Displaying items by tag: Dennis Seuling

We’ve got some MAJOR announcement news to share with you all today, we’re starting things off as always with four new disc reviews...

Tim has checked in with his thoughts on Arthur Rankin Jr. and Jules Bass’ animated The Last Unicorn (1982) in 4K Ultra HD and 4K Steelbook from Shout! Studios.

And Dennis has weighed in with this take on Norman Z. McLeod’s My Favorite Spy (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Serge Bourguignon’s Two Weeks in September (1967) on Blu-ray from Kino Classics.

Now then, our friends at Shout! Studios and the Warner Archive Collection have announce major slates of Blu-ray and 4K Ultra HD catalog titles for release in November and December!

The Warner Archive Collection has revealed 6 new classic Blu-ray titles for release on 11/26, including Jean Negulesco’s Humoresque (1946)—mastered from a 4K scan of original nitrate camera negative—Jack Haley Jr. That’s Entertainment! (1974)—re-constructed from original negatives and preservation elements—The Complete Thin Man Collection (1934-47)—a 6-disc set mastered from 4K scans of the best surviving elements, featuring WS Van Dyke’s pre-Code The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939), and Shadow of the Thin Man (1941), as well as Richard Thorpe’s Song of the Thin Man (1944), and Edward Buzzell’s The Thin Man Goes Home (1947)—Hanna-Barbera’s animated Wait Till Your Father Gets Home (1972-74) TV series—featuring 48 episodes on 6 discs—Gary David Goldberg’s Must Love Dogs (2005), and finally the Looney Tunes Collector’s Choice: Volume 4 (1937-64)—including 27 classic Looney Tunes fully restored and remastered shorts, including Friz Freleng’s Streamlined Greta Green (1937), Double Chaser (1942), Meatless Flyday (1944), Peck Up Your Troubles (1945), Along Came Daffy (1947), A Bone for a Bone (1951), Muzzle Tough (1954), Stork Naked (1955), Hyde and Go Tweet (1960), Lighter Than Hare (1960), D’ Fightin’ Ones (1961), Devil’s Feud Cake (1963), and Road to Andalay (1964), Tex Avery’s The Sneezing Weasel (1938) and Dangerous Dan McFoo (1939), Tex Avery and Bob Clampett’s The Cagey Canary (1941), Chuck Jones’ Fox Pop (1942), Mouse-Warming (1952), Double or Mutton (1955), and Hopalong Casualty (1960), Robert McKimson’s The Mouse-Merized Cat (1946), Henhouse Henery (1949), Leghorn Swoggled (1951), Muscle Tussle (1953), and Quack Shot (1954), Arthur Davis’ Holiday for Drumsticks (1949), and Norm McCabe’s The Impatient Patient (1942). Whew! [Read on here...]

As we close out the week, let’s start today as always with more new disc reviews...

Stephen has turned in his thoughts on John Mackenzie’s The Long Good Friday (1980) in 4K Ultra HD from the Criterion Collection.

Stuart has offered his take on a trio of new and recent Blu-ray titles, including Daniel Mann’s Come Back, Little Sheba (1952) from Kino Lorber Studio Classics, and the 1965 French anthology film Six in Paris (1965) and Larry Kent’s The Bitter Ash (1963) from Vinegar Syndrome.

Tim has taken a look at Tinto Brass’ Frivolous Lola (1998) in 4K Ultra HD from Cult Epics.

And finally, Dennis has delivered a review of Penny Lane’s documentary Nuts! (2016) on Blu-ray from Vinegar Syndrome.

In announcement news today, Warner Bros. Discovery Home Entertainment has finally made Aaron Sorkin’s The West Wing official for Blu-ray on 10/1, in honor of the NBC series’ 25th anniversary. [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We’ve got a trio of new disc reviews for you today to start the new week, including...

Tim’s review of Columbo: The Return (1989-2003) on Blu-ray from Kino Lorber Studio Classics, featuring the final 24 episodes of the series.

Stuart’s take on Patrice Leconte’s The Hairdresser’s Husband (1990) on Blu-ray from Kino Classics.

And Dennis’ thoughts on Bert I. Gordon’s The Food of the Gods (1976) on Blu-ray from American International Pictures via Kino Lorber Studio Classics’ new Kino Cult line.

More discs are on the way this week as well, so be sure to watch for them.

It’s a slow morning for release news, but we do have a couple things for you.

First, Paramount has set ZAZ: The Collection! for release on 4K Ultra HD on 11/19. That’s Zucker, Abrahams & Zucker to you! The collection will include Airplane! (1980), Top Secret! (1984), and The Naked Gun: From the Files of Police Squad! (1988). The first two are new to the format.

Kino Lorber Studio Classics is going to be releasing Claude Miller’s Deadly Circuit (1983) on Blu-ray on 10/29. The company has also revealed that Herbert Ross’ Play It Again Sam (1972) is coming soon to Blu-ray, while Michael Anderson’s Orca (1977) is coming soon to 4K Ultra HD. [Read on here...]

Boy, we’ve got a bunch of new catalog title announcements for you today, along with a TON of new Blu-ray and 4K cover artwork and Amazon.com pre-order links. But first, we have a few more new disc reviews...

Tim has taken a look at the new animated double-feature of Conrad Vernon and Greg Tiernan’s The Addams Family (2019) and The Addams Family 2 (2021) in 4K Ultra HD from Shout! Studios.

And Dennis has offered his thoughts on Frank Borzage’s The Shining Hour (1938) and King Vidor’s Northwest Passage (1940) both on Blu-ray from the Warner Archive Collection.

Now then, let’s dive right into those announcements...

Kino Lorber Studio Classics has just revealed that Sidney Hayers’ Circus of Horrors (1960) is coming to 4K Ultra HD on 10/29, but with an SDR only grade (probably due to limitations with the original camera negative).

Warner Bros. Discovery Home Entertainment and HBO have set Veep: The Complete Series for release on Blu-ray on 10/22, in a new 13-disc set. This follows closely in the wake of Warner’s newly-announced release of The West Wing: The Complete Series in a new 28-disc Blu-ray set on 10/1. Both are obviously timed to the upcoming Presidential Election here in the States. They’re now available on Amazon.com and you can see the cover artwork below the break (click on each to visit the pre-order pages). [Read on here...]

All right, I’d intended to have a news update yesterday, but we all day working on a major upgrade of the Release Dates & Cover Artwork section here at The Bits. Not only have added tons of new Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links, we’ve done some software and server upgrades to the section as well, so it should be working better than ever. Better yet, we’re going to have new updates of the section every Tuesday to keep it fresh with all the latest titles!

As you may know, The Digital Bits is an Amazon Affiliate, so anytime you order literally anything after clicking to them through one of our links, you’re helping to support our work at The Bits. It makes a big difference and we truly appreciate it. So we hope you’ll find our upgraded Release Dates & Cover Artwork useful and use it often!

Now then, we have some new disc reviews for all of you to enjoy here today...

Stephen has offered his in-depth thoughts on Robert Altman’s Thieves Like Us (1974) in 4K Ultra HD from Vinegar Syndrome’s Cinématographe label, along with Destin Daniel Cretton’s Just Mercy (2019) in 4K from Warner Bros. Discovery Home Entertainment, and also Peter Hyams’ Sudden Death (1995) in 4K UHD from Kino Lorber Studio Classics.

Stuart has weighed in with a look at Ken Loach’s The Old Oak (2023) on Blu-ray from Kino Lorber, as well as Fred Zinnemann’s The Nun’s Story (1959) on Blu-ray from the Warner Archive Collection.

And Dennis has reviewed Phil Karlson’s 99 River Street (1953) on Blu-ray from Kino Lorber Studio Classics as well.

In announcement news today, Universal and Illumination have just set the CG-animated Despicable Me 4 for Blu-ray, DVD, and 4K Ultra HD release on 9/24, with the Digital version available next week on 9/10. Scores of featurettes and deleted scenes will be included. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting Tuesday off here at The Bits with three new disc reviews for all of you to enjoy, including...

Dennis’ look at Arkasha Stevenson’s The First Omen (2024) on Blu-ray from 20th Century Studios.

Stuart’s thoughts on Teruo Ishii’s Prison Walls: Abashiri Prison I-III (1965) on Blu-ray from Eureka Entertainment.

And Stephen’s take on Don Seigel’s original sci-fi classic Invasion of the Body Snatchers (1956) in 4K Ultra HD from Kino Lorber Studio Classics.

In announcement news today, Kino Lorber Studio Classics has revealed a few more great new catalog releases, including Sidney Lumet’s Garbo Talks (1984) and Claude Autant-Lara’s Enough Rope (1963) on Blu-ray on 10/15, followed by William Friedkin’s Rules of Engagement (2000) and Peter Collinson’s Fright (1971) on 4K Ultra HD, as well as Carlo Carlei’s Fluke (1995) and Andre Gower’s Wolfman’s Got Nards (2018) on Blu-ray on 10/22. And coming soon to 4K Ultra HD from the company is Roy Ward Baker’s Scars of Dracula (1970), while coming soon to Blu-ray is the Film Noir: The Dark Side of Cinema XXV box set which features John H. Auer’s The Flame (1947), City That Never Sleeps (1953), and Hell’s Half Acre (1954). [Read on here...]