It's no exaggeration to say that Richard Donner is one of the most influential filmmakers of the past thirty years. For all intents and purposes, he single-handedly invented the modern superhero movie with 1978's Superman. In 1987, he reinvigorated the buddy movie formula with Lethal Weapon, spawning three sequels and countless imitators. But like any filmmaker, there have been some disappointments along the way, both critical and commercial. Perhaps the biggest was the failure of Inside Moves, a low-key character study, to find an audience upon its release in 1980. The film garnered critical praise and an Academy Award nomination for Diana Scarwid in the Best Supporting Actress category. But an ineptly managed theatrical release all but insured that no one would ever see it. After its release on VHS in the early 80s, Inside Moves promptly vanished into obscurity.

When Lionsgate recently announced their new 3-disc Full Disclosure Blu-ray Edition of Francis Ford Coppola's legendary Vietnam War film, Apocalypse Now, the news seemed almost too good to be true for longtime fans. The set, which streets on 10/19, is due to include both versions of the film, many hours of bonus features and, at long last, the infamous Hearts of Darkness documentary – the first time the film and documentary have ever been presented together on disc. It also includes – for the first time in ANY home format – both versions of the film in their original 2.35:1 theatrical aspect ratio. Given the film's complex history, and the equally complicated history of its past home video editions, fans of Apocalypse Now immediately began to have questions about the Blu-ray release, and quickly began to speculate about the release online. How would the new transfer compare to the 2001 release? How involved were Coppola and cinematographer Vittorio Storaro in preparing the new transfer? What surprises might the new edition bring?

I'm sure by now, most of you know that when you go to see a movie in a theater, the screen you watch movies on is shaped differently than your TV screen at home. Properly shown movies appear to be much wider-looking than television programs do. There's a reason for that, and it's all about something called aspect ratios.

So just what exactly are aspect ratios, and how did they come to be? Well sit right back, and I'll tell you the whole story...

RealD, 3DTV, Blu-ray 3D, active shutter glasses - these are terms you've probably heard mentioned on TV and in trips to Best Buy and other retailers. Certainly, anyone who's gone to a movie in theatres in recent months has heard about (or experienced) 3D on the big screen, with such hit films as Avatar, Toy Story 3 and How to Train Your Dragon. There's little doubt that 3D is here, and here to stay. What's more, the technology has finally arrived for you to enjoy the 3D experience in your living room. But what does it all mean? How does it work, and what special equipment do you need to give it a try?

The following is a comparison of anamorphic and non-anamorphic (letterboxed) widescreen DVD video, as displayed on Standard 4x3 and Digital 16x9 TVs. For this demonstration, we've chosen to use snapshots of actual DVD video from the film Rushmore (aspect ratio is 2.35:1). Buena Vista's original DVD version (on the left) is non-anamorphic. By contrast, The Criterion Collection DVD release (on the right) is anamorphic.

The following is a comparison of anamorphic and non-anamorphic (letterboxed) widescreen DVD video, as displayed on Standard 4x3 and Digital 16x9 TVs. For this demonstration, we've chosen to use snapshots of actual DVD video from the film Good Will Hunting (aspect ratio is 1.85:1). Buena Vista's U.S. DVD version (on the left) is non-anamorphic. By contrast, Alliance's Canadian DVD release (on the right) is anamorphic.

As the editor of The Digital Bits, I'm proud to present you with The Ultimate Guide to Anamorphic Widescreen DVD for Everyone! - the Everyperson's bible to DVD's most important video quality feature.

You may remember the first editorial I did on this subject back in 1998: The Big Squeeze: The ABCs of Anamorphic DVD. Lots of you have let me know that the editorial helped you to better understand just exactly what anamorphic is and how it works. But we still get tons of e-mail from puzzled readers asking questions about it. I recently did some research of my own, and started looking at the various resources available on the subject (both online and in various print publications). What I discovered, is that while there are lots of good articles on anamorphic widescreen, most of them are written in very technical terms and are difficult for even reasonably savvy DVD consumers to understand. Given the vigorous position in support of anamorphic widescreen that we've taken here at The Digital Bits, I decided to assemble what I hope will become the most clear and easy-to-understand guide on the subject. And it will always be just a click away, easily accessed by pointing your mouse at the familiar Anamorphic Widescreen logo found on every page of the Bits.

Disney's A Christmas Carol
2009 (2010) - Walt Disney Home Entertainment

Who doesn't know the story of A Christmas Carol by now? The latest silver screen version comes from director Robert Zemeckis' Image Movers Digital, previously responsible for films like The Polar Express and Beowulf. It's also Disney's first trip into Blu-ray 3D.

Monsters vs. Aliens
2009 (2010) - DreamWorks Animation (Paramount)

Monsters vs. Aliens was the first Blu-ray 3D title available to own, if only packed in with Samsung's 3D glasses starter pack. Still, this disc represents most enthusiasts' very first taste of what the Blu-ray 3D format has to offer.

Monster House
2006 (2010) - Sony Pictures Home Entertainment

We've all known that cranky old neighbor who screams "Get off my lawn!" at you. But what if he actually a reason for doing so? Mr. Nebbercracker has mysteriously amassed a dragon's horde of tricycles, basketballs and kites beneath his house over the last 40 years, and it's up to intrepid young DJ (whose parents are away for the weekend), and a self-absorbed teenage babysitter, to crack the mystery of how and why.