Displaying items by tag: Nobody 4K

Afternoon, folks! I wanted to check in here today with some news, and few more reviews, and an update.

Some of you have probably noticed that The Bits website has been slow this week. We’ve been having some software issues and our tech support team is on it. The good news is, they’ve identified the cause. We’re working on a solution which is going to involve a bunch of software upgrades, but it’s likely to going to take a week or two to sort out. So I just wanted to apologize for the inconvenience and ask for your patience in the meantime. Rest assured, Scotty and the crew down in Engineering are on the case and we should be back to normal soon!

In the meantime, we have some new disc reviews for you...

Stephen has taken a look at Bill Plympton’s I Married a Strange Person! (1997) on Blu-ray from Deaf Crocodile Films, as well as David Allen’s The Primevals (2023) on Blu-ray from Full Moon Features.

Dennis has offered his take on Steven Soderbergh’s The Good German (2006) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment (with an assist on the 4K side from Tim Salmons), as well as Dougal Wilson’s Paddington in Peru (2024) on Blu-ray from Sony Pictures Home Entertainment, and Charles Walters’ Lili (1953) on Blu-ray from the Warner Archive Collection.

And Tim has reviewed Gordon Flemying’s Daleks’ Invasion Earth 2150 A.D. (1996) on Blu-ray from Severin Films.

Lots more disc reviews are definitely on the way, so be sure to watch for them. And I also wanted to let you know in advance that if news updates or social media posts are a little light over the next few days, it’s because I just got my hands on Warner and MGM’s new 007: James Bond – Sean Connery 6-Film Collection in 4K Ultra HD. So I’m going to crack that open and start working on detailed reviews of the films therein, but it’s probably going to take me through the weekend to get them all covered.

But if a cursory examination of Dr. No and From Russian with Love is any indication, these new 4K remasters are pretty terrific. They’re on 100GB discs, they feature very high data rates, and the color, detail, and grain are all very nice indeed. Fingers crossed, I think the Warner remastering team has nailed it. These are definitely a big improvement over the old Lowry Digital 4K masters. So watch for more on that in my reviews soon! [Read on here...]

All right, I trust you all had a fine and long Memorial Day weekend—those of you here in the States at least. We’ve got some good Blu-ray and 4K news to report today, but first more new disc reviews...

Tim has posted his thoughts on John Guillerman’s King Kong (1976), now available as a Collector’s Edition Blu-ray from Scream Factory.

He’s also weighed in on Vincent Robert’s The Fear (1995) on Blu-ray from Vinegar Syndrome.

Meanwhile, Dennis has turned in a look at George Abbott and Stanley Donen’s Damn Yankees (1958) on Blu-ray from the Warner Archive Collection.

And Stephen has weighed in as well with a look Michael Ritchie’s Smile (1975) on Blu-ray from Fun City Editions. [Read on here...]

We start things off today here at The Bits with a pair of new Blu-ray Disc reviews...

Tim has taken a look at Marty Feldman’s The Last Remake of Beau Geste (1977), new on Blu-ray from Kino Lorber Studio Classics. It comes with a terrific audio commentary by our friend Alan Spencer—the longtime writer, executive producer of TV’s Sledge Hammer, and personal friend of Feldman—that’s worth the purchase price of the disc all by itself. Don’t miss it.

Also, Dennis has offered his thoughts on Elia Kazan’s Baby Doll (1956) on Blu-ray from the Warner Archive Collection. Do give that a look as well.

Speaking of the Warner Archive Collection, we want to take a moment to remind everyone that even though WB Shop has officially closed, Warner Archive Blu-ray, DVD, and 4K titles can now be purchased from their brand store on Amazon.com (click here for that). Warner Archive has just revealed more new upcoming titles (see our post yesterday) and we have word that they’ll have new titles through the end of 2021 at least. It’s likely that the label will continue indefinitely, just run by Warner Bros. Home Entertainment itself, rather than its former, dedicated team. [Read on here...]