Displaying items by tag: My Two Cents

Evening, folks! Sorry about the lack of an update yesterday, but I was A) busy working on several new disc reviews, and B) roped into doing the Thanksgiving grocery shopping here. And you know how that goes: It’s a zoo out there!

But as a result of our work, we’ve got no less than five new disc reviews for you to enjoy today...

First, Tim has taken a look at Brett Ratner’s The Silence of the Lambs prequel Red Dragon (2002), which is new on 4K Ultra HD from Kino Lorber Studio Classics.

Dennis has offered his take on William Kaufman and Johnny Strong’s Warhorse One (2023) on Blu-ray from Well Go USA Entertainment.

Stephen has delivered a look at Wes Anderson’s Asteroid City (2023) on Blu-ray from Universal, as well as Béla Ternovszky’s animated Cat City (1986) on Blu-ray from Deaf Crocodile and Vinegar Syndrome.

And I’ve posted my thoughts on Andrew Davis’ The Fugitive (1993) which just arrived today in a terrific new 4K Ultra HD release from Warner Bros. Discovery Home Entertainment, mastered from a new 8K scan of the original camera negative no less!

I’m also working on a review of Christopher Nolan’s Oppenheimer (2023) in 4K for posting very soon. The title streets today, but I’m still waiting on my review copy from Universal, which should be here in the next couple days. (FedEx is a little slow, what with the holiday week and all.) My review of the film itself is already complete, and as soon as the disc arrives I’ll dive right in and get the review posted ASAP. So be sure to watch for it. [Read on here...]

We’re rounding out the week here with three more new disc reviews, including...

Dennis’ take on Costa-Gravas’ Mad City (1997) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Frederic C. Hobbs’s Godmonster of Indian Flats (1973) on Blu-ray from AGFA, Something Weird, and Vinegar Syndrome, and the Villages of the Damned: Three Horrors from Spain Blu-ray release also from Vinegar Syndrome, which includes Pedro Olea’s The Forest of the Beast (1970), Silvio Narizzano’s The Sky Is Falling (1975), and Gonzalo Suárez’s Beatriz (1976).

Meanwhile, the rest of us are already working on a bunch more new Blu-ray and 4K UHD reviews for next week. And I do mean a bunch. So be sure to watch for them.

We also have a couple significant pieces of catalog news for you this afternoon before we go...

The first is that Kino Lorber Studio Classics has just officially set Ivan Reitman’s Kindergarten Cop (1990) for release on 4K Ultra HD on 1/23, featuring two new audio commentaries (by film historians Alexandra Heller-Nicholas and Josh Nelson, and a second by film historian Samm Deighan). [Read on here...]

Whew! Yesterday was a big day, was it not? I was up all night prior to the announcement, formatting the post for 7 AM Pacific release, and man was it ever good to finally share that! I’ve been sitting on some of that information for months, so I’m very glad to finally be able to speak about it openly. And after thirteen years, it’s damn good to finally confirm that those James Cameron titles are indeed coming to 4K and Blu-ray at long last.

We have more new disc reviews to share today here at The Bits, and there’s more release news today as well. But first, I wanted to let you all know that I’ve just done a new blog post over on Patreon: My Two Cents on the New Abyss Trailer, and the Subject of DNR and Film Grain. It’s based on an impromptu Q&A thread I was involved in over on Twitter/X this morning, but with some added detail that will definitely be of interest to fans of these James Cameron films in remastered 4K. So if you’re a backer of The Bits’ new Patreon—and if you’re not, you should be, as we really need and appreciate the support!—I think you’ll certainly enjoy that. But for the rest of you, rest assured: Much of the substance of that post will be shared here on The Bits website when we review The Abyss, True Lies, Aliens, and Titanic in 4K, first on Digital in a few weeks and then in a few months on actual 4K UHD disc.

Now then, speaking of reviews... Stephen has posted his thoughts on Roger Spottiswoode’s The Best of Times (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Éric Gravel’s Full Time (2021) on Blu-ray from Music Box Films and Vinegar Syndrome, as well as Jared Moshe’s Aporia (2023) on Blu-ray from Well Go USA.

Stuart has weighed in with his take on Roy Del Ruth’s Du Barry Was a Lady (1943) on Blu-ray from the Warner Archive Collection, along with Jules Dassin’s Uptight (1968) on Blu-ray from Imprint Films.

And for you Peckinpah fans, Tim has shared his in-depth look at Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), also on Blu-ray from Imprint Films.

As always, more new disc reviews are on the way for tomorrow and all next week, so be sure to watch for them. [Read on here...]

All right, Digital Bits readers...

Having reported on the long and twisted saga of The Abyss and True Lies on Blu-ray and 4K Ultra HD for over thirteen years now—and having first broken news of this release all the way back in March—it gives me enormous pleasure to be able to share this with all of you: The day has come at last!

Not only are The Abyss and True Lies finally coming to 4K Ultra HD and Blu-ray, so too are Aliens, the recently-announced Titanic, and new versions of both Avatar (with all three versions of the film) and Avatar: The Way of Water!

Here’s the full text of Disney and Lightstorm’s official press release today…

SIX ICONIC JAMES CAMERON FILMS INCLUDING FOR THE FIRST TIME EVER ON 4K UHD™ ALIENS, THE ABYSS AND TRUE LIES!

IN ADDITION, SPECIAL COLLECTOR EDITIONS FOR TITANIC, AVATAR AND AVATAR: THE WAY OF WATER WITH:

BURBANK, CA. (November 15, 2023) – A piece of cinema history comes home this year when six box-office juggernauts from Oscar®-winning director James Cameron are released. The six titles—The Abyss, True Lies, Aliens, Titanic, Avatar and Avatar: The Way of Water—will be made available in 4K Digital and 4K Ultra HD + Blu-ray.

Cameron, who has helmed three of the five highest grossing movies of all time, says “There’s a world of emotions in revisiting these films and I hope we’ve captured some of that in the new bonus materials we created for our fans.”

Oscar®-winning producer Jon Landau added, “We really wanted to deliver the best possible experience at home so viewers could immerse themselves both in the films and the journeys we went through to make them.”

The 4K transfer for each release will be presented in superb Dolby Vision HDR and with an immersive Atmos audio mix. Additionally, most of the releases will arrive with several hours of captivating all-new bonus features. From the eight hours of Avatar: The Way of Water bonus including all-new deleted scenes to the five hours of new and legacy Titanic extras, fans will delight in the numerous hours of never-before-seen materials. [Read on here...]

Good afternoon, Bits readers and welcome to a new week! If all goes well, it’s shaping up to be a pretty exciting one—but more on that soon.

First up today, we’ve got an exclusive early 4K Ultra HD review for you: I’ve just taken an in-depth look at Christopher Cain’s fan-favorite western Young Guns (1988) in a long-awaited new Ultra HD release from our friends over at Lionsgate! The A/V quality is excellent, the disc includes original theatrical stereo and a great new Atmos mix, legacy extras carry over (including the commentary, a historical featurette, and trailers), and there’s a terrific new doc as well called How the West Was Wild: Making Young Guns. It’s a fine release that fans of the film should really love.

Now then, our friends at Kino Lorber Studio Classics have announced that Rod Lurie’s The Last Castle (2001) is “coming soon” to 4K Ultra HD.

Also newly revealed for Blu-ray from KLSC are Ted Kotcheff’s Split Image (1962), Joseph Sargent’s To Hell with Heroes (1968), Norman Panama’s The Road to Hong Kong (1962), and Douglas Sirk’s Has Anybody Seen My Gal (1952) on 1/9, followed by Andrew V. McLaglen’s The Devil’s Brigade (1968) on 1/16. And coming soon is Mitchell Leisen’s No Man of Her Own (1950). [Read on here...]

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]

Heads-up Bits readers! I’ll be participating in a Facebook Live stream later this afternoon (November 9, at 5:30 PM PST), hosted by our friends John Schuermann and Steve Crabb of THE SCREENING ROOM AV, and joined by famed AV calibrator Kris Deering (of DEEP DIVE AV) to talk about:

• The future of physical media – DVD vs. Blu-ray vs. UHD Blu-ray
• The future of “special features”
• Licensing titles to the boutique labels
• The latest on upcoming releases
• Best Buy’s actual market share
• How good is streaming vs. physical / Kaleidescape / “Purestream”?
• Plex / Zappiti
• ...and more! We’ll also be doing Q&A, taking live viewer and listener questions.

You can read more here at The Screening Room A/V’s promo page for the event:

https://www.thescreeningroomav.com/tsrav-video-podcast

And you can join us live this afternoon at this link:

https://fb.me/e/4VLzZ79RE

We hope to see you all there! –BH

(You can follow Bill on social media at these links: Twitter and Facebook)

We have three more new disc reviews for you today…

First up, Stephen has turned in his thoughts on Lucio Fulci’s The House by the Cemetery (1981) on 4K Ultra HD from Arrow Video in the UK.

Also, Tim has posted his thoughts on Jess Franco’s Lorna the Exorcist (1974) on Blu-ray from Kino Lorber Studio Classic via their new Kino Cult line.

And finally, Stuart has weighed in with a review of Jack Smight’s Number One with a Bullet (1987), starring Robert Carradine and Billy Dee Williams, a Cannon title on Blu-ray from Kino Lorber Studio Classics.

There’s not a lot in the way of announcement news to report today, but we do have this: Paramount is releasing Lindsey Anderson Beer’s Pet Sematary: Bloodlines (2023) on Blu-ray, DVD, and 4K Ultra HD on 12/19. Extras will include 5 featurettes (among them Origins, Fresh Blood, Death’s Design, Method to the Madness, and War Comes Home). You can see the 4K cover artwork at left.

CBS and Paramount are also preparing to release Star Trek: Lower Decks – Season Four on Blu-ray and DVD on 12/19. We don’t have the final cover artwork yet, but you can now pre-order the title on Amazon here. [Read on here...]

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

All right, today’s news update here is going to be a quick one, as I’ve got a couple disc reviews to start working on this afternoon. But first, we’ve got a couple more reviews to share with you this afternoon...

Tim has delivered an in-depth look at Brian De Palma’s Carlito’s Way (1993), which is now available in 4K Ultra HD from our friends at Arrow Video.

Tim’s also just posted his thoughts on Menahem Golan’s Enter the Ninja (1981), a Cannon Films actioner new on Blu-ray from the good people over at Kino Lorber Studio Classics.

And I’m about to start work on reviews of Sony’s For All Mankind: Season One on U.S. Blu-ray, as well as their new 4K Ultra HD Steelbook release of David Anspaugh’s Rudy (1993), both titles I have a great deal of affection for. So watch enjoy today’s reviews, and watch for more here on Monday.

In terms of release news on this lovely Friday afternoon, Kino Lorber Studio Classics has just signaled that their long-awaited 4K Ultra HD release of Ivan Reitman’s Kindergarten Cop (1990) is going to street on 1/23/24. It looks like they’re just awaiting the final cover artwork to share the news on their social media, but we expect that to happen anytime now. And thanks to Bits reader Brian B. for the heads-up. [Read on here...]