Displaying items by tag: No Way Out 4K

Our second news update of the day starts with a little bit of breaking news: Paramount has just made David Zucker, Jim Abrahams, and Jerry Zucker’s Top Secret! (1984) and David Fincher’s Zodiac (2007) available in 4K Digital on Apple TV, Vudu, Kaleidescape, and more. Given the amount of effort Fincher puts into his remasters, we believe it’s safe to assume that Zodiac will be coming to physical 4K Ultra HD from Paramount sooner than later as well.

Zodiac, it should be remembered, was shot mostly in 10-bit RAW in 1080p HD (4:4:4) using the Thomson Viper FilmStream camera, along with some footage in 35 mm photochemical film (Super 35 format). But anyone who doubts that it could look great upscaled and remastered in 4K would do well to take a look at HBO’s Game of Thrones: The Complete First Season in 4K UHD (which we’ve reviewed here). The advantages of high data rate and low compression, combined with an HDR grade, could really make a difference. Zodiac in particular was very well lit and photographed. Personally, I’m eager to get a look at it.

Also today, Arrow Video has announced their August slate, which includes a UK-only 4K Ultra HD release of Michael Lehmann’s Heathers (1988) on 8/5, followed by a slew of titles on 8/26. Among them are Robert Rodriguez’s Desperado (1995) in 4K Ultra HD and The Mexico Trilogy box set (both in the UK, US, and Canada), which includes El Mariachi (1992) and Once Upon a Time in Mexico (2003) in Blu-ray, as well as the Desperado 4K. [Read on here...]

Sorry for the lack of a news update yesterday, but I spent the entire day on the phone with studio and industry sources digging into upcoming 4K catalog titles. Rest assured, I’ll share more on all of that in the days and weeks to come.

In the meantime, we have some great release news for you—which we’ll share in a couple of news posts today—as well as more new disc reviews. Those include...

Stuart’s look at Jerry Hopper’s Alaska Seas (1954) on Blu-ray from Kino Lorber Studio Classics, as well as Carlotta Films’ Region B Blu-ray release of Roger Corman’s The Intruder (1962), which is one of his best films and also features one of William Shatner’s early film roles.

Dennis’ thoughts on John Farrow’s Submarine Command (1951) and Charles Vidor’s Thunder in the East (1952) both on Blu-ray from Kino Lorber Studio Classics.

Tim’s look at the complete Hanna-Barbera’s Superstars 10 (1987-1988) Blu-ray box set from the Warner Archive Collection.

And finally Stephen’s take on Wellson Chin’s The Inspector Wears Skirts 2 (1989) on Blu-ray from 88 Films, as well as Michael Benveniste and Howard Ziehm’s Flesh Gordon: 50th Anniversary Edition (1974) on region-free Blu-ray from Turbine Medien.

Now then... let’s get to the announcement news, because we’ve got a bunch of it. [Read on here...]

We’ve got two new disc reviews for you to enjoy this afternoon, both of them Blu-ray titles…

First, Stephen has taken a look at John Dahl’s Red Rock West (1993) on Blu-ray, which is one of the first titles in Vinegar Syndrome’s new Cinématographe line, curated by our friend (and producer) Justin LaLiberty.

And I’ve reviewed Umbrella Entertainment’s recent Frank Herbert’s Dune Complete Collection Blu-ray box set, which includes John Harrison’s Dune (2000) miniseries along with Greg Yaitanes’ Children of Dune (2003) miniseries, as well as a ton of great special features and swag, all in super-deluxe packaging.

More reviews are forthcoming, including—in the next day or two—my take on Francis Lawrence’s The Hunger Games: The Ballad of Songbirds & Snakes (2023) from Lionsgate and Ronald F. Maxwell’s Little Darlings (1980), both of them in 4K Ultra HD. Little Darlings, I should note, is the other debut title in Vinegar Syndrome’s new Cinématographe line. So watch for those very soon.

We’ve also updated our 4K Ultra HD Release List here at The Bits, along with our Release Dates & Artwork section, both of which now include all the latest announced titles, with Amazon pre-order links.

And over on The Digital Bits’ Patreon, we’ve shared a new piece by Stephen on the ethics of altering films for release in other forms (for example B&W), and the challenges in trying to determine how films should look sometimes years later on home video, as well as some fun content from our friends over at The Bigger Pictures Film Restoration (more on that in a minute). As always, we really appreciate your support of The Digital Bits, which helps us to continue our work here at the site in support of physical media. And becoming a Patreon member is a great way to do that. We’re working to build a pretty terrific little community over there where Bits readers can hang out and share their thoughts and experiences. So you’re all welcome to join us there! [Read on here...]