Displaying items by tag: My Two Cents

All right, obviously we broken some significant news over the weekend, namely that director James Cameron has confirmed to a French reporter (during the PR push for Avatar: The Way of Water) that The Abyss is finally coming to 4K Ultra HD by March of next year. (See our reporting on this yesterday here at The Bits. The director also mentioned The Abyss in an interview with Space.com last year). So rest assured we’ll post more details as soon as we have them.

In the meantime, we have some more great 4K catalog news to share with you today, as well as new disc reviews. So let’s start with the latter first, as always...

On Friday evening, I posted my in-depth review of Phil Tippett’s stunning stop-motion magnum opus Mad God on limited edition Steelbook Blu-ray from the folks at Shudder. The film is just astonishing. It’s really something—definitely not for all tastes, but boy is it something to see.

I also posted my review of the John Krasinski TV actioner Jack Ryan: Season One in 4K Ultra HD from Paramount. Both that and Season Two are being released in UHD in anticipation of the debut of Season Three on Amazon Prime on 12/21. And the picture quality is stunning.

Tim has also reviewed another Amazon Original on Blu-ray from Paramount, specifically Reacher: Season One which also has tremendous image quality. It’s also available in 4K and soon as we have our hands on that (and Jack Ryan: Season Two in 4K), we’ll post the reviews here.

In addition, Tim has reviewed a pair of new Scream Factory 4K Ultra HD titles, including Brian De Palma’s Carrie (1976) and Bob Clark’s Black Christmas (1974).

And I’m not kidding when I say that we have a lot more Blu-ray and 4K UHD reviews coming over the next week or two, so be sure to check back for them. [Read on here...]

All right, I’m very pleased to break in with a rare weekend My Two Cents post here on The Bits this evening to report some very good news: Director James Cameron has now confirmed the impending 4K Ultra HD release of The Abyss!

The news comes from French journalist Arthur Cios of Konbini, who had the chance to interview the director briefly this weekend about the upcoming theatrical release of Avatar: The Way of Water.

After the formal interview was completed, Cios asked Cameron about The Abyss, who confirmed that he “had a new master and it would be out by March 2023 max.”

You can read Cios’ own comments directly here on Twitter. (And special thanks to Bits reader Stéphane L. for the heads up!) [Read on here...]

All right, we’ve got a bunch of ground to cover today, and the subject for today’s My Two Cents post is what we’re hearing from our industry and retail sources about forthcoming 4K Ultra HD catalog titles expected in the new year. But first, we have a pair of new reviews for you this afternoon...

Dennis has turned in his thoughts on Daniel Man’s 1952 drama Come Back, Little Sheba, which is now available on region-free Blu-ray from the Aussie label Imprint Films. The film stars Burt Lancaster and Shirley Booth.

And Stephen has delivered his in-depth take on AGFA and Something Weird Video’s nine-film, three-disc The Films of Doris Wishman: The Moonlight Years Blu-ray box set, distributed by Vinegar Syndrome.

As always, more new disc reviews are on the way over the coming days, so be sure to keep your eyes peeled for them.

Now then, we’ve been circling back with our many industry and retail sources here at The Bits, and we’ve got an update on some interesting titles that are coming to 4K Ultra HD in the months ahead. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

We’ve got no less than five more new disc reviews for you all to enjoy today...

I’ve just posted my thoughts on Quentin Tarantino’s Reservoir Dogs (1992) in 4K Ultra HD from Lionsgate.

Stephen has checked in with a look at Tobe Hooper’s The Texas Chainsaw Massacre 2 (1986) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Julien Temple’s Earth Girls Are Easy (1988), the new Vestron Video Collector’s Series title on Blu-ray from Lionsgate.

And Tim has taken a look at Lewis Gilbert’s Damn the Defiant! (1962) on Blu-ray from Imprint Films, as well as Montgomery Tully and Dennis O’Keefe’s The Diamond Wizard (1954) on Blu-ray 3D from Kino Lorber Studio Classics, via a great new restoration by the 3-D Film Archive.

In announcement news today, Lionsgate has set Hype Williams’ Belly for release on 4K Ultra HD on 1/24/23. There will be a wide release that includes a Blu-ray and Digital copy, along with a Best Buy-exclusive Steelbook package. Look for the package to have a new Dolby Atmos mix, along with the following special features: audio commentary with Williams, Spoken Word, a deleted scene, and the Grand Finale music video. [Read on here...]

Well, today is Cyber Monday, which means there are still a number of good deals to be had on things around the Internet. So rather than repeating my comments from last week about Black Friday, I’ll just remind you that if you go looking for deals on Amazon today, please be sure to use one of our affiliate links (if you’d care to support our work here at The Bits in the process).

Now then, our own holiday was lovely here in SoCal. My wife’s cousin joined us for Thanksgiving, which involved eating some great food (both the usual turkey and stuffing, as well as mighty fine barbecue the day after), watching a lot of football as well as some terrific movies (including revisiting David Mackenzie’s Hell or High Water and James Mangold’s Ford v Ferrari) and a few TV series too (the season finale of Andor is fantastic—I haven’t enjoyed Star Wars this much since 1983). I also did a little bit of actual shopping, which amounted to picking up a hooded vest to wear in the office when it gets chilly and upgrading my old Pixel 3a phone to a new 6a thanks to an offer from Google that was too good to refuse. Finally, we got our Christmas tree up and decorated. So all in all, it was an enjoyable long weekend. And I certainly hope you all had a good one as well!

We’re starting today with a pair of new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on the Terry Jones comedy Monty Python’s The Meaning of Life (1983) in 4K Ultra HD from Universal, as well as John Badham’s Saturday Night Fever (1977) in 4K Ultra HD from Paramount. Sadly, that latter is something of a disappointment. But I’ll let Tim explain that to you.

Again, watch for more new disc reviews all this week here on The Digital Bits. [Read on here...]

Well, it’s the Friday after Thanksgiving, so I’m sure you all know what that means: There are a HUGE number of Black Friday sales going on at online stores around the Internet and at brick-and-mortar retailers near you. Seemingly everyone is offering 40 or 70% discounts, so be sure to take advantage if there’s something you’re looking for.

Here at The Digital Bits, we’re obviously an Amazon affiliate, so if you are busy shopping for online deals today via that particular retailer, we would certainly appreciate it if you clicked through one of our affiliate links first (like this one for US readers, or these for Canadian, UK, French, Spanish, Japanese, or German readers). Once you click through any of our links, literally anything you purchase in that same shopping session counts in our favor and it makes a big difference in helping to support our work here, so we really do appreciate it.

Of course, we hope all you U.S. readers had a great Thanksgiving holiday yesterday. We certainly did here at The Bits, and—given the holiday—there’s not a ton of release news to report. But we do have a few things of note to talk about, and we have a few new disc reviews as well. So let’s cover those reviews first... [Read on here...]

Well, the big news this week is so big that we’re going to address it right off the top: In a sudden and unexpected move, Disney’s board of directors has ousted CEO Bob Chapek and re-hired Bob Iger. The news came out of the blue on Sunday night and seems to have taken everyone by surprise. Bob Iger of course was the company’s previous CEO, who took over for Michael Eisner—the man who’d served in that role for over two decades at that point—back in 2005. It was under Iger’s watch that Disney acquired Pixar, Marvel Entertainment, Lucasfilm, and the film division of 20th Century Fox. He also laid the groundwork for the launch of Disney+ in 2019.

Chapek was no stranger to Disney, having joined the company in 1993 as the director of marketing for Buena Vista Home Entertainment. In this capacity he helped steer Disney through the “Golden Age” of DVD and eventually the launch of Blu-ray, which is how I came to know him. He was so successful in that capacity that he was promoted to president of Home Entertainment in 2006, and eventually took over at Disney Consumer Products (in 2011) and Parks and Resorts (in 2015), which seemed to make him a natural fit to become CEO of Disney himself when Iger eventually stepped down.

But apparently, Iger and Chapek did not often see eye to eye. Iger, who could (and probably should) have worked more aggressively to groom a clear successor to lead the company in his own image, failed to do so, resulting in Chapek’s elevation to CEO in 2020. But Chapek’s reign was troubled from the very start, stricken first by the COVID-19 pandemic and next by a series of public “self-owns” and media missteps. [Read on here...]

All right, I’m still working on that Criterion WALL-E 4K review and hope to have it up this weekend. Real life got in the way a little bit here over the last couple of days, not to mention some necessary behind-the-scenes work here at the site. But I will say this: Both the 4K presentation and the accompanying Blu-ray presentation, are absolutely fantastic. As in best-ever image quality for this film.

In the meantime, Tim has posted his thoughts on Rod Serling’s Night Gallery: Season Three on Blu-ray from our friends over at Kino Lorber Studio Classics. Sounds like it’s another fabulous set with more great extras.

And we do have several good pieces of release news to report here at the site today...

First, Turbine Media in Germany has finally announced their planned 6-Disc 4K Ultra HD Ultimate Edition of Peter Jackson’s The Frighteners (1996) for release on 12/2 (Yes, that is a Friday—keep in mind, this is a German release). The film has been fully remastered from the original camera negative and graded for high dynamic range (including Dolby Vision) in a process supervised by the director. [Read on here...]

Morning, folks! We’ve got an early update here on The Bits today with a few more new disc reviews, and some interesting release news as well. First, those reviews...

I’ve just completed a look at Universal’s new E.T.: The Extra-Terrestrial: 40th Anniversary Edition 4K Ultra HD release, which came out a few weeks ago. It’s interesting in that both the 4K and accompanying Blu-ray are completely new discs, each of which carries over all the extras from the previous 35th Anniversary release while adding a couple of new features too. A/V quality is essentially the same as before, though the 4K disc is now a BD-100, presumably to allow for the addition of the special features. You can learn more here.

Tim has also just completed a review of Harry Essex’s I, the Jury (1953) which is now available in 4K from ClassicFlix. The package includes a Blu-ray as well, featuring the film in HD and also 3D. And he’s posted a review of Brian De Palma’s Dressed to Kill (1980) in 4K from Kino Lorber Studio Classics for your reading enjoyment too.

More reviews are forthcoming soon, including my take on Criterion’s new 4K Ultra HD release of WALL-E from Pixar.

Also here at the site this morning, we’d like to call your attention to Michael Coate’s retrospective look at Steven Spielberg’s sci-if classic Close Encounters of the Third Kind, which celebrated its 45th anniversary yesterday. Michael shared a great Q&A with film historians on the occasion of its 40th anniversary in 2017, and that discussion is well worth checking out if you missed it then. You’ll also find interesting details on the film’s original theatrical release. Enjoy! [Read on here...]