Displaying items by tag: Jeffrey Morris

Afternoon, Bits readers! We’ve got something very special to share with you today here at the site, but first we also have some more new disc reviews...

Our very own Tim Salmons has delivered his thoughts on Roy William Neill’s Black Moon (1934) on Blu-ray from Columbia Pictures and Via Vision’s Imprint Films label. Tim has also taken a look at Jay Levey’s UHF (1989) in 4K Ultra HD from Shout! Studios in honor of the film’s 35th anniversary!

And Stuart has offered his take on another classic film, Arthur Ripley’s The Chase (1946) on Blu-ray from the good people at Kino Lorber Studio Classics. Enjoy!

Now then, some of you may remember that way back in 2010, visual effects pioneer Douglas Trumbull proposed an elaborate documentary on the making of Stanley Kubrick’s 2001: A Space Odyssey (1968). Unfortunately, he was never able to get Warner Bros. to fund the project, which was known as Beyond the Infinite, and the man sadly passed away in 2022 (you can read our salute to him here).

You may also remember that back in 2016, I published an in-depth look at the various behind-the-scenes books on the making of the film, Stanley Kubrick’s 2001: The Ultimate Trip in Print, here at The Bits website.

Well... back in September I was honored to be contacted by my friends Michael and Denise Okuda (of Star Trek fame) to participate in a new documentary they were producing on 2001 with the team at OTOY. So I spent a lovely evening up in Burbank with Mike, Denise, and my old friend Roger Lay, Jr. (who created many of the excellent documentaries on Paramount’s Star Trek Blu-rays in recent years) shooting an interview about the film and its place in cinema history. Today, I am very pleased to say that the result of their work is finally available for all of you to see for yourselves! [Read on here...]

We’re back today with some release news as well as a bunch more new disc reviews, including...

My take on Alex Garland’s Civil War (2024) in 4K Ultra HD from A24 and Lionsgate, a film I didn’t even want to see but that I ended up really impressed with, that also happens to be the most demo-worthy 4K release since Dune: Part Two, Oppenheimer, and Top Gun: Maverick. It also has a terrific documentary from our old friend Charles de Lauzirika, so it’s well worth your time.

Stephen’s thoughts on Abel Ferrara’s Bad Lieutenant (1992) in 4K Ultra HD from Kino Lorber Studio Classics, as well as the Wachowskis’ Bound (1996) in 4K Ultra HD from Criterion.

Dennis’ review of Sidney J. Furie’s The Lawyer (1970) and Frank Tuttle’s The Hour Before Dawn (1944) on Blu-ray from Kino Lorber Studio Classics.

And finally, Tim’s look at J. Lee Thompson’s Death Wish 4: The Crackdown (1987) and Allan A. Goldstein’s Death Wish V: The Face of Death (1994) on Blu-ray also from KL Studio Classics.

We definitely have more reviews cooking at The Bits, but with the 4th of July holiday here in the States falling on a Thursday (tomorrow) this year, we’re giving everyone the next few days off to recharge with their families. So we’ll be back on Monday with more new reviews and—we would imagine—plenty of breaking release news too.

In announcement news today, Kino Lorber Studio Classics has revealed that Ralph S. Singleton’s Graveyard Shift (1990) is coming soon to 4K Ultra HD. Also newly-revealed as coming soon to Blu-ray is Willard Juyck’s Best Defense (1984). [Read on here...]

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminator—producer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]