Displaying items by tag: Foundation

I’ve said many times now here on The Digital Bits how much I appreciate Ben Nedivi, Matt Wolpert, and Ronald D. Moore’s For All Mankind.

As the series completes its fifth and penultimate season, the Apple TV Original has quietly become one of my all-time TV favorites, equaling Moore’s own rebooted Battlestar Galactica and even Star Trek, a franchise I love dearly but that—over the decades—has proven wildly uneven, and more recently has lost its way.

When I say this out loud, I’m typically greeted with two reactions. The first is surprise, as many viewers still either haven’t heard of the show, or haven’t yet given it serious consideration. But they should.

The second reaction—which I’m pleased to say is much more common today than in 2019, when the show first aired—is a kind of quiet understanding. Because if you know about the series… you know.

For All Mankind is, of course, an alt-history, science fiction ensemble drama that asks a simple question: What if the Soviet Union had beaten America to the Moon in 1969?

More broadly, it’s a series that attempts to realistically depict humanity’s slow, difficult, but hopefully inevitable climb out of Earth’s gravity well to become a spacefaring civilization.

Now… when I grew up in the 1970s and 80s, that outcome seemed like a foregone conclusion.

The first human spaceflight, Yuri Gagarin’s Vostok 1, happened six years before my birth. NASA’s Apollo 11 astronauts walked on the Moon two years after it, which means I’m just old enough to remember watching the Apollo 17 astronauts leaving the Moon for the last time on TV in 1972—one of my earliest memories.

Soon after this, I discovered the original Star Trek, a series that fed my young imagination exactly what it craved at exactly the right time. And I watched each new NASA mission that followed with eager intensity: Skylab, Apollo-Soyuz, and the early Space Shuttle flights. [Read on here...]

Published in My Two Cents

We’ve got a bunch of great title announcement news and “revels” to report today, so let’s get right to it...

First up, our friends at Kino Lorber Studio Classics have just revealed on their social media that they’re working on a new 4K Ultra HD release of Fred Dekker’s The Monster Squad (1987)! And we have street date: Look for it to arrive on 11/28, complete with a new 4K scan of the original camera negative with Dolby Vision HDR on a UHD-100 disc. The 3-disc set will also include the film remastered in 1080p HD on Blu-ray (which will also be available separately) and you’ll get a bonus disc with the Wolfman’s Got Nards (2018) documentary. Plus the set will include a ton of legacy special features. You can see the 4K cover artwork at left.

Sony Pictures Home Entertainment has also just revealed the Region A/US Blu-ray release of Ron Moore and Apple TV+’s fantastic alternate/near future science fiction series For All Mankind: Season One. Look for that to street on 11/14. Unfortunately, no 4K Ultra HD release is currently planned. Also, the cover artwork leaves a lot to be desired; it’s identical to the key art used on Dazzler’s UK release (which we reviewed here) but it shares nothing in common with the show’s actual logo or promotional artwork, causing a number of fans we’ve heard from to say it looks like a bootleg. In any case, it’s a great series—one of my favorites actually, along with Apple TV’s Foundation—and it’s great to finally have a legit US Blu-ray option. You can see the cover (with the Amazon pre-order link) below the break.

Sony has also just set FX’s Justified: City Primeval – Season One for release on Blu-ray and DVD on 11/14. And we’ve got that cover artwork for you below as well. [Read on here...]

Published in My Two Cents

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]

Published in My Two Cents