Displaying items by tag: Brian Henson

All right... we have just a quick update here at The Bits for you today, because I have family visiting this weekend for the first time since before the pandemic.

The big thing we have for you this afternoon is of course this: I’ve posted our in-depth review of the Indiana Jones: 4-Movie Collection in 4K Ultra HD from Paramount Home Entertainment and Lucasfilm. The remastered 4K image on the first three films is spectacular, while the fourth film at least benefits some from HDR and some 4K-scanned footage from the camera negative here and there (shots without VFX). Meanwhile, the new Ben Burtt Dolby Atmos mixes are all demo-worthy across the board.

There are no new extras in the set and the packaging is terrible, but the picture and sound upgrade is so significant that most fans will be willing to overlook it. The set is definitely not to be missed, and you’ll find all the in-depth details right here in our review. [Read on here...]

All right, we’ve got an announcement news update for you here at The Bits this afternoon...

First up today, Kino Lorber Studio Classics has officially set their long-awaited Spaceballs (1987) 4K Ultra HD for release on 4/12. The 4K disc will include Dolby Vision HDR and audio commentary by Mel Brooks. Audio will be includes in 5.1 and 2.0 (format TBA) with optional English subs. You’ll also get the film on Blu-ray, which will include lots of additional legacy extras. You can see the 4K art at left. We’ve updated our 4K Ultra HD Release List here at The Bits accordingly.

The company also has a nice March slate of catalog Blu-ray titles, which is expected to include Sidney Lanfield’s My Favorite Blonde (1942), David Butler’s Caught in the Draft (1941), and Elliott Nugent’s Nothing But the Truth (1941) on 3/2 (all Bob Hope films), followed by Don Jones’ The Forest (1982, for Code Red), Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), Robert Aldrich’s The Choirboys (1977), and Richard Fleischer’s The Don is Dead (1973) on 3/9, Jim O’Connoly’s Tower of Evil (1972, for Scorpion Releasing), Andy Anderson’s Positive I.D. (1986), Francis Megahy’s Taffin (1988), Andrei Konchalovsky’s Runaway Train (1985), and Marty Feldman’s The Last Remake of Beau Geste (1977) and In God We Trust (1980) on 3/16, Don Jones’ Schoolgirls in Chains (1973, for Code Red), Frank Perry’s Doc (1971), George Seaton’s Showdown (1973), Henry Hathaway’s Shoot Out (1971), and Richard Fleischer’s Crossed Swords (1977, aka The Prince and the Pauper) on 3/23, and Otto Preminger’s Rosebud (1975), Andrew Bergman’s Isn’t She Great (2000), Édouard Molinaro’s A Pain in the Ass (1973), and Ang Lee’s Lust, Caution (2007) on 3/30. [Read on here...]