extras and I’m going back to look at the past Blu-ray and DVD versions to compare. I will say that the 4K remaster is beautiful and it really holds up. There’s tons of detail and the HDR grade is subtle but really adds to the film’s striking cinematography and overall look. The disc is also loaded—it appears that virtually everything from past releases as carried over, plus there’s new content too.

Meanwhile, we do have one new disc review here: Dennis has reviewed Sebastian Munoz’ The Price, new on Blu-ray from Artsploitation Films. You’ll find that here.

And I believe Tim is working his way through Arrow’s new Gamera: The Complete Collection Blu-ray set, which is a mighty beast. So he’ll have a look for you at that as well sometime soon. [Read on here...]

Okay, we’ve got some significant release and industry news to report today. But first, new disc reviews...

Tim has just posted a review of Pierre B. Reinhard’s Revenge of the Living Dead Girls (1987) on Blu-ray from Severin Films.

And Dennis has turned in his thoughts on Budd Boetticher’s World War II drama The Red Ball Express (1952), now available on Blu-ray from Kino Lorber Studio Classics.

Also, I’ve just gotten my hands on Arrow Video’s new Pitch Black 4K Ultra HD, so I’m going to have a review of that up by Friday.

But tomorrow is likely to be an interesting news day, as that’s when the industry’s mid-year numbers get released. So I’ll have more on that tomorrow afternoon. [Read on here...]

Today’s post is a quick one as I’m working hard to finish this review of Studio Canal UK’s version of Flash Gordon (1980) on 4K Ultra HD.

The set is spectacular. More on that soon.

Don’t forget, we posted our review of Arrow Video’s version of Flash Gordon (1980) in 4K Ultra HD on Friday.

Note that we also hope to have a review of Arrow’s new Pitch Black 4K Ultra HD sometime later this week as well, so be sure to watch for that.

In the meantime, we have more great 4K news for you today...

Our friends at Kino Lorber Studio Classics have just revealed that they’re going to be releasing Michel Gondry’s Eternal Sunshine of the Spotless Mind (2004) on 4K Ultra HD sometime in 2021, licensed from Focus Features—a great sign that more deep catalog Focus titles may be coming to the format as well. [Read on here...]

All right, this is a quick early morning update here at The Bits to let you all know that Warner Bros. Home Entertainment is officially releasing Zack Snyder’s 300 on physical 4K Ultra HD on October 6 (SRP $27.99). You can see the cover artwork at left and also below.

Extras will include all of the features from the previous Blu-ray release, including audio commentary by Snyder, deleted scenes, webisodes, multiple behind-the-scenes featurettes and more. It appears that high dynamic range on the 4K disc will be standard HDR10, with Dolby Atmos audio. The package will also include the film on Blu-ray, as well as a digital copy.

But that’s just the first of two big 4K surprises this morning... [Read on here...]

All right, today’s news update is going to be a quick one. The reason is that I’m working to confirm a number of interesting rumors that I’ve heard in the last 24 hours, both on the interwebs and also from my own industry sources. I’m talking not one, but multiple interesting topics, including word of forthcoming releases and also more general stuff that’s going on in the home video industry right now. I’d actually hoped to be able to confirm one of them in time for this post, but I’m waiting on sources to get back to me. So I’ve decided to post a quick update now and come back with more as I hear it.

Before I continue with what news we have this afternoon, we do have a new disc review for you here at The Digital Bits today. Dennis has turned in his thoughts on Noel Black’s A Man, a Woman, and a Bank (1979) on Blu-ray from Kino Lorber Studio Classics. You can read that here.

Now then... Arrow Video has pushed back the street date for Pitch Black on 4K Ultra HD to 9/1 (from 8/18). Adjust your plans accordingly. [Read on here...]

All right, we’ve got a little surprise for you all today...

Arrow Video has just joined Team 4K! They’ve apparently licensed the North American rights from Studio Canal to Flash Gordon (1980) in the US and Canada and are delivering the film on both Blu-ray and 4K Ultra HD in August. Each will be available in both regular and Limited Editions.

They’ve also licensed the rights (from Universal) to David Twohy’s Pitch Black (2000) on Blu-ray and 4K in North America and the UK and are bringing that title out in August as well!

Additional Blu-ray only titles coming in August from Arrow Video are a double feature of Yasuzo Masumura’s Black Test Car (1962) and The Black Report (1963) and Richard Driscoll’s The Comic (1985). The Comic will also be available in regular and Limited Editions. [Read on here...]