Displaying items by tag: Blue Underground

We have some good breaking release news to cover today here at The Bits. First though, we’ve got more new disc reviews for you...

Tim has given Clint Eastwood’s Play Misty for Me (1971) a look, as recently released on Blu-ray by Kino Lorber Studio Classics.

And I’ve just posted my thoughts on Andrew Niccol’s neo-noir, science fiction classic GATTACA (1997), which is coming next week on 4K Ultra HD from Sony Pictures Home Entertainment. The film looks and sounds every bit as good as you’d hope, so don’t miss it.

Now then, the big news today is that Disney has officially confirmed the much-anticipated 4K Ultra HD release of director Jan de Bont’s Speed (1994) on 5/4. Mastered from a recent 4K scan, the disc will include a new Dolby Atmos sound mix along with high dynamic range in HDR10 format. [Editor’s Note: Disney’s press materials now suggest that only the Digital 4K will have Atmos. We’ve asked the studio for official confirmation and will post an update here when we hear back.]

Perhaps most interestingly, it appears that at least some of the extras from Fox’s 2002 Five Star Collection DVD are being carried over—many of these were omitted from the previous Fox Blu-ray release. [Read on here...]

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Evening, folks. We’ve got a quick news update for you here today at the site.

But first, a new disc review: Tim has just posted his thoughts on William Lustig’s Vigilante (1982) on 4K Ultra HD from the good folks at Blue Underground. And it sounds like it’s a pretty terrific release if you like the film, which stars Robert Forster and Fred Williamson. Do check it out.

Also a reminder today: We posted a new History, Legacy & Showmanship column from our own Michael Coate on Friday—a piece that was delayed from the very end of 2020 due to all of the site maintenance we’ve been doing over the past several weeks. This one is a look back at the early 70mm cut of The Empire Strikes Back, featuring a new roundtable discussion with historian and soundtrack producer Mike Matessino along with director Saul Pincus. We think you’ll really enjoy it, so do give that a look here if you missed it.

Now then... there’s not a lot of release news to report today, but we do have a few things worth mentioning. [Read on here...]

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We have a couple things for you today...

First, Tim has posted a review of Nick Castle’s The Last Starfighter (1984), now available on Blu-ray from our friends at Arrow Video. Sounds like it’s a pretty great disc, so do check it out here.

Also today, Sony Pictures Home Entertainment has just officially announced the 4K Ultra HD release of Neill Blomkamp’s Elysium on 2/9. The disc will include Dolby Atmos audio.

Extras on the 4K disc will include 4 featurettes (Exoskeletons, Explosions and the Action Choreography of Elysium, The Hero, The Psychopath and the Characters of Elysium, The Art of the Elysium Miniatures, and Bugatti 2154), plus theatrical trailers. [Read on here...]

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We’re working on more new disc reviews here at The Bits today. Specifically, I’ve got District 9 in 4K from Sony, and V for Vendetta in 4K from Warner Bros. Home Entertainment. So I’m going to try to get at last one of those up tomorrow. Tim and Dennis have more in progress today as well.

Meanwhile, Tim has a look at Harry Kümel’s 1971 Belgian horror film Daughters of Darkness, now available in 4K Ultra HD from Blue Underground. Tim says the new 4K scan—from the first time taken from the original camera negative—is a revelation. You’ll find his thoughts here.

The big news today is that Discotek Media has just officially announced their long-awaited 4K Ultra HD release of Hayao Miyazaki’s first animated film, Lupin the Third: The Castle of Cagliostro (1979). Look for it to street on 1/26/2021. [Read on here...]

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All right Bits readers, we’ve got a pretty significant news update for you today...

We’ve been tracking many of these titles, but a few of the 4K catalog titles we’re going to talk about today are breaking news, thanks to our old friends over at Media Play News.

They’ve just issued the September 2020 Digital edition of their magazine, which features an extensive look at the recent surge of 4K Ultra HD catalog releases. The publication’s editor, Stephanie Prange (who, full disclosure, I’ve known for many years), wrote a great longform piece for the issue called 4K Ultra HD: Into the Vaults about the process of preparing classic catalog films for release on the format.

Not only is it informative (and I should note that I was among the people interviewed therein), it includes some great news about forthcoming titles. [Read on here...]

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All right, I’m busy working on a review of Studio Canal’s new 4K Ultra HD release of Bill & Ted’s Excellent Adventure, which is available now (click here). Note however the disc only has 2.0 audio. It’s a release that superfans of the film will certainly want, but for almost everyone else, the terrific Shout! Factory release is still going to be the preferred version (though sadly it’s essentially out of print). I hope to have the review up soon.

Meanwhile, Tim has posted reviews of another pair of 4K titles from our friends at Blue Underground and director Lucio Fulci, the horror/gaillo titles The House by the Cemetery (1981) and The New York Ripper (1982). Looks like both discs are worth your time, if you’re a fan of the filmmaker (though I will confess that graphic horror and gore isn’t really my thing).

In any case, if you’re wondering why we’ve blacked out the cover artwork (save for the title logos), it’s this: Google advertising routinely flags images that are sexually suggestive or violent. Not that either of these is especially bad, but it’s not a person that makes these decision, it’s an AI that tends to flag things randomly. When it does flag something, it turns off advertising and then it’s a whole stupid process of requesting a review. Given our limited resources, we really can’t waste time dealing with it. So there you go.

Yes, it turns out the Internet is just as stupid as everything else in 2020. [Read on here...]

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We’re rounding out the last weekday before the 4th of July holiday here in the States with just a little bit more release news.

First, an update: Lionsgate’s Ghost in the Shell (1995) 4K Ultra HD release is officially due on 9/2 (SRP $22.99). And it will include Dolby Vision HDR (along with regular HDR10) and Dolby Atmos audio. Pre-orders are just starting to appear around the Net, so we’ll update you here when we have an Amazon.com link and also final cover artwork.

Also, Blue Underground has announced that they plan to release Harry Kümel’s 1971 erotic vampire film Daughters of Darkness on 4K Ultra HD sometime this fall. The package will include the film in 4K and Blu-ray, along with a soundtrack CD. [Read on here...]

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We’ve got some good stuff for you here at the site today! So let’s get right into it.

First of all, we’ve posted a trio of new 4K Ultra HD reviews...

Late last night, I posted my in-depth thoughts on John Landis’ The Blues Brothers, new in 4K Ultra HD from Universal. I love this film and the good news is that it’s never looked and sounded better. Check it out here.

Also today, Tim has posted reviews of Blue Underground’s new 4K Ultra HD editions of William Lustig’s Maniac (1980) and Lucio Fulci’s Zombie (1979). These too have never looked better, but do be aware that the cover artwork pictured here on The Bits is NOT the final artwork.

We have to censor the cover art on some of these horror titles or Google flags them as offensive, which crushes our advertising. And we need advertising to survive, so there it is. Anyway, enjoy the titles! Blue Underground does great work. [Read on here...]

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