Displaying items by tag: Michael Coate

All right, we’ll be back in just a little bit with a link to Michael Coate’s new History, Legacy & Showmanship film retrospective in a little bit.

[Editor’s Note: Here’s the link to Michael’s new retrospective of the James Bond film The Man with the Golden Gun, in honor of the film’s 45th anniversary. Note that this piece was unavoidably delayed from late last year, but we think you’ll find the wait was worth it. Michael is joined by historians Jon Burlingame, John Cork, and Lee Pfeiffer for a great roundtable discussion. Enjoy!]

In the meantime, Tim has posted a new Blu-ray review today, this one of Fred Walton’s 1986 April Fool’s Day: Collector’s Edition from Scream Factory. The disc streets on 3/24.

And we do have some new announcement news for you... [Read on here...]

All right, we’re starting the new week off with a new History, Legacy & Showmanship column from our own Michael Coate, who’s celebrating the 30th anniversary of John McTiernan’s The Hunt for Red October with a new film retrospective that features a look back at the original theatrical release, the 70mm engagements, and a new interview with author and film historian Eric Lichtenfeld. Enjoy!

Meanwhile, our friends at Kino Lorber have announced some fun new Studio Classics titles that are coming soon to Blu-ray, including Joe Dante, John Landis, Carl Gottlieb, Robert K. Weiss & Peter Horton’s Amazon Women on the Moon (1987) and Peter Hyams’ Narrow Margin (1990), along with a trio of titles newly announced for release on Blu-ray and DVD on 5/5—Fred Coe’s A Thousand Clowns (1965) and Me, Natalie (1969—featuring Al Pacino’s first screen role), and Guy Hamilton’s An Inspector Calls (1954). [Read on here...]

“The Hunt for Red October had a big problem in that the Cold War kind of… ended while they were in post-production. So The Hunt for Red October should have been dated before it even opened — which means that the fact that it not only succeeded at the time, but has endured over the thirty years since, says a lot.” — Eric Lichtenfeld, author of Action Speaks Louder

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of The Hunt for Red October, the Cold War action thriller based upon Tom Clancy’s best-selling novel and which ultimately launched the Jack Ryan franchise.

The Hunt for Red October was directed by John McTiernan (Predator, Die Hard) and starred Sean Connery (James Bond, The Untouchables) and Alec Baldwin (Beetlejuice, Glengarry Glen Ross). [Read on here...]

All right, we’ve got a couple things for you today here at The Bits...

We begin with a pair of new Blu-ray Disc reviews, the first from Dennis, who checks out Girl on the Third Floor from Dark Sky Films.

Tim also has a new review for you: Deadly Manor, newly released on Blu-ray from Arrow Video.

And as promised today, our own Michael Coate returns with a new History, Legacy & Showmanship film retrospective. This time, he’s joined by historians Robert A. Caplen, Lisa Funnell, and John Cork in looking back at the James Bond film The World Is Not Enough. The piece is presented in honor of the film’s 20th anniversary in 2019, but was unavoidably delayed from last year. But great content is great content, and we think you’ll enjoy Michael’s work as always. You’ll find it here. [Read on here...]

“The World Is Not Enough is the first and only Bond film to feature a woman as the arch-villain. For this reason, it is worthy of recognition” — Lisa Funnell, co-author of The Geographies, Genders, and Geopolitics of James Bond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of The World is Not Enough, the 19th (official) cinematic James Bond adventure and third of four to feature Pierce Brosnan as Agent 007.

Our previous celebratory 007 articles include Licence to Kill, Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1999’s The World is Not Enough. [Read more here...]

Afternoon, folks! We’ve got a couple things for you today here at The Bits...

First of all, our own Michael Coate has just turned in a new History, Legacy and Showmanship column featuring a look back at Franklin J. Schaffner’s classic George C. Scott war epic Patton in honor of its 50th anniversary.

Michael is joined this time by author and historian Steven Jay Rubin for a discussion on the film and its legacy. We think you’ll really enjoy it, so do give that a look. [Read on here...]

“Patton is the best epic bio pic ever produced.” — Steven Jay Rubin, author of Combat Films: American Realism, 1945-2010

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Patton, the Best Picture-winning biopic of General George S. Patton starring George C. Scott (Dr. Strangelove, The Exorcist III) in the title role.

Patton — directed by Franklin J. Schaffner (Planet of the Apes, Papillon) and which also starred Karl Malden (A Streetcar Named Desire, The Streets of San Francisco TV series) as General Omar N. Bradley — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Steven Jay Rubin, who reflects on the film five decades after its debut. [Read on here...]

All right, folks... this is our last post of 2019, the year that Blade Runner finally became the present.

We do have a couple good things for you today...

First, Tim has turned in his in-depth review of Scream Factory’s new The Fly Collection box set, which includes the original The Fly (1958), Return of the Fly (1959), and Curse of the Fly (1965), along with the newer remake The Fly (1986) and The Fly II (1989) as well as a host of extras both new and legacy. It’s a great Blu-ray set, so do give it a look.

Also here at the site today, our own Michael Coate has turned in not one but two new History, Legacy & Showmanship columns to close out the year. [Read on here...]

“Star Trek: The Motion Picture wasn’t a perfect film, but it had a plethora of nearly perfect moments.” — Inglorious Treksperts co-host Mark A. Altman

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Star Trek: The Motion Picture, the first big-screen adventure based upon Gene Roddenberry’s legendary 1960s television series with William Shatner, Leonard Nimoy and DeForest Kelley reprising the roles that made them famous of Kirk, Spock and McCoy, respectively.

Directed by Robert Wise (West Side Story, The Sound of Music), the film also reunited James Doohan as Scotty, George Takei as Sulu, Majel Barrett as Dr. Chapel, Walter Koenig as Chekov, and Nichelle Nichols as Uhura, and also featured Persis Khambatta as Ilia and Stephen Collins as Decker. [Read more here...]

“Hello, Dolly! is a well-dressed dinosaur.” — Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Hello, Dolly!, the Oscar-winning cinematic adaptation of the Broadway stage musical which starred Barbra Streisand (Funny Girl, Yentl) as singing matchmaker Dolly Levi.

Hello, Dolly! — directed by Gene Kelly (On the Town, Singin’ in the Rain) and which also starred Walter Matthau (The Odd Couple, The Bad News Bears) and Michael Crawford (Condorman, The Phantom of the Opera stage production) — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Matthew Kennedy, who discusses the film’s virtues, shortcomings and legacy. [Read on here...]