Displaying items by tag: Ang Lee

Good afternoon, folks! We’re starting the week off with four new disc reviews...

Stuart has given Via Vision’s On the Buses Film Collection box set a review, which includes On the Buses (1971), Mutiny on the Buses (1972), and Holiday on the Buses (1973) all on Blu-ray. These of course are based on the popular British TV sitcom from the late 1960s and early 70s.

Dennis has taken a look at Raoul Walsh’s They Drive by Night (1940) on Blu-ray from the Warner Archive Collection.

Stephen has offered his thoughts on Andrei Tarkovsky’s Nostalghia (1983) in 4K Ultra HD from Kino Lorber Studio Classics.

And finally, I’ve completed an in-depth review of one of my favorite films: Sergio Leone’s magnificent Western epic Once Upon a Time in the West (1968) in 4K Ultra HD from Paramount via their Paramount Presents line. And I’m afraid the disc is... complicated.

In any case, more new disc reviews are on the way this week, so be sure to keep your eyes peeled for them! [Read on here...]

We have a trio of new disc reviews for you all to enjoy today...

Stephen has taken a look at Dario Argento’s Phenomena (1985) on 4K Ultra HD from our friends at Synapse Films. It features an early performance by Jennifer Connelly, and the 4K is apparently pretty lovely.

Stephen has also reviewed Howard Hawks’ Man’s Favorite Sport? (1964) on Blu-ray from Kino Lorber Studio Classics. The film stars Rock Hudson and Paula Prentiss.

And Dennis has turned in his thoughts on Luis Valdez’s Zoot Suit (1982) on Blu-ray, also from Kino Lorber Studio Classics, featuring the great Edward James Olmos in an early role.

Also today, this is the final couple of days to vote in the 2022 Home Entertainment Media Play Awards, so be sure to head on over to their website to get your picks in quick. Voting ends on 4/1. [Read on here...]

All right, sorry there wasn’t a post yesterday—rest assured there was a good reason for it, which I’ll explain in a moment. But first, we have a new Blu-ray review for you to enjoy...

Dennis has posted his thoughts on Michael Engler’s Downton Abbey: The Motion Picture, which is now available on Blu-ray from Focus Films and Universal. If you liked the series (as we did), you’ll definitely like the movie too. It delivers everything you’ve enjoyed from the show with a bigger, grander, and more much cinematic aspect that fits the material and the period well. Not every big screen experience needs a superhero, and we look forward to more sequels should they be forthcoming. So enjoy the review!

Now then, we have few pieces of announcement news today...

As most of you will know by now, the Golden Globe nominees were announced yesterday and you can see the full list here via The New York Times. Netflix dominated in the film categories and there were a number of surprises. The Best Picture nominees include 1917, The Irishman, Joker, Marriage Story, and The Two Popes. The Best Musical or Comedy category includes Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time... in Hollywood, and Rocketman. Again, you’ll find the rest here. [Read on here...]

So I spent a couple hours up in Hollywood yesterday afternoon to cover something pretty interesting…

At a press event at the Screen Actors Guild, members of the UHD Alliance, three major consumer electronics manufacturers, and leading Hollywood filmmakers officially announced a new partnership effort to implement Filmmaker Mode as an extension of the 4K Ultra HD spec.

The idea is to ensure that when you watch a movie at home in 4K on your new Ultra HD display, whether from a disc, stream, or cable/satellite broadcast, it will look exactly as it should. UHD Alliance research suggests that as many as 80% of people who buy 4K TVs never change the settings out of the box. This means irritating features like motion smoothing and unnecessary processing are being applied to the image by default – processing that actually takes the picture away from the filmmakers’ intent.

What the Filmmaker Mode will do is to allow the user – either with one push of a button on the remote, or with a very easy and obvious menu setting – to set the TV’s display parameters to most accurately display the 4K content. This would be a baseline setting for the image – any added adjustments signaled by HDR10, HDR10+, or Dolby Vision metadata would happen on top of that setting. [Read on here...]