Items filtered by date: August 2023

The Animated Series was the first real demonstration that Star Trek had a life beyond The Original Series. It was the beginning of a huge period of Trek merchandise and fan interest that eventually paved the way for the Trek movies and subsequent TV shows, and it was an Emmy-winning program that brought some of Trek's sophistication to Saturday morning.” — Jeff Bond, co-author of Star Trek: The Motion Picture—Inside the Art & Visual Effects

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 50th anniversary of Star Trek: The Animated Series, the first “sequel” show to Gene Roddenberry’s legendary 1960s science-fiction series.

For the occasion, The Bits has reached out to several Treksperts and animation authorities and even an original Trek writer, each of whom reflects on the series, its virtues, and where it stands in the Trek franchise. [Read on here...]

We’ve got one more quick update for you today here at The Bits. But first, we have two new disc reviews from Stephen...

He’s taken a look at Thom Eberhardt’s Night of the Comet (1984) in 4K Ultra HD from Shout and Scream Factory. And he’s also reviewed Scott Walker’s The Tank (2023) on Blu-ray from Well Go USA Entertainment.

Now then, the quick bit of news we have to report today is a follow up on something we predicted was coming here at The Bits several months back, which is that Universal Studios Home Entertainment is officially releasing the next wave of Alfred Hitchcock 4K Ultra HD titles on 10/31!

You’ll get the next box set of five films—The Alfred Hitchcock Classics Collection: Volume 3—as well as 4K single-film SKUs of each of the films in the set, including Rope (1948), The Man Who Knew Too Much (1956), Torn Curtain (1966), Topaz (1969), and Frenzy (1972). You can see the cover art for the box at left, and the singles below the break. [Read on here...]

Published in My Two Cents

We’re back as promised this morning with another big announcement news round-up (and definitely be sure to check out our packed news update from yesterday evening as well, if you missed it)...

We’ll start with Barbie news (and there’s a phrase I officially never imagined I’d say): Warner Bros. Discovery Home Entertainment has just set Greta Gerwig’s pink-hued box office bonanza for “Premium Digital” release on 9/12 (SRP $29.99). Extras will include 6 behind-the-scenes featurettes (Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make Believe, All-Star Barbie Part, and It’s a Weird World). The physical media release on Blu-ray, DVD, and 4K Ultra HD will be announced at a later date (but our sources are still telling us to expect it on 10/3).

Also today, Kino Lorber Studio Classics has officially announced that Billy Wilder’s Stalag 17 (1953) is coming on Blu-ray and 4K Ultra HD on 11/21! Also coming that day on Blu-ray only is Clive Donner’s Babes in Toyland (1986), featuring both 1.33:1 and 1.78:1 aspect ratio versions. And coming on 11/14 on Blu-ray only will be Monte Markham’s Neon City (1991).

Stalag 17 will include a new 4K scan of the original camera negative with Dolby Vision HDR. The Blu-ray will also be mastered from the new 4K scan. Each disc will include new audio commentary with film historians Steve Mitchell and Steven Jay Rubin, as well as a second commentary with film historian Joseph McBride. You’ll also get the legacy commentary with Richard Erdman, Gil Stratton, and Donald Bevan, as well as 2 featurettes (Stalag 17: From Reality to the Screen and The Real Heroes of Stalag XVII B).

In terms of titles that are coming soon from KLSC, a 4K Ultra HD release of Clint Eastwood’s Play Misty for Me (1971) is in the offing. And the company has revealed that Kino Cult and Something Weird are working together on a Two Cult Classics by Betty Page Blu-ray double feature of Varietease (1954) and Teaserama (1955). Look for that to street sometime in 2024. [Read on here...]

Published in My Two Cents

We’ve got a lot of announcement news to cover today, so we’re going to share some of it here now, and then we’ll come back early tomorrow morning with the rest of it. But first, as always, here are some new disc reviews that we’ve posted recently...

Tim has taken a look at Albert Band’s Ghoulies II (1987) on Blu-ray from the MVD Rewind Collection.

Stephen has reviewed Carl Theodor Dreyer’s Michael (1924) on Blu-ray from Kino Lorber via their Kino Classics label.

And Stuart has offered his thoughts on Max Ophüls’ There’s No Tomorrow (1939) on Blu-ray also from Kino Classics, as well as Otto Preminger’s Angel Face (1953) and Anthony Mann’s Border Incident (1949) both on Blu-ray from the Warner Archive Collection.

Now then! Let’s get to that release news...

First up, just as we predicted the other day, Paramount has set David Zucker’s The Naked Gun: From the Files of Police Squad! (1988) for release in 4K Ultra HD Steelbook format on 11/28. You can see the cover artwork at left and also below. It’s not up for pre-order yet, but the Amazon listing is there, so we’ll include the link below. The 2-disc set will include the film in 4K UHD and also Blu-ray. We don’t yet know if the Blu-ray is remastered as well, and if there will be any new extras, but you can certainly expect many of the legacy extras to carry over. The release is timed to honor of the film’s 35th anniversary, which takes place on 12/2. [Read on here...]

Published in My Two Cents

[Editor’s Note: Since the original publication of this column back in 2016, a new book on 2001 has been published that deserves to be mentioned here—Michael Benson’s Space Odyssey. I’ve added a new section at the end to address it. There is also an excellent 2018 Michael Coate retrospective on the film here at The Bits that we’ve included as well.]

–Originally published on The Digital Bits on 9/28/2016–

I decided that I wanted to do something a little different with today’s My Two Cents column on The Digital Bits, so I thought I’d review a few new and/or recent books that may be of interest to cinephiles, especially those of you who are fans of Stanley Kubrick’s legendary 2001: A Space Odyssey.

As many of you would agree, I’m sure, 2001 is a landmark of filmed science fiction. Based loosely on a short story by visionary author Arthur C. Clarke, it depicts an AI-guided but manned journey through deep space, first to Earth orbit, then the Moon, and eventually out to the distant gas giant Jupiter and beyond, in response to the discovery of an alien artifact on the Moon’s surface, apparently having been buried there millions of years ago.

Not only was Kubrick’s film notable for its realistic depiction of the Moon’s surface fully a year before NASA’s Apollo astronauts actually landed there, it’s been lauded ever since for its realistic approach to depicting future spaceflight technology. Indeed, some of those who contributed designs to the project were actually involved in the space program. [Read on here…]

Published in My Two Cents

We’ve got a couple quick updates for you over the long Labor Day weekend here at The Bits...

The big one is that Sony Pictures Home Entertainment has just set David Anspaugh’s Rudy (1993) for release on 4K Ultra HD on 11/11, complete with both the 114-minute Theatrical Cut and a new 127-minute Director’s Cut in 4K, with Dolby Vision HDR and Dolby Atmos audio. Both are fully restored from original camera negative and the process was approved by the director. The 4K disc also includes English 5.1 DTS-HD MA for both versions, plus 2.0 audio for the Theatrical Cut. You also get a new commentary with Anspaugh and screenwriter Angelo Pizzo on the Director’s Cut, 5 additional deleted scenes, and the film’s trailer.

The package will also include the previous Blu-ray that offers 5.1 audio and 3 legacy featurettes (Rudy: The Real Story, Production, and First Down with Sean Astin). It comes in Steelbook packaging. You can see the cover artwork at left and also below the break.

Also today, Mondo Macabro and CAV have set Stephen Sayadian’s Dr. Caligari (1989) for release on 4K Ultra HD on 11/14, featuring both full frame and 1.85 theatrical versions, an isolated music and effects track, audio commentary with the director, and several interview featurettes. Audio will be 2.0 DTS-HD MA. [Read on here...]

Published in My Two Cents
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