Displaying items by tag: Turbine Media

We’ve got several new disc reviews for you to enjoy today, including…

Stephen’s thoughts on Alan J. Pakula’s All the President’s Men (1976) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment, as well as David Bruckner’s Hellraiser (2022) in 4K Ultra HD Steelbook from Turbine Medien.

Tim’s review of Roy Ward Baker’s Scars of Dracula (1970) on Blu-ray from Hammer Films via Kino Lorber Studio Classics.

And Dennis’ look at Cecile B. DeMille’s The Godless Girl (1928) and Ian Softley’s K-PAX (2001) each on Blu-ray from Kino Lorber Studio Classics.

More reviews are definitely on the way this week, so be sure to check back for them!

In announcement news today, Lionsgate has officially set Ric Roman Waugh’s Greenland 2: Migration (2025) for 4K Ultra HD, Blu-ray, and DVD release on 3/31, just as we revealed previously. Extras will include 4 featurettes (Rebuilding: Ric Roman Waugh, Pushing Forward: Gerard Butler, Heart and Soul: Morena Baccarin, and What We Leave Behind: Roman Griffin Davis) as well as the theatrical trailer. The 4K will include Dolby Vision HDR and Dolby Atmos audio. Also note that Lionsgate is bringing the original Greenland (2020) to 4K here in the States for the first time that same day. [Read on here...]

Good afternoon, Bits readers!

All right, let’s try to have a more upbeat post today. I know that yesterday’s post was a little strong, but sometimes you just have to say what you’re feeling, you know?

We’re starting today with more new disc reviews, as we often do, including…

Dennis’ review of Howard Hughes and James Whale’s Hell’s Angels (1930) in 4K from Criterion (with an assist by Tim).

Stuart’s look at Shoshannah Stern’s Marlee Matlin: Not Alone Anymore (2025) on Blu-ray from Kino Lober.

And Tim’s thoughts on The Darjeeling Limited (2007) in 4K UHD from Criterion’s Wes Anderson Archive box set.

More reviews are forthcoming all this week, so be sure to keep checking back!

Now then… the big news today is that Criterion has just revealed their March slate, which includes Luis Buñuel’s Viridiana (1961) (Spine #332) in 4K Ultra HD + Blu-ray and Blu-ray on 3/10, Lynne Littman’s Testament (1983) (Spine #1303) on Blu-ray and Claude Sautet’s Classe tous risques (1960) (Spine #434) in 4K Ultra HD + Blu-ray and Blu-ray on 3/17, Martin Scorsese’s Killers of the Flower Moon (2023) (Spine #1302) on 4K Ultra HD + Blu-ray, Blu-ray, and DVD on 3/24, and finally Claude Lelouch’s A Man and a Woman (1966) (Spine #1304) on Blu-ray and Tsui Hark’s The Blade (1995) (Spine #1305) on 4K Ultra HD + Blu-ray and Blu-ray on 3/31. [Read on here...]

We’ve got six more new disc reviews for you to enjoy today here at The Bits, including…

Tim’s thoughts on The Royal Tenenbaums (2001) in 4K Ultra HD from Criterion’s Wes Anderson Archive box set, as well as Sam Firstenbeg’s Revenge of the Ninja (1983) and Menahem Golan’s Ninja III: The Domination (1984) both in 4K from Kino Lorber Studio Classics.

Stuart’s review of Alfred E. Green’s The Gracie Allen Murder Case (1939) on Blu-ray from Kino Lorber Studio Classics and Sam Wood’s The Quiet American (2002) on Blu-ray from Imprint Films.

And Dennis’ take on Mervyn LeRoy’s Lovely to Look At (1952) on Blu-ray from MGM via the Warner Archive Collection.

Now then, I’m making an effort to catch up on a bunch of announcement news that’s happened over the last couple of weeks. As many of you know, I’ve had a couple of challenges here at The Bits lately, including recovering from prostate surgery and also my PC died on the Friday before Thanksgiving, which has necessitated buying a replacement, getting it set up, installing all my old software, reorganizing my files, etc., all in an effort to get back up to speed. And I’m getting there—right now, even the simplest tasks are just a little bit different, and taking just a little bit more time and effort than usual to accomplish, as I settle into the new machine. But within a couple weeks, things should be back to normal. So thanks for your patience in the meantime! [Read on here...]

Hey, Bits readers!

Boy, is it good to be back posting content!

As you may have noticed, The Bits has been down for a few weeks, first as we began to experience website technical issues and more recently has we worked to make the software upgrades needed to get us back to a level of stability that allows us to move forward.

Of course, any time you update software, most things get better but a few things break, so you then have to debug and test everything as much as you can, which we’ve been doing over the last several days.

At any rate, I believe we’re finally at a point now where I can start posting news updates here again—and there’s a lot of release news to catch you up on, as you can imagine.

What’s more, we can also start posting new Blu-ray and 4K Ultra HD disc reviews—and rest assured that our review team here has been writing and stockpiling tons of them while we’ve been down. So expect lots of them over the coming days.

In fact, we’re starting that right now with…

Tim’s review of Jeff Rowe’s Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) in 4K Ultra HD from Nickelodeon Movies and Paramount Home Entertainment, as well as the recent region-free import Blu-ray 3D from Turbine Media in Germany.

Stephen’s take on Brian Gibson’s Breaking Glass (1980) on Blu-ray from Fun City Editions.

And Dennis’ thoughts on King Vidor’s The Citadel (1938) on Blu-ray from the Warner Archive Collection.

Again, more reviews are forthcoming, so be sure to keep your eyes peeled for them! [Read on here...]

We have more announcement news for you today, and more new disc reviews as well…

First, Tim has turned in his thoughts on Jim Isaac’s Jason X (2001) in 4K Ultra HD from New Line via Arrow Video, as well as the Warner Archive Collection’s excellent new Looney Tunes: Collector’s Vault – Volume 1 on Blu-ray!

I’ve posted a new review (with longtime Bits contributor Todd Doogan) of Akira Kurosawa’s Throne of Blood (1957) in 4K Ultra HD from the BFI.

And Stephen has delivered his thoughts on Matt Bettinelli-Olpin and Tyler Gillett’s Abigail (2024) in 4K Ultra HD once again, but this time as released by Turbine Media in Germany.

Also here at the site today, we’ve posted another update of our Release Dates & Artwork section here at The Bits, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. Don’t forget: The Bits is an Amazon affiliate, so anytime you order literally anything from them after clicking to them through one of our links (like this one), you’re helping to support our work here and we appreciate it! [Read on here...]

Our friends at the Criterion Collection have just closed out the week by announcing their August slate of Blu-ray and 4K Ultra HD titles, and it’s interesting indeed. There are few, what one might call, major titles this month, but there are some interesting art house gems. The slate includes...

Kon Ichikawa’s Fires on the Plain (1959) (Spine #378 – 4K + Blu-ray and Blu-ray) and The Burmese Harp (1956) (Spine #379 – 4K + Blu-ray and Blu-ray) on 8/5, Youssef Chahine’s Cairo Station (Spine #1273 – Blu-ray and DVD) on 8/12, A Confucian Confusion / Mahjong: Two Films by Edward Yang (1994-96) (Spine #1275 – Blu-ray) and Vittorio De Sica’s Shoeshine (1946) (Spine #1272 – 4K + Blu-ray, Blu-ray, and DVD) on 8/19, and finally Maura Delpero’s Vermiglio (2024) (Janus Contemporaries – Blu-ray and DVD), Alice Wu’s Saving Face (2004) (Spine #1276 – Blu-ray), and Zeinabu irene Davis’s Compensation (1999) (Spine #1274 – Blu-ray and DVD) on 8/26.

Curiously, there aren’t a lot of 4K titles in this batch, but I strongly suspect it’s because they have many more in the works. In any case, you can read more about these titles on Criterion’s website here. And don’t forget that they’re running their Spring Sale until 5/26, offering 30% of all discs. [Read on here...]

We’ve got more interesting release news to report today, along with more new disc reviews. Among the latter are...

My take on Frank Capra’s Lost Horizon (1937) in 4K Ultra HD from Sony’s excellent new Frank Capra at Columbia Collection box set, which is loaded with great films (20 in all, including 9 of them in 4K). If you’re a fan of Capra’s work, it’s definitely a must-have release.

Also today, Sam has taken a look at Robert M. Young’s Triumph of the Spirit (1989)—which features Willem Dafoe, Robert Loggia, and Edward James Olmos—on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his thoughts on Mario Garcia’s The Throwback (2023) on Blu-ray from Kino Lorber proper.

All three films are worth a look, and we have a few more reviews coming tomorrow, including a look at the new 4K Ultra HD release of Ron Howard’s Willow from Lucasfilm.

Now then, in terms of catalog announcement news, Sony Pictures Home Entertainment has once again won the day by announcing that they’re releasing David Fincher’s The Social Network (2010) on 4K Ultra HD in Steelbook packaging on 2/18. This is in addition to Panic Room, which was announced yesterday. Note that this film was available previously from the studio in 4K, specifically in the Columbia Classics 4K Ultra HD Collection: Volume 2 box set back in 2021. [Read on here...]

We’re closing out the week here at The Bits with a bunch of release news and more new disc reviews as well. The reviews include...

Tim’s take on Rocky Morton & Annabel Jankel’s Super Mario Bros. (1993) in 4K Ultra HD from Umbrella Entertainment—the deluxe Trust the Fungus edition.

Stuart’s look at Hal Ashby’s Coming Home (1978) on Blu-ray from Kino Lorber Studio Classics, as well as his review of Kino Lorber’s Homicide Hills: The Complete Series on DVD.

And Dennis’ reviews of Frank Lloyd’s Blood on the Sun (1945) and Alfred L. Werker and Anthony Mann’s He Walked by Night (1948), both on Blu-ray also from Kino Lorber Studio Classics.

Also, just to let you know, we’ve been sharing some additional content for our supporters over on Patreon, including essays on Godzilla Minus One’s visual effects Oscar win and the difficulty in creating or evaluating home video transfers for film, along with an exclusive tease about a trio of forthcoming 4K Ultra HD catalog titles that are in the works for later this year, my in-depth film review of Denis Villeneuve’s Dune: Part Two, and a little behind-the-scenes on a visit with some friends of The Bits who just so happen to have been involved with the Star Trek franchise for over 38 years.

Supporting The Bits on Patreon is a really great way to help us keep the site going, and doing so makes it possible for us to continue our work in support of physical media and disc fans everywhere. So please consider joining us there! [Read on here...]

Afternoon, folks! I certainly hope that those of you who celebrate it have had a great Christmas holiday, and that the rest of you are enjoying the holiday season.

I’ve got just a quick update here for you today and I’ll post a little more as the week goes on. This time of year there’s typically very little news-wise worth reporting, but there are some odds and ends to cover.

First though, I want to catch you up on the latest disc reviews we’ve posted here at The Bits since our last news post last week. Now available for your reading pleasure here are...

My reviews of James Cameron’s Avatar: Collector’s Edition (2009) and Avatar: The Way of Water – Collector’s Edition (2022) in 4K Ultra HD from Lightstorm and 20th Century Studios.

Tim’s thoughts on Richard Donner’s Scrooged: 35th Anniversary Edition (1988) in 4K from Sony and George Mihalka’s My Bloody Valentine: Collector’s Edition (1981) in 4K from Scream Factory.

Dennis’ takes on David Gordon Green’s The Exorcist: The Believer (2023) in both Blu-ray and 4K Ultra HD from Universal, as well as Oren Rudavsky’s The Treatment (2006) on Blu-ray from Kino Lorber, and Richard Attenborough’s In Love and War (1996) on Blu-ray from the Warner Archive Collection.

Stephen’s reviews of Charles Kaufman’s Mother’s Day (1980) in 4K from Troma via Vinegar Syndrome, Emma Tammi’s Five Nights at Freddy’s in 4K from Universal, and Ti West’s Pearl (2022) in 4K from A24 via Turbine Media.

And finally Stuart’s look at Succession: The Complete Series on DVD from HBO, Alain Resnais’ La Guerre est finie (1966) on Blu-ray from The Film Desk and Vinegar Syndrome, and Paul Lynch’s The Hard Part Begins (1973) on Blu-ray from Canadian International Pictures via Vinegar Syndrome. [Read on here...]

Good afternoon, Bits readers and welcome to a new week! If all goes well, it’s shaping up to be a pretty exciting one—but more on that soon.

First up today, we’ve got an exclusive early 4K Ultra HD review for you: I’ve just taken an in-depth look at Christopher Cain’s fan-favorite western Young Guns (1988) in a long-awaited new Ultra HD release from our friends over at Lionsgate! The A/V quality is excellent, the disc includes original theatrical stereo and a great new Atmos mix, legacy extras carry over (including the commentary, a historical featurette, and trailers), and there’s a terrific new doc as well called How the West Was Wild: Making Young Guns. It’s a fine release that fans of the film should really love.

Now then, our friends at Kino Lorber Studio Classics have announced that Rod Lurie’s The Last Castle (2001) is “coming soon” to 4K Ultra HD.

Also newly revealed for Blu-ray from KLSC are Ted Kotcheff’s Split Image (1962), Joseph Sargent’s To Hell with Heroes (1968), Norman Panama’s The Road to Hong Kong (1962), and Douglas Sirk’s Has Anybody Seen My Gal (1952) on 1/9, followed by Andrew V. McLaglen’s The Devil’s Brigade (1968) on 1/16. And coming soon is Mitchell Leisen’s No Man of Her Own (1950). [Read on here...]