Displaying items by tag: Imprint Films

Well, there’s a little bit of release news to close out the week here at The Bits, plus we have a few more new disc reviews...

Tim has turned in his thoughts on Ezio Greggios’ The Silence of the Hams (1994) on Blu-ray from Turbine Media.

Dennis has reviewed Gary Whitson’s Hung Jury (1994) on Blu-ray from Vinegar Syndrome.

And Stuart has offered his take on Alfonso Brescia’s Italian gangster film The New Godfathers (1979) on Blu-ray from Raro Video.

In announcement news, Imprint Films has revealed their planned September release slate, which is set to include Sam Peckinpah’s Cross of Iron (1977) on 4K Ultra HD + Blu-ray Combo and also Bring Me the Head of Alfredo Garcia (1974) on Blu-ray, along with the Ray Bradbury’s The Martian Chronicles TV series (1980) on Blu-ray, and finally a new Film Focus: George Peppard (1968-1974) Blu-ray box set, which includes P.J. (1968), Pendulum (1969), The Executioner (1970), and Newman’s Law (1974). The Executioner is a Blu-ray format debut. Street date for all of them to ship is 9/27. [Read on here...]

All right, we’re working on a bunch things here at the website today, including more reviews, follow-up on upcoming titles from our industry sources, and a big My Two Cents editorial/commentary piece on the current state of the home video industry that I’ll be posting here after the July 4th holiday.

In the meantime though, we do have a few more new disc reviews for you today, including...

Dennis’ thoughts on Harvey Hart’s Bus Riley’s Back in Town (1965) on Blu-ray from Imprint Films and Via Vision.

Stuart’s take on Don Siegel’s Steve McQueen/WWII drama Hell Is for Heroes (1962) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s look at Steve Jodrell’s Shame (1988) on Blu-ray from Umbrella Entertainment via Vinegar Syndrome. [Read on here...]

Today’s new disc reviews here on The Bits include...

Tim’s review of Phil Tucker’s Robot Monster (1953) on Blu-ray 3D from Bayview Entertainment.

Stuart’s in-depth take on the Essential Film Noir: Collection 4 Blu-ray box set from Imprint Films and Via Vision Entertainment, which features The Enforcer (1951), Beware, My Lovely (1952), Jennifer (1953), Rope of Sand (1949), and Appointment with Danger (1950).

And Dennis’ look at Elliott Nugent’s The Great Gatsby (1949) on Blu-ray also from Imprint and Via Vision.

In announcement news today, Lionsgate has set Jalmari Helander’s Sisu for release on Blu-ray, DVD, and 4K Ultra HD on 7/11, with the Digital release available today. The 4K will be available in a wide-release Amaray SKU and also a Best Buy-exclusive Steelbook. Extras will include a pair of featurettes (Indestructible: Making Sisu and Pushing the Boundaries of Reality: The Visual Effects of Sisu). Audio on both the 4K and Blu-ray will be included in 5.1 Dolby TrueHD format. High dynamic range is likely HDR10 only on the 4K SKUs. [Read on here...]

We’ve got three more new disc reviews for you today...

First, I’ve taken a look at Apple TV’s For All Mankind: Season One, as released on Region B Blu-ray in the UK by Dazzler Media. This is one of my favorite series—and alternate history of NASA’s space program in a world where the Soviets beat America to the Moon in the 1960s, co-created by Ron Moore of Battlestar Galactica, Star Trek: The Next Generation, and Outlander, which starts as a Mad Men-like period drama and gradually moved into the territory of science fiction with each new season. Dazzler’s release is the only place you can get the series on physical media, and I’ll be reviewing Season Two on Blu-ray shortly as well.

Also, Dennis has reviewed Mike Hodges’ I’ll Sleep When I’m Dead (2003) and Bernardo Bertolucci’s Little Buddha (1993) on Blu-ray from Imprint Films and Via Vision in Australia.

Speaking of Imprint Films, the company has just unveiled its August Blu-ray slate, which is set to include the following... Film Focus: Jennifer Connelly—which includes Career Opportunities (1991), Waking the Dead (2000), and House of Sand and Fog (2003)—Film Focus: Jessica Lange—which includes Frances (1982), Crimes of the Heart (1986), Music Box (1989), and Losing Isaiah (1995)—Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994), Karen Moncrieff’s Blue Car (2002), and Steven Zaillian’s Searching for Bobby Fischer (1993). [Read on here...]

Afternoon, everyone!

I just wanted to pop in here quickly to say that news updates over the next few days will likely be limited. All of us here at the site have a lot of things going on personally, which are understandably absorbing most of our attention. And it’s always important to remember when you work online that real life matters come first.

Speaking personally, my father-in-law is here this week for a visit from the East Coast, so we’re enjoying our time with him. My wife and I have also added new some animal family members to the household here in SoCal, and we’re working to get them settled in. I also have a slate of doctors’ appointments scheduled for this week—just routine check-ups and that sort of thing.

And frankly, after the last few months of title announcements, disc releases, industry turmoil and changes, website upgrades and maintenance, and what have you, all of us need a few days to recharge our batteries. [Read on here...]

We’re rounding out the week here at The Bits with more new disc reviews, some new announcements, and a long-overdue column as well.

Starting with those reviews, Stephen and Tim have taken a look at Penelope Spheeris’ Wayne’s World: 30th Anniversary Edition that came out recently on 4K Ultra HD from Paramount Home Entertainment.

Stephen has also reviewed Dominick Barascia, Jr’s Evil Laugh (1986) on Blu-ray from Vinegar Syndrome.

And Dennis has turned in his thoughts on Steven Spielberg’s The Fabelmans (2022) on Blu-ray from Universal. A 4K UHD review of that title is forthcoming as well.

Also here at the site today, our old friend (and erstwhile Inglorious Trekspert) Mark A. Altman has checked in with a new MOD DEF column looking back at his personal picks for The Best Blu-ray and 4K Ultra HD Titles of 2022. I think you’ll find it a good read, so do give it a look. [Read on here...]

We have a bunch of new title announcements to start the week off right today...

First up, Paramount has just officially set Damien Chazelle’s Babylon for release on Blu-ray, DVD, and 4K Ultra HD on 3/21, with the Digital release expected tomorrow on 1/31. The Blu-ray and 4K disc will include a trio of behind-the-scenes featurettes (A Panoramic Canvas Called Babylon, The Costumes of Babylon, and Scoring Babylon) along with deleted and extended scenes. Note that a Steelbook 4K SKU will also be widely available the same day. You can see the Amaray art at left and both versions below.

Paramount has now made Adrian Lyne’s Flashdance (1983) official for release in 4K Ultra HD on 4/11 as a new 40th Anniversary Edition. You can see that below as well.

They’ve also set Jon Chu’s G.I. Joe: Retaliation (2013) for 4K Ultra HD re-release as well as a 4K Steelbook 10th Anniversary Edition on 3/28 with Dolby Vision HDR.

And on the TV front, Paramount and Comedy Central have announced South Park: The Complete Twenty-Fifth Season for Blu-ray and DVD release on 4/4. [Read on here...]

We’re closing out the week with some new Blu-ray and 4K title announcements and a few updates on 4K titles we’ve mentioned here at The Bits previously.

In terms of official announcements, Disney and Searchlight Pictures have set Sam Mendes’ Empire of Light for release on Blu-ray and DVD on 2/21, with the 4K Digital release expected on 2/7. Extras will include the Creating the Empire of Light featurette. You can see the cover artwork at left.

Lionsgate has set Brett Donowho’s western The Old Way, starring Nicholas Cage, for Blu-ray, DVD, and Digital release on 2/21.

And Film Movement will release Mario Martone’s The King of Laughter on DVD and Digital on 2/14.

Also, Warner Bros. Discovery Home Entertainment has set their new animated Duck Dodgers: The Complete Series for release on Blu-ray on 3/28. [Read on here...]

All right, we have several more new disc reviews for you to close out the week today, and a bit more release news as well...

To start, Tim has turned in his thoughts on Paul Schrader’s Cat People (1982) in 4K Ultra HD from Scream Factory.

He’s also reviewed Sam Raimi’s Army of Darkness (1990) in 4K Ultra HD in both wide-release Amaray and Steelbook packaging, also from Scream Factory.

Stephen has taken a look at Yugo Sakamoto’s Baby Assassins (2021) on Blu-ray from Well Go USA Entertainment, as well as Jack Cardiff’s The Girl on a Motorcycle (1968) on Blu-ray from Kino Lorber Studio Classics, and also Sergio Bergonzelli’s Blood Delirium (1988) on Blu-ray from Vinegar Syndrome.

And Dennis has offered his thoughts on Rick Rosenthal’s Distant Thunder (1988) on Blu-ray from Paramount via Imprint Films.

All of these tiles are worth a look, and as always more reviews are forthcoming in the days ahead. [Read on here...]

Today being a federal holiday here in the States, there’s not a ton of announcement news to report on this afternoon, but we do have a few interesting odds and ends.

First though, a couple more new disc reviews...

Dennis has posted his thoughts on John M. Stahl’s Imitation of Life (1934), which is new on Blu-ray from The Criterion Collection.

And Stephen has taken a look at Louis Malle’s Pretty Baby (1978) on Blu-ray from Paramount via Imprint Films.

Now then... in announcement news today, Neon has confirmed that four of their recent titles—Ruben Östlund’s Triangle of Sadness (2022), Brett Morgen’s terrific David Bowie documentary Moonage Daydream (2022), Laura Poitras’ All the Beauty and the Bloodshed (2022), and Céline Sciamma’s Petite Maman (2021)—are all going to be coming from the Criterion Collection, presumably to Blu-ray and/or 4K Ultra HD. [Read on here...]